5. “Girls” – Slow Magic. Chillwave meets The Album Leaf meets Pogo. I APPROVE.
6. “Run Run Run” – Jenny Scheinman. Scheinman has a strong voice and a deft Americana songwriting touch. You won’t be able to ignore Scheinman much longer.
7. “Black Crow” – Juliette Jules. A voice mature beyond her years, songwriting beautiful beyond expectations, and production of excellent quality: Jules has everything working for her on this gorgeous, tender track.
8. “Wedding Day” – Anand Wilder and Maxwell Kardon. The lyrics grabbed me by the throat, and the folky/celebratory arrangement kept me involved. This is an impressive tune.
9. “Green Eyes” – Cancellieri. Originally by Coldplay, Cancellieri strips some of the pop sheen from this and gives it a romantic intimacy befitting the gorgeous lyrics.
10. “Is What It Is” – She Keeps Bees. This female-fronted singer/songwriter track is stately, composed, and elegant without becoming icy or distant. SKB creates great atmosphere here.
11. “Confederate Burial” – Snowblind Traveler. Snowblind Traveler matches up the icy arrangements of For Emma and the traditional melodies of old-school Americana to great effect.
12. “Blue Valentine” – Bloom. If you’re a fan of the sad but not hopeless sound that Pedro the Lion made, Bloom will scratch your itch for it with this beautiful track.
13. “Hold on to Your Breath” – Sleepy Tea. These Aussies live up to their name with a relaxing, refreshing vibe reminiscent of a slightly more energetic Parachutes-era Coldplay. Just a beautiful track.
Precise yet fluid, the clean electric guitar work of Coldplay’s debut album Parachutes was a hallmark, even though its smash “Yellow” was not a good depiction of the characteristic. The band abandoned the sound for piano-rock on its follow-up and hasn’t looked back, leaving a hole that Australians Sleepy Tea are finally starting to fill. It’s tough for me to hear opener “Make Believe” or closer “Ghosts” without thinking of how well they would fit on Parachutes. Thankfully, that’s a massive compliment from this corner, as I mean that Sleepy Tea’s debut The Place Where We Lay contains beautiful, lithe vocals that intertwine with immaculate arrangements which belie how much work it takes to make a perfect-sounding song.
“Make Believe” establishes the mood of the five-song EP right off the bat, with an easygoing confidence in the gently swaying arrangement of tasteful drums, burbling atmospherics, and spot-on vocal performance that calls to mind a theoretical male-fronted version of Braids. It’s a rare tune that catches my attention like this one. The rest of the EP lives up to the billing, whether the tense juxtaposition of energetic trip-hop drumming and pensive piano in “At World’s End” or the towering crescendo throughout the entirety of “Safer.” This is a band with a tightly constructed idea of what it wants to sound like, and that’s rarely a bad thing. Sleepy Tea has chops and taste, so I look forward to much more from them.
I’ve written before about running out of band names, but if I hadn’t, Here Is Your Temple would be a good reason to question whether or not all the good band names have already been taken. Besides the name, though, HIYT are worthy of discussion for the quality of their music: The Swedish quintet plays music that sounds like all of Spiritualized’s discography jammed together onto one EP. Opener and title track “So High” is a propulsive piece marked by a marching rhythm, fuzzed-out bass, a choir, and synths. It’s like something that might appear on Ladies and Gentlemen, We Are Floating In Space. “Big Way” is built on a dominating guitar riff and synthesized vocals, which also sounds like Ladies and Gentlemen. “Once Rich” is a quieter tune, pairing the omnipresent synths with downtempo acoustic guitar (as in J. Spaceman’s Amazing Grace era), while “Say Hey” adds an optimistic edge to the acoustic sound. It’s a very varied EP.
The one thing that holds the sound together is HIYT’s commitment to melody; all of these songs hinge on either a vocal or guitar melody that is punched way up in the mix. Whether creating Fleetwood Mac-esque mystery (“Say Hey”) or rock’n’roll (of a sort), the band zeros in on melody. And that’s what keeps this wildly varied EP from being disjointed: their melodic center remains true, showing off a band with many facets. If you’re into synth-rock or synth-pop without cheesiness, So High should be in your ears.
So our Kickstarter is going splendidly, as we’re 84% funded after less than 48 hours of being open. The rapid success thrills and humbles me, as this little project (and by extension, I) have been the recipient of much generosity over the last two days.
But even with golden days about us, there’s still work to be done! Here’s a large mix of solid singles that have floated my way recently.