Some tunes are slow burners, and others smack you in the face with their immediacy. Valley Shine‘s “See You Soon” is the latter: the verse melody is so infectious, carefully delivered, and beautifully arranged that it gave me goosebumps on first listen.
The band marries delicate folk-pop with joyous indie-pop with such skill that it seems obvious, which is the first sign that there are a lot of non-obvious things going on. Digging into the song reveals sonic and structural complexity, from the many melodic lines the vocals deliver to the delicate balance of intimacy vs. oversharing in the lyrics (they fall on the former side, of course). The overall effect of the tune is remarkable: it’s the sort of thing that you want to play for everyone you know; that soundtracks the joyful conclusion of indie movies; that rolls your windows down almost of its own accord. It’s a powerful tune, but it’s also not trying to hard to be that. These are the sort of songs that I started this blog to cover: songs I can’t stop thinking about. Cheers, Valley Shine.
The tune comes off their upcoming Loca EP, which is just as gush-worthy as “See You Soon.” “To the Sea” presents a different side of Valley Shine’s sound: one that does reach for the epic sweep. The broad, wide-open sound evokes big emotions but stays grounded (through great banjo use!) in it all. It’s reminiscent of the Oh Hellos or Jenny and Tyler’s work. The delicate “If I Was a Bird” strips out the indie-pop affectation and reveals the oh-so-satisfying shuffle-snare country/folk roots of their sound (they even throw in some Simon & Garfunkel, “The Boxer”-esque booms, to prove bonafides).
Jenna Blake leads the song, with Sam Sobelman providing the harmonies. The two switch off throughout the EP, with Sobelman taking the reins for the Beatles-esque opener “Sugar Dream” and “See You Soon” and Blake taking the darker “Don’t Let It Slip Away.” “To the Sea,” naturally, has both of their vocals together in a choir-esque arrangement. It’s like if Fleet Foxes got really, really stoked about something, or maybe if they met the Polyphonic Spree.
I can’t talk about Loca without returning to the term “immediate.” Everything about the five songs here just jumps off the page and demands your attention. They have diverse arrangments, generic range, varied vocalists, and impeccable melodicism. Valley Shine sounds like a band that has been around a lot longer than it has: they’ve created the sorts of songs that can hold up for a long time. This should be the start of something big for Valley Shine. Highly recommended.
LOCA drops Nov. 3 on iTunes. If you’re in Southern California, you should check out their EP release Nov 7 at Hotel Café in Los Angeles.