Here’s November’s singles, over the next few days.
Sing Yr Song
1. “Echo” – Matthew Squires and the Learning Disorders. Some people have the greatness inside them, and it’s present in flashes that don’t reveal the whole thing. That was Squires’ previous work, and “Echo” is the revelation: the yelpy vocals, the singer/songwriter lyrics, and propulsive indie-rock arrangements all come together to give me shivers. Color me thrilled for the new album.
2. “Strange the Way” – James Hearne. Here’s a tight country arrangement paired with a great chorus. There is some great country in the world, y’all. I’m not even throwing “alt” on this. It’s country. And it’s good. You won’t be aurally injured by listening, I promise. You’ll like the chorus, for sure. You like Jason Isbell, you know? It’s okay. Admit it. Country.
3. “Pretend With Me” – Great Spirit. Remember a couple of years ago when back porch-style folk was in? Great Spirit is on that porch, still doin’ its loose, warm, optimistic string band thing. Break out your mason jars. (I love mason jars. This is not ironic.)
4. “Breathe Your Last” – Jameson. Banjo, bright production, swamp shuffle percussion, and some grit on the edges of the vocals make this track a keeper. Oh, also the giant chorus.
Even though spring is officially today, it iced two days ago in Raleigh. It’s been a long winter, so it’s nice to start thinking about and hearing summer (even if I can’t see it yet). Here are some summery tunes for you, with occasional interjections from fall (everything folky sounds like fall, sorry bout that).
1. “The Sun” – Sleepers Bells. Jesse Alexander keeps busy: he’s in IC favorites Battle Ave. and The Miami, as well as releasing a solo project under the name Sleepers Bells. This track combines the Titus Andronicus punk fervor of BA with the wild vocals and mournful sadness of The Miami for a completely fascinating track.
2. “Ether” – Gentle Robot. Is night-time rock a thing? (Bloc Party says yes?) If so, that’s where Gentle Robot lives: dark but not angry, melancholy but not brooding, loud but not abrasive.
3. “Raise a Glass” – Monsenior. Bouncy indie-pop that evenly balances weight and effervescence. This one never loses its grounding as a bass-heavy tune, but it’s still a ton of fun.
4. “Beauty’s Bones” – Villa Kang. Combinines giant, thwomping ’80s electro-pop beats with some wistful ’00s indie-vibes in the vocals. The ghost of MGMT hangs low over this summer banger.
5. “Concorde” – Incan Abraham. No better title for this Springsteen-meets-’80s electro cut than the sadly-no-more jet.
6. “Til Tomorrow” – DWNTWN. We have entered “summery pop” season. It couldn’t get here fast enough, for my money.
8. “Dare the Dream (Challenger Remix)” – Pure Bathing Culture. IC faves Challenger give the dreamy PBC cut an even dreamier take, turning it into an ethereal-yet-triumphant take on the tune.
9. “Towers” – Orphan Mothers. Smooth, delicate R&B-esque tune with some indie-rock flair in the guitar. Remember The Antlers? They’d be jamming to this.
10. “She’s Falling” – Breanna Kennedy. It seems like I’m including one adult alternative track per mix. This week’s AA track features a nicely understated chorus; it’s great to not hear a gigantic instrumental explosion every now and then.
11. “Flaws” – Vancouver Sleep Clinic. Falsetto over electro/acoustic jams is either going to invoke James Blake or Bon Iver until further notice. Still, this is a beautiful track.
12. “Burning Promises” – GreenHouse. Piano, synths, found sound, and dry percussion come together to make a relaxing tune.
1. “Into the River” – The Quick and the Dead. This exclusive download toes the line between power-pop and Old ’97s alt-country and includes a killer harmonica solo. Back to the Future Part Three was rad.
2. “Primitive Style” – Johnny Delaware. I am in a roadtrip movie. I am in an ’80s convertible. Johnny Delaware is riding on the back of the car and playing guitar, somehow standing upright at 60 mph. My feathered hair is flying in the wind. I feel like yelling “FREEDOM” into the air in a Breakfast Club sort of way, not a William Wallace sort of way. Did Molly Ringwald listen to Bruce Springsteen? She would have loved Johnny Delaware.
3. “Dybbuk” – Remedies. I am transported to a kids’ movie in the ’80s, where I am wandering through an enchanted cave. Something awesome or maybe terrible is about to happen. My hair is still feathered. My jean jacket is on. The viewers are holding their breath. Let’s do this.
4. “Lost Track of Time” – MTNS. The Antlers, How to Dress Well, Vondelpark, and MTNS would be an absolutely incredible soundtrack to a 16 Candles-type movie. You know it’s true.
5. “Electricity” -FMLYBND. It’s like M83, The Rapture, and The Temper Trap collaborated on an ’80s club jam. SET PHASERS TO STUN.
