1. “A Better Life” – Supersmall. A good-natured, walking-speed tune that gives more than it asks back from you: you don’t have to listen hard to enjoy, but there are charms for those who listen deeply to the early ’00s, Parachutes/Turin Brakes-style work.
2. “May the Stars Fall at Your Door” – Andrew Adkins. We all need an encouraging blessing every now and then–Adkins provides uplifting lyrics with an equally uplifting folk arrangement (complete with harmonica). Totally great work here.
3. “Nowhere” – Swaying Wires. Tina Karkinen’s confident vocals give a levity to this serious, acoustic-led indie-pop tune.
4. “Know It All” – Bitterheart. Brash, immediate, strum-heavy, full-throated folk-pop that marries the enthusiasm of folk-punk with the good-hearted charm of a folk-pop tune. If all their work is like this, their album’s going to be a blast.
5. “One Three Nine” – Jacob Metcalf. Fluttering, ethereal folk that stays grounded basically by force of will, a la Andrew Bird.
6. “Chandelier” – Russell Howard. This gender-flipped cover of Sia’s tune creates a stark atmosphere by modifying Howard’s vocals and putting them over a delicate guitar accompaniment and subtle percussive beat.
7. “White Light Doorway” – Florist. The band has mastered the skill of keeping a song together while lead singer Emily Sprague purposefully sounds like she’s falling apart. The tension there is beautiful and weighty.
8. “While You Stand” – Michael Nau. The wide-eyed naivete of Page France is long gone, but the absurd ease with which Nau pens a lyric and fits it to a simple guitar line persists. It hits me.
9. “Habits” – Adrienne Tooley. Carrying that Lilith Fair torch: female perspective; sharp, witty lyricism; clear, uncluttered acoustic songwriting.
10. “Secrets” – Nick Zubeck. Laidback chill doesn’t get more laidback than this.
11. “Monde” – Stranded Horse. Fleet, powerful fingerpicking contrasts a laissez-faire vocal mood for a knotty, beautiful tune that feels like it fell out of a Wes Anderson movie somewhere.
12. “Black Gold” – Black Country. There are few substances so evocative as oil, with its viscous flow, vibrant sheen, wealth-making potential, and divisive opinion-making. Black Country spells out a narrative of the open spaces, where finding oil is the difference between emptiness of landscape and buzzing life–hanging the promise of oil over the head of a barren, windswept instrumental landscape.
13. “We’ll Get By” – The Singer and the Songwriter. One of the more un-Google-able bands working today drops a stately, moving tune that includes accordion and shuffling snare under a beautiful alto vocal melody.
14. “Wanderer’s Waltz” – Youth Policy. Here’s a wintry, stark tune composed of breathy, Elliott Smith-esque vocals, cascading fingerpicking, and a moody sense of melancholia.
15. “Ghost Blue” – Sparrows Gate. If I walked into a bar where Sparrows Gate was playing this moving, piano-driven ballad-esque tune, I hope it would be to work off a breakup instead of celebrate a success. “Gravitas” doesn’t sell it well enough.
16. “Goes Without Saying” – Melaena Cadiz. A relaxing, unspooling, wandering tune that just feels lovely.
17. “Kicking You Out” – Merival. Few things get me more than a raw, open-hearted acoustic tune with some room echo. Merival’s strong songwriting skills are on full display here, with nothing else added but some harmony vocals. As they say: all the feels.