Independent Clauses | n. —unusual words about underappreciated music

Post-rock debuts

February 20, 2013

lightsandmotion

Debuts are funny things. The cult of genius that critics are sometimes guilty of proliferating puts a lot of stock in the opening salvo of a career; whole careers (even masterful ones) can be defined by the first release. So it’s with trepidation that I heap praise on any debut: there’s a lot at stake for the artist. Still, it feels disingenuous to not convey how impressed I am at Lights and Motion‘s Reanimation.

The origin story of is that of a 24-year-old, self-taught musician working long hours alone to craft an album of sweeping, cinematic post-rock. The album leans toward the “start small, end huge” trope of post-rock, but there are some songs that just hang out in the “start small, stay small” zone (“Requiem”). Guitar, piano and atmospheric synths carry the day, as they often work together to create the big crescendos. Strings also play a large role in the construction of the tunes. It is, above all else, beautiful music: there are no Tortoise-style jaunts into gritty landscapes or Isis-style dissonant roars. If you’re looking for some gorgeous post-rock, Reanimation is in your corner. As Lights and Motion continues his career, I look forward to seeing him expand his sonic palette into some more adventurous waters. But as a debut, it’s an assured and deeply enjoyable listen.

bluskreen1

The debut of Bluskreen happened in 1996, but it’s just being unearthed now. After finding a brown paper bag full of tapes, Tony Ianutti was able to salvage four albums’ worth of glitchy, minimalist post-rock/soundscapes created on fully analog equipment. The unnamed songs on the four volumes of XLIIS90 – The Cassette Archives range from immersive to downright oddball, but they present a very recognizable prefiguring of Bluskreen’s later, more melodic work.

bluskreen2

I’m particularly fond of the openers of each volume, as they cover a lot of the ground that the rest of albums tread. The opener of Volume 1 pairs a highly rhythmic backdrop with a slow-moving, mysterious keyboard line to create an intriguing tension that’s reminiscent of a good video game soundtrack. Volume 2 kicks off with a modified spoken-word clip and a murky melodic motif that set a noir-ish, trip-hop feel. It’s one of the most memorable tracks in the collection.

bluskreen3

The high-pitched, Postal Service-esque beat that opens Volume 3 sets a very different tone than the first two. Though maintaining the heavily rhythmic beats, the tune is much more optimistic than the previous contributions. The profoundly eerie synth sweeps that open Volume 4 give way to some strange sonic and melodic experimenting, which shows yet another side of Bluskreen.

bluskreen4

Bluskreen’s XLIIS90 volumes are a treasure trove of downtempo, minimalist post-rock/soundscapes. I’ve loved all of Bluskreen’s work thus far, and so it’s fascinating to hear the very beginnings of the project. Highly recommended.

THE TRIFORCE

February 6, 2013

The Legend of Zelda is easily my favorite video game franchise, so a video combining Zelda with Dowsing’s brand of pop-punk is just the best. Bonus: including the Midwest. Absolute win.

I’m thoroughly looking forward to covering Lights and Motion’s Reanimation soon, but here’s a gorgeous video for the equally breathtaking tune “Home”:

Sillyboy offers an enigmatic, engaging song and video:

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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