1. “The Giving” – Matthew Squires and the Learning Disorders. Squires plays the traveling troubadour here, finding “poverty and magic all around me” in a New Orleans full of found sound, delicate guitar, his signature vocal style, and fitting trumpet.
2. “Red” – Mt. Wolf. Here’s a slow-burning, tension-releasing amalgam of acoustic guitar, beats, and falsetto that sounds like Bon Iver 2.0. Mmm, mmm, mmm.
3. “Heart” – Pistol Shrimp. The falsetto-filled acoustic version of this dance-rock banger sounds somewhere between Ben Gibbard and Ben Folds, which is pretty impressive. Maybe they should do this more often.
4. “Odell” – Lowland Hum. Afflicted, pastoral, theatrical indie-folk has previously belonged in my mind only to Bowerbirds. Move on over, Bowerbirds–Lowland Hum are here with a beautiful tune in that very specific mood.
5. “Cops Don’t Care pt. II” – Fred Thomas. Thomas follows up his epic debut single with this one, which is a lot simpler musically but just as powerful lyrically.
6. “Other Suns” – Magic Giant. With mandolin, cello, and harmonica, Magic Giant is doing their best to act the folk part of their folk rave name in this mid-tempo ballad.
7. “Love or Die” – Magic Giant. I know I just put them in this list, but this Lumineers/Twin Forks stomp-along is just too much fun to pass up.
8. “If It Don’t Kill You” – Family Folk Revival. Get that outlaw alt-country feel on and enjoy this low-slung, rootsy jam.
Yo, “Steal the Light” by The Cat Empire takes a minute to warm up. Give it a second, though, because it turns into a triumphant, horn-laden, percussive Caribbean groove. Because they’re from Australia.
The clip for “Between Us” by Pistol Shrimp is beautiful non-sequitur set to a Passion Pit-esque thumper. Awesome.
Just Walden’s “Space Cadet” video is certainly saying something, but I’m not sure what it is. It’s a neat-looking video aside from parsing the deeper meanings.
1. “Lighthouse” – The Burgeoning. One of the most intriguing singles I’ve heard all year, this track combines the ambient uppers of chillwave with the melodic structures of Vampire Weekend and the frantic fury (and guitar noise) of a punk band. It’s a fresh, amazing combination. I’m looking forward to hear more from The Burgeoning.
2. “The Next Morning” – The Drafts. The energy and enthusiastic guitars of The Vaccines meet a reserved, pensive vocalist for a charming, infectious tune that you’ll want to hear multiple times.
3. “Where I Go” – Pistol Shrimp. If Passion Pit, MGMT, and Anamanaguchi had a basement dance party, this bangin’ tune would be the result. Pop gold, right here.
4. “Heartracer” – Cosby. Synth-laden, big-pop ’80s revivalism is going great this year. This fits right up there with Challenger for the best of the bunch.
5. “Recurring Dreams” – Shivery Shakes. The carefree nature of whistling in a ’60s surf-pop influenced tune gets me every time. You like The Drums? You’ll love this.
6. “Promises” – Barreracudas. If you make a metaphor that includes arcade games (specifically Donkey Kong), I will be immediately more endeared to you. Fun, poppy garage-rock here.
7. “Speed Date Yr Way to Fame” – Sweet Deals on Surgery. Starts off a thrashy, screamed, frantic punk song before taking a momentary break in pop. Then in blasts off again.
8. “Name on a Matchbook” – Springtime Carnivore. ’60s girl pop gets a slight sonic update, but the soul of this tune really begs for an -ettes suffix.
9. “Head Down” – The Ocean Party. Jangly ’80s indie-rock meets airy ’80s synth-pop. The peppy, fun results are less ’80s and more ’00s than you’d think.