Independent Clauses | n. —unusual words about underappreciated music

The Body Rampant's modern rock has a more-than-Transient spark

May 16, 2011

The Body Rampant‘s Framework EP set down three songs that drew tight connections to Anberlin’s modern rock work. Their new EP Transient Years builds on that EP literally and figuratively.

The band added three new songs to the trio from Framework to complete the six-song release. The new songs fit in nicely with the previous work, not straying too far from the charging guitars/enormous drums combo. There are some nice guitar riffs throughout, but the band isn’t too obsessed with guitar heroics to pigeonhole it over there. The band’s main concern is the interplay between the vocal melodies and guitar melodies, and to that end, they do an excellent job.

The jumping off point for their future is “Living in Spurts,” which incorporates tasteful synthesizer as part of their modern rock mix. It doesn’t turn the song into a dance-rock tune, which is great; it merely provides another piece of the song to enjoy. That’s a sure sign of maturity, to resist hot trends for the sake of your vision. “Indica” does a similar thing, but not to as prominent a role.

Let’s hope that they keep having that vision and grow into it for the long haul. I think they could, as these songs have a spark that not many modern rock bands can harness.

The Body Rampant lays the framework for success

April 14, 2010

It’s really weird that I discovered two bands with the word “Rampant” in their name within a month of each other. It’s not a very common word. The first one I discovered was rock band The Body Rampant, whose Anberlin-esque modern rock shows a lot of promise.

The Body Rampant’s Framework EP contains three songs, and all of them are solid. As before stated, the rock borrows heavily from Anberlin’s ideas on structure and mood. None of these songs evolve (or devolve) into full-out ragers; on the other hand, none of the three drag at all. They keep the tempo fast but not too fast; they keep the emotion high but not over the top.

The persuasive vocals go a long way to selling the rock. There’s yet again more Anberlin comparisons, as the high-pitched (but, again, not too high-pitched) vocals call Stephen Christian’s to mind. There’s a little bit less bite to the vocal work in the three tunes here, but it’s nothing that can’t be matured into. The guitarwork is to be noted; the heaviness contrasted with the melodic quality of the guitars worked very well, especially in “Artax Please!”

I had the feeling throughout that The Body Rampant was almost there. There were the beginnings of good ideas, solid execution, and good melodies. The project needs to mature more, and it will be something great.

If you’re a fan of modern rock with a pop edge, The Body Rampant should be on your list to check out.

Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.

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