The Never Give Up Kickstarter officially ended yesterday, as I mailed out the last of the rewards and got covered on Cover Lay Down (which was a huge thrill). It was an incredible project that I’m extremely proud to have completed. We did the whole thing right at budget, too, which is exciting. The Lion of Tallasi contributed a really fantastic version of “Recycled Air” that put a whole new spin on the tune, and it ended up being one of my favorite renditions in the whole project. So it’s with great excitement that I tell you about the Lion’s debut album, God, Love, and Death. (And yes, the band did include the Oxford Comma. Take that, Vampire Weekend.)
The album is built off heavy folk strum and Matt Howard’s Conor Oberst-esque roar. A full band accompanies, but they are firmly supporters of Howard, who stands front and center throughout the record. The most prominent member of the band is Kristen Durrett, who provides vocal counterpoint in many of the tracks; the rest of the band makes sure that things keep pushing forward without drawing too much attention to themselves.
That forces all listeners to contend with Howard’s voice and lyrics as the make-or-break points of the band. Howard has the Oberstian roar, as I noted; but he goes farther back in the folk history to draw heavily off Dylan’s lyrics. “A Million Dark Roads” calls up the poetic stylistics of “The Times, They Are A’Changing” and “A Hard Rain’s A’Gonna Fall,” while the downtrodden, stark “Down to the River” reminds of some of Dylan’s more impressionistic work. Highlight track “Don’t Put Me in the Grave” is the catchiest tune of the lot, sounding like a lost track from the chipper sessions of I’m Wide Awake It’s Morning in melody and arrangement. An organ peals, a tambourine shakes, and a mandolin chirps out the instantly memorable melody. It’s an excellent song, and it’s placed right after the intro track as a sign of things to come. It’s not all protest anthem shout-alongs, as there are some love songs sprinkled through, too.
If you’re not down with Dylan or Oberst, then God, Love, and Death is maybe not for you. If you like either of those artists, even just a little, you definitely should listen to The Lion of Tallasi: you will find much to love.
This project has been a microcosm of my whole 10 years running this blog: a little idea that got bigger and bigger with help from all sorts of people who pitched in. Massive thanks go out to The Carradini Family, Uncle David and Aunt Rose, the Lubbers Family, Neil Sabatino & Mint 400 Records, Albert & Katy, Drew Shahan, Odysseus, Joseph Carradini, Jeffrey M. Hinton, Esq., @codybrom a.k.a Xpress-O, Conner ‘Raconteur’ Ferguson, Janelle Ghana Whitehead, Tyler “sk” Robinson, Jake Grant, Anat Earon, Zack Lapinski, Mila, Tom & April Graney, Stephen Carradini, Theo Webb, Jesse C, D. G. Ross, Martin & Skadi, Jacob Presson, Michelle Bui, and Elle Knop.
The first 200 downloads of the album are free, so go get ’em while they’re available! (The price is $4 a side once the freebies are gone.) The streaming will always be free, so if nothing else you can go listen to some sweet tunes from some of Independent Clauses’ favorite bands. Once again, thanks to all who contributed in any way, both to the project and to Independent Clauses’ last 10 years. It’s been a thrilling, wild ride.
Never Give Up: Celebrating 10 Years of the Postal Service