I don’t cover a lot of post-hardcore anymore; the high-water mark of my engagement with the genre was proclaiming The Felix Culpa’s Sever Your Roots the album of the year in 2010. Since then, nothing has seemed as exciting as TFC’s work. I’ve thrown a review out here or there, but it’s been scattershot engagement with what’s happening in the genre.
Every now and then a band rousts me out of my slumber; New Tongues is the latest band to do it.
Suite is a roughly 22-minute release broken up into Side A and Side B (or four different songs). It can be read, therefore, as one giant piece (suite), two movements, or four sections. (No one can accuse New Tongues of not being detail-oriented.) If you listen to it as one long song, it is a furious, churning salvo of yelled vocals, gritty guitars, rumbling bass, and powerful drums. It spools out like one particularly long post-rock song, if you view it from a high-enough vantage point.
If you break it up into two movements, Side A is the more aggressive side: there’s a lot more work that seems directly born from the hardcore side of the name. After a short melodic intro, the group launches into pummeling toms and bass drums, hollered vocals, and heavily distorted bass. They keep it coming through the rest of Side A: lots of heavy leads towering over a stomping rhythm section.
Side B has more groove going on, right from the get-go: the distortion is much lower on the bass, the guitar is less arch, and the drums are a lot more even-keeled. Side B is also more distinguishable as two different tunes: “El Condor Pasa”–yes, a post-hardcore version of a Simon and Garfunkel song— mashes its way through the final four minutes of the EP. The song’s melody is set up as a pop song’s would be, so it feels different than the rest of the EP. Even though the structure of the original “El Condor Pasa” isn’t 100% pop business as usual, it is a strikingly different way for New Tongues to end their EP.
New Tongues’ Suite is a powerful, churning post-hardcore album that offers up the sound that I’ve come to expect along with some surprises. They pull off the traditional moves with aplomb and make left-of-center ones seem fairly normal. If you’re into noisy work, I recommend New Tongues to you.