6. “The Day We Both Died” – Vial of Sound. I’m always afraid to namecheck Daft Punk and LCD Soundsystem at the same time but screw it SET PHASERS TO KILL
7. “Told You Twice” – Milo’s Planes. Because sometimes you just need a thrashy, scream-it-out tune to blast in your car.
*I’m aware that BTTF3 came out in 1990, but let’s be real. 1990 was still the ’80s.
Another mixtape! This one’s predominantly dark indie rock, instrumental hip-hop, and lush indie.
0. “Need Parmesan” – Pjaro. From the surrealistically named Why Is No One Here I Can Make You Alt comes a crazy instrumental indie-rock piece that’s like a post-rock piece if Two Gallants were trying to play the genre and out of frustration they gave up and played really loud. This one’s surprising and intriguing.
1. “Waiting” – Program. Remember the mid ’00s, when everything was super-epic because The Arcade Fire ruled and everyone wanted to be like them? I loved that time. Program remember that time well, with synths and toms and all the right stops’n’starts.
2. “Liar Liar” – Vienna Ditto. Someday, all genres will be one genre, and I’ll be out of a job. Until then, it’s my job to tell you that tribal drums, Portishead-style vocals and swaggering guitar riffs come together for some crazy, gripping music here.
3. “View of My Sanity” – Anna Lena and the Orchids. Another singer/songwriter indebted to the icy soundscapes and incisive vocals of Portishead, another beautiful tune.
4. “Endless Possibilities” – The Boxing Lesson. Space rock that consumed an orchestra? Sign me up.
5. “Proto” – Ryan Hemsworth. This one comes from Mitsuda, the hip-hop tribute to video game soundtrack creator Yasunori Mitsuda (Chrono Trigger). YES TO THE YES.
6. “I Still Think of You From Time to Time” – Louville. Trombones, pulsing beats, and wiry synths come together to form … euphoric electronica? Whatever, just roll with its beauty.
7. “Nothing Left to Say” – Poldoore. Super cool heist movies, take notice: here’s a candidate for your next soundtrack inclusion.
8. “Staying In” – Ola Podrida. Mysterious tune that kinda sounds like a dungeon level soundtrack, until the beautiful chorus kicks in.
9. “Chinese Paper Cuts” – Own Goal. The sparse instrumentation creates a unique indie-soul atmosphere that will appeal to fans of The Antlers.
10. “Blue Elvis” – Peals. It sounds like two guys sitting on the porch making beautiful, low-key, beautiful instrumental music because they can. I dig it.
11. “Seven” – Qualia. Loose, chill, moving post-rock that evokes The Album Leaf, lazy Saturday afternoons and/or epic realizations. Wonderful stuff.
I’m incredibly excited that I’ve finished my year-end lists actually correspond with the end of the year. Without further pontificating, here’s the first half of the year’s best.
Honorable Mention: LCD Soundsystem – Madison Square Garden Show. It’s not an official release, but it proves that the tightest live band in the world only got tighter with time. “Yeah” is an absolute powerhouse.
11. “Nights Like This” – Icona Pop. I love a chorus that I can belt at the top of my lungs in a moving vehicle, and this dance-pop gem provides. I get shivers just thinking about those euphoric “whoa-oh-oh-OH-oh”s.
5. “Song for You” – Jenny and Tyler. Jenny and Tyler transformed from a Weepies-esque duo to a powerful, churning folk-rock duo, and this song is the best example. I get shivers when the band crashes in.
4. “Norgaard” – The Vaccines. When I turned in my last paper, I put this pop-punk rave-up on repeat and danced all the way home. I’m sure people thought I was nuts. I don’t care – the song is that good.
3. “Kitchen Tile” – Typhoon. I’ve got a book on my stack to read about rock’n’roll and the desire for transcendence; Typhoon has already achieved it in folk with this song. Vocal melody, choirs, horns, strings, This is everything I want in a folk tune.
2. “Sticks & Stones” – Jonsi. The charging rhythm, unique textures and ethereal vocals made this the most infectious song I heard all year. I rocked this one all summer … and fall.
I’ve rarely been on-the-ball enough to get my year end lists done by December 31, but this year I made a concerted effort to have all my 2011 reviewing done early. As a result, I was able to put together not just a top 20 albums list, but a top 50 songs mixtape and a top 11 songs list. Here’s the mixtape, organized generally from fast’n’loud to slow’quiet. Hear all of the songs at their links, with one exception of a purchase link (#27). The other lists will come over the next few days.
Just like IC puts out its year-end best-of list in February, my half-year best-of doesn’t hit until August. This list includes the music I covered while at the Oklahoma Gazette.
If you would like to see this list visually, I’ve created an Independent Clauses Pinterest page that also includes the best artwork that’s crossed IC’s path in 2011 and a list of best books about pop music.
16. Chad Valley – Equatorial Ultravox. ’80s dance-pop revivalism that captures both the playful nonchalance and wistful romanticism of the first disposable music era.