Independent Clauses | n. —unusual words about underappreciated music

David Ramirez / The Naked Sun

May 22, 2013


David Ramirez is very quickly becoming one of my favorite songwriters. It’s not just his engrossing baritone voice or powerful melodies, nor is it solely his intimate production. Those are all reasons that David Ramirez is at the top of his game. The reason he’s beating out others and being at the top of the game is his willingness to take on unusual topics with a refreshing candor. The five songs of The Rooster feature touching love ballads, a breakup song, and some outlaw country remorse, but highlight “The Forgiven” talks about the struggles of being an artist in a new light.

Among his fingerpicked notes, Ramirez announces,

“They love me for be honest/they love me for being myself/but the minute I mention Jesus/they want me to go hell/And it’s hard to find the a balance/when I don’t believe in one./When you mix art with business/you’re just shooting an empty gun.”

I’d quote the rest of the song for you, because it’s beautiful, passionate, and poignant, but you should just listen for yourself. As a Christian who works primarily not in Christian arenas, this song resonated deeply with me. It is heartening to hear Ramirez struggle with the whole of himself as part of his songwriting, and that struggle is worth my highest stamp of approval.

It’s not all deep thoughts about the role of the songwriter: “Fire of Time” is a gorgeous song about the redemption that people can help each other find, while “Glory” is just a beautiful love song. Each of these are treated in the stark, riveting style I mentioned up top. In short, The Rooster is high on the list for best EP of the year, because there’s nothing here that isn’t in top form. If you like the singer/songwriter genre and haven’t heard of David Ramirez yet, you need to fix that immediately.


There’s two ways to get on my good side: put a new spin on an old genre or make that old genre work perfectly. The Naked Sun have taken the latter approach to alt-country, pulling together all the old tropes of the genre and making them sing on the four-song Space, Place and Time EP. The usual suspects are here: acoustic guitar, organ, pedal steel (or its electric guitar approximation), and earnest tenor vocals with a bit of raw timbre. The thing to celebrate in The Naked Sun is its arrangement of these tried and true parts, creating memorable moments and melodies out of a deep genre knowledge.

“Debbie Deist” is a country waltz like I would expect to find in an old-time saloon: howling vocals over jaunty piano, a simple drumbeat, and multipart harmonies. When the emotive guitar solo kicked in, I was totally sold. That’s not virtuouso egoism, that’s heart and soul, my friends.

The gentle “Cosmic Winds” calls up comparisons to modern folkies, while the guitar hook of “Fatigue” pulls the song in a bit more artsy direction than traditional alt-country. Still, it feels comfortable within the EP and the genre, like old hands pushing the boundaries a little before settling back into the know-’em-by-heart verses. “Rough Diamond” closes out the set with a flowing, contemplative piece. It’s a strong four-song set, and one that fans of alt-country will find themselves drawn to. No flash, no frills, just strong, strong songwriting.

April Showers Bring May … videos

May 8, 2013

David Ramirez dropped an absolutely mindblowing EP named The Rooster yesterday, and “The Bad Days” is the first cut from the release. If you like singer/songwriters or folk or country or whatever we’re calling it these days, check this out: David Ramirez is winning the game. I’ll have a full rave about it in a few days, but right now, this:

Hoodie Allen has largely graduated from the indie-rock-flipping beats that made me fall in love with him, so it’s nice to hear him doing stuff that kinda goes in that direction. This track is a collaboration with acoustic singer/songwriter Kina Grannis, and it’s pretty awesome. Furthermore, the Mets get a shout-out, so I’m automatically in love with the track. Kina and Hoodie also covered “Anna Sun” by Walk the Moon, which was pretty legit too.

Dresses is from Portland, which explains why the video for jubilant indie-pop tune “Sun Shy” could be called “How to Hipster, 2013 Edition.” I love everything about the song and the video. Holla.

If you’ve got 18 minutes to experience some beautiful tunes, Adam Remnant (of rambunctious alt-country outfit Southeast Engine) debuted four brilliant new acoustic songs on a front porch in the middle of the woods. His weary tenor voice is in full glory in that atmosphere, evocative to a heartbreaking point. Yes. You want to listen to this.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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