Independent Clauses | n. —unusual words about underappreciated music

July Video Jam pt. 3: Beautiful Sounds

July 23, 2013

I try to post videos that are interesting to watch, because that’s the point of a video. But some clips just have such beautiful songs that I have to post them, even if their visuals are less than mindblowing. Here are four.

“Song for Zula,” Phosphorescent‘s candidate for Song of the Year, just got better: here’s a gorgeous acoustic guitar version performed at the behest of Line of Best Fit.

Safe Haven’s studio vid for “Leave Me Where I Want to Be” has a lot of sepia going on.

I will post pretty much anything that Page CXVI sends me, because it’s always just stunningly beautiful. Here’s “O Sacred Head.”

Here’s a reminder: post-rockers Pan are a ton of fun. Here’s “John from New York.”

Acoustic April Mix

April 25, 2013

I love alliteration, so here’s some of that in this mix of MP3s.

Acoustic April Mix

1. “Honeycomb Heart” – True Gents. A magnificent chorus powers this indie-folk tune from a unique Scottish outfit.
2. “Leave Me Where I Want to Be” – Safe Haven. Front-porch intimacy flows through this combination of New Orleans jazz and Appalachian Americana.
3. “Grew Up Here” – The End of America. Appalachian harmony and a rootsy instrumental arrangement make this an irresistible nugget.
4. “Maybe It’s Best” – Justin Heron. Shuffle snare, bright guitar tone, and whispery vocals? Yup, I’m in.
5. “Sharks!” – Common Shiner. This band’s website is SayNoToBadPop.com. That’s awesome. Their acoustic-fronted power-pop echoes Something Corporate and Motion City Soundtrack.
6. “Pretty Face” – Among Giants. I love the vocals here: raw, passionate, and real.
7. “Playing Pretend” – Joshua Steven Ling. The deeply saddening passing of Jason Molina has gotten me back into slow-moving, quiet, morose recordings and their particular type of beauty.
8. “The Lionness” – OfeliaDorme. On that note, here’s a beautiful cover of my favorite Jason Molina song.
9. “Myopic” – Jura. Transcendent beauty that invokes The Album Leaf’s sense of patience.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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