Independent Clauses | n. —unusual words about underappreciated music

June Acoustic Campfire

July 3, 2015

1. “Arizon” – La Cerca. Thoughtful, walking-speed Western music: gentle keys, reverbed clean electric guitars, thrumming bass, easygoing vocals. Sometimes the title (sic, by the way) is all you need to know.

2. “Jimmy & Bob & Jack” – Edward David Anderson. Some songs don’t need or deserve lyric videos, but this rollicking tale of three would-be criminals had me hanging on every word from Anderson’s mouth. The swampy, country instrumentation that floats the lyrics is pretty great too.

3. “Need a Break” – David Myles. I don’t get sent that many old-school, rapid-fire, talking-country tunes, but David Myles has delivered me a tune that I can’t stop tapping my foot to.

4. “Falling in Love” – Nathan Fox. Right what it says on the tin, with raspy/gritty vocals reminiscent of bluesy hollerers.

5. “Beacons” – Scott Bartenhagen. Structured, mature, serious acoustic music that made me think of Turin Brakes for the first time in a long time. Regardless of what happened to the “Quiet is the New Loud” movement, I’ll still be a fan of intense, focused acoustic singer/songwriter work.

6. “Lazy Moon” – Brave the Night. If you’ve ever (secretly or unabashedly) enjoyed an ’80s Billy Joel ballad OR were enamored with Norah Jones OR don’t think “lounge” is a bad word, this tune will tickle your fancy. Sweet trumpet, too.

7. “One More Time” – Cape Snow. Bree Scanlon’s voice sounds so composed and mature in this tune that it’s tough to not start assigning positive moral qualities to it. She guides this gentle tune through its four minutes, sounding like the direct descendants of Mojave 3 the entire time.

8. “Easy on Me” – Runner of the Woods. The premiere of this song includes songwriter Nick Beaudoing coining the term countrygaze. As this mashes up country and shoegaze (and, by my own personal extension, chillwave), I am on board with this term. I want to believe.

9. “Origins” – Jesse Payne. Excellent widescreen, engaging indie-folk calling up The National comparisons as easily as of the obvious Fleet Foxes/Grizzly Bear woodsy bands.

10. “White Queen” – Benedikt and Friends. You’ve had a hard week. You need a song that gets that, as well as helping you slip into relaxation. This tune offers tons of pathos to empathize with, as well as crisp melodies and tight engineering of the nuanced, subtle arrangement. And it’s Norwegian.

11. “RMDN” – +Aziz. Linking ancient religious practice with social media and traditional acoustic guitar with gentle beats results in a song that realizes its lyrics in its sound and vice versa. It’s an intriguing song that never lets the concept take away from being a good tune.

May MP3s: Indie-pop/acoustic

June 4, 2015

1. “Goldface” – Tussilago. This indie-pop tune just feels effortless: Tussilago slides along with a bass groove, a low-key dance vibe, and a great melody. It’s the sort of song that you forget when you heard it the first time: it seems timeless, like it’s always been there.

2. “Break the Chain” – Ultimate Painting. Classic popcraft here, hearkening back to songsmiths like McCartney, Lennon, and Nilsson.

3. “No More Hits” – The ZZips. Do you miss slacker acoustic/funk/groove Beck? Hit up the ZZips, who clearly do as well: the clattering beats and gentle acoustic guitar come together via the funky bass and chiming electric guitar.

4. “Firefly” – Jeremy Bass. The press for this says bossa nova, but all I hear is smooth, gentle acoustic pop with a genuine, earnest vocal performance. It sounds like the sun was shining when he wrote this one.

5. “A Weaker One” – The Henrys. Sometimes I just like a song, and don’t want to kill it with definition. Chill out to this calm, excellent acoustic tune.

6. “Mountain” – Crooked House Road. I know Mumford & Sons kinda killed the market on indie-rock/folk fusions, but I’m surprised that more people haven’t taken Nickel Creek’s bluegrass/indie-rock fusion route. Crooked House Road goes that direction, adding in some klezmer flair and dramatic female lead vocals as well.

7. “Austin” – Tyler Boone. There’s some sweet pedal steel action on this modern country tune, featuring (who else?) a down-and-out narrator.

8. “Eastern Time” – Runner of the Woods. Here’s a tune that appeals to all the old-school country vibes that it can: weeping pedal steel, plain vocals, and bouncy piano (with some John Denver twinkles thrown in). It comes together into a swaying, smile-inducing whole.

9. “Our Garden” by Fox Street. If Ray LaMontagne got a little more Needtobreathe Southern rock in his blood, he could have written this tune. Passionate, raspy vocals meet wailing organ in a mid-tempo ballad.

10. “Too Little Too Late” – Mi’das. I’ve been getting a ton of soulful songs thrown my way recently. Mi’das stands above the pack by deliveringĀ not just his vocals but his expressive guitar playing.

11. “Money in the Evenings” – Hermit’s Victory. This white-boy slow jam has a Iron & Wine rustic feel (just the vibe, not the arrangement), while maintaining its own flavor through the accents and Tyler Bertges’ unusual, carefree vocals.

12. “Tz, Ka” – Inner Tongue. MoreĀ soulful slow jams, but with some major synth contributions that give this also a bit of a dance vibe. It’s, at least, super re-mix ready. The head-bobbing vibe is hard to beat on this one.

13. “Sadie” – Gold Star. Slurry, emotional, and passionate, this vocals-led tune dances around the genres of country, slow-core, and singer/songwriter. Whatever you call it, it grabbed my attention immediately.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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