Independent Clauses | n. —unusual words about underappreciated music

Jared Foldy / Sam Buckingham

July 26, 2013

jaredfoldy

I deeply admire intricate arrangements, but I fall in love with simplicity. Singer/songwriter Jared Foldy‘s American Summer is a graceful, simple, beautiful seven-song release that is an easy candidate for my end of year lists.

It’s not just that the songs are simple, because anyone can do that. Foldy has taken great care in choosing and maintaining a specific mood throughout American Summer. The album art does an excellent job of interpreting the feel of this record: gauzy, but not opaque; relaxed, but not lazy; calm, but not uninterested. This is beautiful, beautiful music.

The sparse arrangements are light, airy, and smooth without turning maudlin or sappy; the early work of Joshua Radin and Rehearsals for Departure-era Damien Jurado come to mind. All three artists espouse a wide-eyed wonder about the world without getting maudlin or sappy. The effortless grace of Mojave 3’s Ask Me Tomorrow also is a strong touchstone, as Foldy and M3 share an elegant gravitas.

Foldy’s opener “See It All” has the gravitas and passion that only a patient, experienced singer/songwriter can draw out. The chorus-less song builds to a strong conclusion through clever use of instruments (and smart refusal to use others, like snare drum). The songwriting is strong, the performances are inspired, and the production is simply incredible to pull it all together.

The rest of the songs are more verse/chorus/verse oriented, but they are no less beautiful. Title track “American Summer” is an absolutely stunning song that leverages all the best things about the album into one piece: Foldy’s light, gentle tenor floats over warm fingerpicking in a calming, uplifting mood. It’s a lyrically beautiful song as well, gently appealing to a woman playing hard to get. It’s everything I want in a song.

“Wide Eyes” is also firing on all cylinders. Foldy’s voice and guitar playing are augmented by piano, strings and brushed percussion, merging the excellent arrangement of “See It All” with the memorable vocal melody of “American Summer.” Even though “American Summer” is my favorite tune to hear on the record, “Wide Eyes” is the one I hum to myself.

Jared Foldy has grown leaps and bounds since 2011’s Everyone’s Singing. Foldy had the songwriting skill then, but now he’s put his own stamp on the sound. American Summer is an outstanding collection of tunes that I would recommend to anyone who like beautiful music, but especially those who like folk/singer-songwriter/acoustic. I hope this release pushes Foldy into the brighter spotlight that he deserves.

sambuckingham

Sam Buckingham‘s I’m a Bird is also a bright singer/songwriter affair. She emanates an assured, confident vibe, similar to KT Tunstall. Her guitar and often sassy voice are the main players here, with only light accompaniment throughout. But she doesn’t need a full band to pack tunes like “Follow You,” “Hit Me With Your Heart” and “Tomorrow I’ll Wear Black” with a ton of attitude.

The third of the trio is most fascinating: “Tomorrow I’ll Wear Black” tune composed entirely of Buckingham’s vocals, group vocals on the chorus, and clapping. For a song about changing yourself so that someone will love you, it’s surprisingly chipper and flirty. It is the penultimate tune on the album, and it made me sit up and take notice. It’s a great pair with the charming, cutesy “Rabbit Hole” to end the album.

In between that closing and the opening salvo “Follow You”/”Hit Me With Your Heart” is a lot of music to explore: “Mountain Sun” features a tuba and clarinet; “So Much Loving Left to Do” slows things down for a piano ballad. The tunes in the middle are less immediately arresting than the beginning and end, but when you have such high-quality tunes at the front and back, it’s tough to keep that level of excellence going on. Overall, there are very few clunkers on the album, with Buckingham bringing her A-game consistently.

Buckingham has a clear vision of what her sound and style are: she executes that vision very well on I’m a Bird. If you like strong, sassy female singer/songwriters, then you should definitely check out Buckingham’s music.

June/July Singles: Quiet

July 21, 2013

A continuation of yesterday’s post, here are the June/July singles that are quiet.

June/July: Quiet

1. “Simplify” – Brendan James. It’s as if Josh Ritter sat down at a piano and started casting off lyrics like he does over a guitar. Beautiful, powerful, engaging stuff.
2. “Crush” – Roy Dahan. Dahan’s Israeli vocal tone and cadence fit gloriously over snappy, precise alt-country, creating a unique, beautiful mix.
3. “I Will Let You Fall” – Walking with Elephants. Clear, crisp Americana, like Mumford but without the howling vocals.
4. “Everything is Yours” – Jonny Rodgers. I posted a Rodgers video of this song yesterday, but this version is different and worth listening to in its own right. Rodgers is a massive talent that I eagerly look forward to hearing more from.
5. “Follow You” – Sam Buckingham. YouTube suggests that I should watch videos by Junip and Noah & The Whale next; Buckingham’s delicate folk-pop kinda fits in there, but it’s way more charming and lilting than those bands.
6. “Strike the Gold” – Kodachrome. Think more of the picture type than the Paul Simon song, and you’ll have a good idea of what this impressionistic synth-pop tune sounds like.
7. “O Love, Let’s Renew Our Vows” – Jonny Rodgers. So, I’m really, really stoked about Rodgers. Really.
8. “One Half” – Julianna Barwick. A female Sigur Ros? A more concrete take on New Age? A transcendent composition? Absolutely stunning? All of the above?

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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