The Parmesans were one of my favorite discoveries in 2012, which makes me thrilled to hear a new batch of their quirky, Californian bluegrass tunes so quickly. The Smell of Silence is a worthy successor, delivering both a light atmosphere and serious musicianship. If the five-song EP’s title didn’t tip you off, the moniker of “Heinous Pit of Death” and the wolf howls in “Delirious Dream” should alert you: this isn’t self-serious revivalism. They are serious musicians, however, showing off their vocal and instrumental chops in melodic and interesting ways (“Spicy Cigarette,” “See For Yourself”). Their vocal harmonies are especially top-notch in the beautiful “Walls for the Wind,” a setting of a traditional Irish blessing. The Parmesans’ uncluttered, earnest approach fits the sentiments perfectly, resulting in a perfect closer for the EP. The Smell of Silence is a joy to hear.
Radio-friendly pop-punk has so dominated the high-tenor vocal range that it’s a tough fight to make that style vocals sound good in any other genre. But The Sun and the Sea make it work excellently in the indie-pop-rock of Vega. TSAS’s sound is much closer to the spacious, moody pop of Mae’s Destination: Beautiful, a personal favorite. There are crunchy electric guitars, tasteful electronic inclusions and soaring vocal melodies, but a more ambiguous, mature mood is the focus here. “Waves” and “One by One” employ towering crescendoes, while “Valiant” and “We Deal in Illusions” strike a more contemplative tone to get their message across. Some may hear this merely as pop-punk, but I think it’s got too much nuance to be lumped pejoratively in that category. If you’re interested in the work of indie-pop-rock like John K. Samson, I think you’ll like Vega very much.
I heard that The Mars Volta broke up the other day, and I had a moment of silence for the loss of a spazzy, idiosyncratic band willing to follow its own vision. Cyan Marble has a better plan to celebrate TMV’s disappearance than silence: a three-song EP that follows in Omar Rodríguez-López and Cedric Bixler-Zavala’s very large footsteps. Mirror EP has everything you could want: crazy breakdowns, astonishing bass work, drastic mood changes, wild juxtapositions, even sky-high male vocals. Cyan Marble has its chops on display, but it also shows that it can write a compelling tune: “Monoceros” strikes a solid rhythmic and melodic groove and is easily identifiable as its own tune. The parenthetical after Mirror EP is (Demo), so this is only the beginning for this math/post/whatever-rock band, and I’d say they’re very worth keeping tabs on.