Independent Clauses | n. —unusual words about underappreciated music

Tara Fuki’s two-cello compositions are uncommonly beautiful

December 11, 2014

tarafuki

Saying that Winna by Tara Fuki is difficult to explain is a bit of an understatement. Each of the songs on the album are written for two cellos and two female voices, with influences ranging from classical minimalism to Eastern European folk songs to post-rock to Jonsi-style alt-pop. If that wasn’t enough, the lyrics are in Czech. All this comes together for this American listener to become something of an otherworldly missive: Winna sounds vaguely like things I understand, but mostly it sounds beautiful in a voice that no one had previously tried to speak to me.

There’s a lot of pizzicato plucking throughout the album, both on its own and as a contrast to flowing counterpoint. Sometimes the cellos are intertwined in a complex way; sometimes they compliment each other instead of playing off each other. At no point does the sound get cluttered; the duo have orchestrated their duets masterfully to make the sound consistent and pure. The band has previously used electronics to augment the sound, but with the exception of some wind chimes in “W twojej glowie,” they are totally acoustic on the album. The most complexity of the whole album comes in the finale of that tune, when both cellos, both vocalists and the chimes are going in opposite directions. It’s exciting, and it feels fresh.

Lecimy” and “Dopis” are closest to traditional indie-pop song structures; it’s easy to imagine the perky-yet-restrained “Dopis” as a song that could fit in Regina Spektor wheelhouse. “Anna” starts off with a traditional-sounding folk vocal melody, then puts a yearning, keening vocal counterpoint over it. The song develops with some dramatic, scraping percussive work on the cellos, remaining a heavily vocal piece. It’s similar to things Julianna Barwick would create. The nine-minute “Zavrat” imposes the most post-rock influences, as the most production happens in this tune (reverb, found sound of rain, perhaps even some cello overdubs or incredibly complex individual performances). Its furious tone is internally consistent, and manages to fit in the context of the album.

Winna is an amazing album that confounds me with its beauty. It sounds like little I’ve ever heard before, which is a big compliment from a person who listens to music all the time. It’s a really powerful work that can be returned to over and over. If you’re into adventurous, experimental work that doesn’t delve into noise or abstract chord mashing, Tara Fuki should be on your shortlist.

September MP3s 1: Shining Eyes

October 9, 2014

The next four MP3 posts are going to have impressionistic names, because I’m out of descriptive words after writing this many song reviews.

Shining Eyes

1. “Comin’ for Ya North Georgia Blues” – Eliot Bronson. Upbeat in a way that isn’t cloying, folky in that old-school Bob Dylan way, hooky as if it were folk pop (but it’s not). “Comin’ for Ya” is one of my favorite singles in a while. Bronson, it should go without saying, should be on your watch list.

2. “White Circles” – Stephen Ward. Got that traveling itch? The insistent acoustic strumming and yearning vocals here will make you want to hit the open road.

3. “Scaffolding” – Emilyn Brodsky. I can’t resist ukulele-led indie-pop, especially when sung with such disarmingly mature and comforting lyrics as these. Even though the ukulele leads, this never devolves into cuteness for cute’s sake.

4. “Said and Done” – Joe Con. Joe Con has a quiet assuredness in his vocal tone that gives his back-porch acoustic-pop/hip-hop (a la Mat Kearney, G. Love, and early Mraz) an immediately undeniable quality. This is a slick, slick tune.

5. “Ride It Out” – Elijah Ocean. There’s just something about an acoustic guitar, a piano, and a brush-hit snare that snags my heartstrings. Ocean’s world-weary yet hopeful voice just seals the deal.

6. “Lecimy” – Tara Fuki. Two women’s voices and two cellos comprise the base of this track. It’s a fresh, light, and unique track.

7. “Tapes” – Andrew St. James. The ragged passion of Joe Pug, the vocal swagger of Justin Townes Earle, and an x factor all his own.

8. “In Our Galaxy” – Andrew Foster. Like a Lovely Few song, Foster builds this song from a delicate guitar melody to a fully-realized tune that sings of the mystic, beautiful qualities of outer space.

9. “Balloon” – ErelPilo. Remember the twee, romantic charms of Chairlift? ErelPilo have that sort of doe-eyed, guy/girl romantic pop going on, but with an acoustic guitar instead of a synthesizer. The quirk is still there, though!

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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