Independent Clauses | n. —unusual words about underappreciated music

Mid-October Pop

October 20, 2015

Pop

1. “Run With Me” – Heather LaRose. A great pop song that has that Imagine Dragons / Magic Giant / Lumineers type of enthusiasm tinged with minor-key drama. You’ll be humming this one.

2. “New Minuits” – Tri-State. This low-slung rock tune escaped from some preternaturally chill realm: it’s smart, cool, moody, lyrically clever and vocally impressive without breaking a sweat.

3. “Nothing to Say” – WOOF. THAT BASS LINE. (Also, this a burbling, frenetic, arpeggiator-decorated mid-’00s indie-pop-rock tune. Tokyo Police Club would be proud.) SERIOUSLY THOUGH. THAT BASS.

4. “Take Me To a Party” – Sweet Spirit. “I’ve got a broken heart / so take me to a party” hollers the lead female vocalist over energetic, fractured rock music that sounds suitably unhinged.

5. “Corduroy” – Redcast. Gosh, there’s just something irresistible about a fresh-faced, clean-scrubbed pop-rock group with equal parts Beatles, twee indie-pop, and The Cars references.

6. “Soldiers” – Swim Season. Everything about this track makes way more success when you realize that it’s about to be summer in the band’s native Australia. This summery electro-rock jam slinks, sways and swaggers its way into your ears.

7. “Movies” – Captain Kudzu. Meticulous slacker pop seems like a paradox, but Captain Kudzu’s carefully crafted tune here sounds excellently like it’s not trying too hard. Foresty, moody vibes track with the easiness, making it an intriguing song.

8. “Captive” – WYLDR. Temper Trap + Passion Pit + a dash of Colony House = radio gold.

9. “Every Day” – Dream Culture. Here’s a funky psych-rock nugget with one foot firmly in the ’70s and one in outer space. The tension between grounded riffing and free-floating atmosphere pulls at each other in all the right ways.

10. “Hey Little League” – Michael Daughtry. John Mayer’s suave alt-pop touch collides with some tight ’90s pop-rock vibes to turn out this tune.

11. “Time to Share” – Model Village. Grows from a delicate pop tune to a surprising, swirling post-disco tune without ever losing a gentle touch.

12. “You Have Saved Our Lives, We Are Eternally Grateful” – Wovoka Gentle. Chiming voices float over shape-shifting synths, bouncy guitars, and an overall joyous mood. It’s kind of like a female-fronted Freelance Whales, only weirder in the best possible way.

More Summer Jams: '80s Movies Division

July 31, 2013

backtothefuture3

1. “Into the River” – The Quick and the Dead. This exclusive download toes the line between power-pop and Old ’97s alt-country and includes a killer harmonica solo. Back to the Future Part Three was rad.
2. “Primitive Style” – Johnny Delaware. I am in a roadtrip movie. I am in an ’80s convertible. Johnny Delaware is riding on the back of the car and playing guitar, somehow standing upright at 60 mph. My feathered hair is flying in the wind. I feel like yelling “FREEDOM” into the air in a Breakfast Club sort of way, not a William Wallace sort of way. Did Molly Ringwald listen to Bruce Springsteen? She would have loved Johnny Delaware.
3. “Dybbuk” – Remedies. I am transported to a kids’ movie in the ’80s, where I am wandering through an enchanted cave. Something awesome or maybe terrible is about to happen. My hair is still feathered. My jean jacket is on. The viewers are holding their breath. Let’s do this.
4. “Lost Track of Time” – MTNS. The Antlers, How to Dress Well, Vondelpark, and MTNS would be an absolutely incredible soundtrack to a 16 Candles-type movie. You know it’s true.
5. “Electricity” -FMLYBND. It’s like M83, The Rapture, and The Temper Trap collaborated on an ’80s club jam. SET PHASERS TO STUN.
6. “The Day We Both Died” – Vial of Sound. I’m always afraid to namecheck Daft Punk and LCD Soundsystem at the same time but screw it SET PHASERS TO KILL
7. “Told You Twice” – Milo’s Planes. Because sometimes you just need a thrashy, scream-it-out tune to blast in your car.

*I’m aware that BTTF3 came out in 1990, but let’s be real. 1990 was still the ’80s.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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