1. “Keep It Coming” – Topher Mohr. It’s hard to write a timeless pop song, but Mohr has put together a wonder of a tune that feels like it could have come out of the ’70s AM Radio scene or the mid-’00s MGMT-esque pop stuff. It’s just a great track all around.
2. “Ice Fishing” – The Cairo Gang. The sort of guitar-rock tune that splits the difference between classic rock, Beatles pop, and San Fran garage rock with ease. Between God? and Burger (and its many offshoots) Records, it feels like we’re in a genuine moment for hooky garage rock.
3. “Sugar Coated” – Jessie Jones. It sounds like everyone, from the bassist to the drummer to the vocalist, is having fun on this hooky garage-rock track.
4. “Timepiece” – Ripple Green. Classic rock guitar and vocals meet a radio-ready modern pop chorus, putting a foot in each world.
5. “Dusty Springfield” – The Fontaines. A little bit of indie-rock, a little bit of ’50s girl-pop, a whole lot of catchy.
6. “Long Way Down” – Vienna Ditto. Minor-key surf-punk? Why not? Vienna Ditto own it, complete with whirring organ, honking saxes, and frantic tom rolls.
7. “Big Bright World” – Jeremy Pinnell. This is about as authentic as country gets: western swing rhythms, weeping pedal still, deep-voiced sadness, and a narrator with a former(?) drug problem. Still, the sun shines through, just like the title suggests.
8. “The Night Before” – No Dry County. You don’t have to sound like Bob Wills to catch my ear with a country tune; this modern country tune has a great melody, a solid arrangement, and an evocative vocal performance. It’s like a country Jimmy Eat World, maybe.
9. “Soaring” -WindfallFound. Post-rock of the beauty-inclined variety, complete with distant, processed vocals, Appleseed Cast-style.
10. “She Knows It” – Shannen Nicole. Goes from “ooh” to “whoa” in no time flat: starts off as a dusky torch song, then amps up to a thunderous torcher by the end. A formidable performance.
11. “The Gold Standard” – Marrow. The Hold Steady’s wry, jubilant mantra “Gonna walk around and drink some more” drops the jubilant part here: this low-slung, slow-build indie-rock tune has a woozy calm that belies the sort of difficult, composed walking that comes of one too many drinks.