1. “Somethings” – Sariah Mae. This song sounds like it was blown out of a bubble wand: a round, gleaming, shimmery, light thing that lolls along in the wind. Indie pop at its shiny, bubbly best.
2. “Super Natural” – Turnover. Does the thing has emerged in my family as a term of high praise: you need to do something, you select a tool to do it, and the tool works perfectly. It does the thing. This dream-pop tune does the thing: it has reverby guitars, delicate vocals, loping bass, and enough energy from the drums to keep the “pop” part working. Just totally solid.
3. “Bright and Blue” – Tomo Nakayama. This indie-pop track feels like walking on clouds, what with the ethereal pad synths in the background, the walking-pace shuffle snare, and the friendly vocal approach. Very excited for this upcoming album.
4. “All My Faith” – The Last Dinosaur. An intimate-yet-sweeping acoustic indie track that calls to mind Michigan-era Sufjan and other lush-arrangement singer/songwriters.
5. “Altaïr” – Camel Power Club. Well, isn’t this a wild mix: synths, acoustic guitar, ’90s hip-hop beats, bongos, breathy vocals, theremin-esque sounds, and more are all wrapped up in a smooth, grooving electro-indie-pop tune. Whoa.
6. “Living in Fame” – Fever Kids. The feathery vocals that provide the lead hook for this tune fit perfectly with a slightly ominous, LCD Soundsystem-esque bass line and create a sort of post-disco indie-pop track. The vibe here is unusual and exciting.
7. “Duluoz Dream” – Sal Dulu. A bleary-eyed jazz trumpet provides the entry point into this low-key indie-electro instrumental, squiggly bits, mournful piano, and other sounds come together to create a chill, head-bobbin’ piece.
8. “July” – Ellie Ford. Some jaunty flamenco rhythms on a nylon-string guitar provide the base of this song, which then expands into a carefully-coordinated minor-key indie-rock tune led by Ford’s delicate voice.
9. “If You Saw Her” – Mark Bryan. The quirky, plunk-plunk lead melody in this folk/country tune is a weirdly infectious riff. The rest of the tune is a bright, clear, folk/country tune guided to its satisfying conclusion by an assured hand and a lithe voice.
10. “Stronger than My Fears (Naked Session)” – SHEL. This acoustic folk tune rides on beautiful melodies, a subtly excellent arrangement, and impressive harmonies throughout.
11. “Watching From a Distance” – David Ramirez. Ramirez updates his country sound with burbling electronics, Simon and Garfunkel-esque percussion, and a large arrangement more reminiscent of indie-folk than stark country ventures. It’s a surprising, excellent turn. His voice is still amazing–nothing changed there.
12. “I Wanna Go Down to the Basement” – Wooden Wand. Loopy, chilled-out folk that asserts “I am no longer afraid”; despite these reassurances, James Jackson Toth’s voice has a jittery quality that gives the song energy.
13. “Take Over” – Tom Rosenthal. Fans of Greg Laswell and Rush of Blood to the Head-era Coldplay will love this piano-driven tune, which pulses and pushes forward and yet still remains intimate.
14. “Killing Me” – Luke Sital-Singh. The emotional piano ballad is tough to pull off, but Sital-Singh here provides a master course on how to do it right. This song is emotionally devastating.
It’s Christmastime! And if you’re over Sufjan’s Christmas songs (but how could you be??), there are definitely some new options to love this yuletide.
I love Christmas almost as much as I love puns, so Candy Cigarette’s “A Whale’s Christmas in Childress, TX” is endeared to me in multiple ways. (The pun is a reversal of the terms in Dylan Thomas’ “A Child’s Christmas in Wales.”) It’s a chipper acoustic-led indie-pop tune that has a heaping helping of Christmas cheer poured into it (and sleigh bells! always sleigh bells!). The unique direction of the lyrics make it even more fun. Awesome.
SHEL goes for a light-touch approach on “Sleigh Ride,” not deviating too far from the classic approach (because what would it be without sleigh bells?). That makes the warm lead vocals the star here.
IC fave Latifah Phillips (of Moda Spira and Page CXVI) has teamed up with Aaron Strumpel to create an album of vintage-sounding Christmas tunes called Heck Ya the Halls (awesome title, y’all). It’s surprisingly non-kitschy: plenty of jazzy trumpet, staccato piano, and smooth vibes to go around.
Jenny & Tyler, another IC fave, just dropped a Christmas album. Their recent folk-pop/indie-rock output has been pretty magnificent, so I expect this release to be no different.
Andrew Belle’s offering for this holiday season is a dense, moody electro-pop outing called “Back for Christmas” that may not end up sung around the yule log but has a lot of staying power. If you hear me kickin’ this one in July, don’t be surprised. Really tight work here.
I got married in November, which means I’ve been celebrating my way through the last few weeks instead of listening to new Christmas music. This means that instead of meaningful reviews, I have a large list of things that you and I should both listen to. I regret nothing. ONWARD!
The Good Shepherd Band, which released a beautiful Christmas album in 2011, are back with a new one entitled All the Bells Shall Ring. If it’s anything like the opener “O Come Let Us Adore Him” (starting off with an Advent hymn; I approve) and the last album, we’re in for big, church-style hymns in oft-triumphant arrangements. Wonderful!
Quirky, reverb-heavy indie-pop band SUNBEARS! offer up a 10-minute EP of Christmas music. It’s sure to be as thoroughly enthusiastic as its name: SUNBEARS! Do CHRISTMAS!
Vintage-style acoustic duo The Singer and the Songwriter are dropping 12 songs (in video form!) for the 12 Days of Christmas. Sounds lovely! Check it at their YouTube.
For those who like a little more punk rock in their Christmas tunes, Small Bear Records has released Never Mind the Baubles, Here’s The Small Bear. Need I say more?
Kris Orlowski caps a banner year with the original holiday tune “Is This Christmas” in his signature baritone voice and easygoing acoustic style.
James Apollo also had a big year, with Angelorum being a great release. His offering, “Ho Ho, Ho Hum,” is one for the (classy, Scotch-drinking) Scrooges out there.
SHEL is an acoustic-music band of four sisters, and this version of “Sleigh Ride” is about as cute as can be. The video is also lovely.
1. “Bethlehem (feat. Joan as Policewoman)” – Jack Henderson. Because everyone needs a Tom Waits-ian original Christmas ballad duet.
2. “Fairy Christmas Day” – Junkie Thrown. A pensive, beautiful tune decrying the sad paradoxes of Christmas.
3. “Little Angel” – The Lost Brothers. Think “brothers” in the pristine, crooning, ’50s-style duet meaning.
4. “Christmas at the Zoo” – Sam Joole. As an Oklahoman, I’m categorically obliged to post any Flaming Lips covers. This one is pretty charming and cheerful.
5. “Stay Another Day” – pjaro. Experimental rock/emo/indie bands write Christmas songs too. This one has lots of distorted guitars and yelling, as one does.