I have now officially recovered from SXSW. It’s time to get back to that inbox and cover those bands you will soon love. Here’s an indie-pop/indie-rock mix for y’all; this should brighten your day.
Brighter … Now!
1. “Come Back to Life” – Hospital Ships. Sometimes I hear a song and think, “Wow, I want to write songs like that.” Stunning quiet/loud indie-rock here.
2. “Roosevelt Hotel” – Cocovan. That chorus. I’ve been singing and dancing for a week solid. This woman knows her way around a thoughtful pop song.
3. “Way Yes” – Colerain. Can you have dance-friendly energy while being deeply pensive, even sad? And make all that beautiful? Colerain says yes, yes, we can.
4. “California Analog Dream” – Vondelpark. Remember the first time you heard Grizzly Bear? Or Bon Iver? My first listen of Vondelpark was like that: instrumental simplicity that somehow overwhelmed my ears like an enlightenment experience.
5. “Monday Morning” – Charles Mansfeld. Acoustic indie-pop with idiosyncratic vocals and a unique gravitas? The more the better.
6. “Jive Babe” – Mikhael Paskalev. Squash together the frenetic vocal fervor of King Charles with the buzzy guitars of the Vaccines and you’ve got a scrumptious recipe.
7. “Monday Morning” – Younger James. (Not a typo, this one is also called “Monday Morning.”) I heard the Strokes have a new coming out. I can almost guarantee that this tune will be better than whatever that foursome is putting out.
8. “Ode to the Summer (Radio Edit)” – Syd Arthur. Someone called this prog? I thought this intricate, melodic work was what indie rock sounded like in 2013? Things just got weird.
9. “Young Men of Promise” – Yellowbirds. What a great song title. The mid-tempo, vaguely garage-y indie-pop is strong, too.
10. “Open Arms” – Fletcher. Q: What if The Walkmen were happy? A: FLETCHER. Next question.