Independent Clauses | n. —unusual words about underappreciated music

32 Songs I Loved in 2015 (In no particular order)

January 1, 2016

Here’s a non-comprehensive, unordered list of 32 tunes that I just really loved in 2015. They approximately go from fast and loud to quiet. Happy 2016, y’all.

Let’s Go Jump Into the Fire” – Devin James Fry and the Namesayers
Glass Heart” – Magic Giant
Seven Hells” – Quiet Company
Shiny Destination” – The Rutabega
The Fringe” – Sego
In the Woods” – Bobby’s Oar
Run with Me” – Heather LaRose
Don’t Go Quietly” – Light Music
Marina and I”  – The Gorgeous Chans
Bad Blood” – Fred Thomas
Golden Coast” – Billy Shaddox
Flare Gun” – In Tall Buildings
All This Wandering Around” – Ivan and Alyosha
See You Soon” – Valley Shine
Through the Night and Back Again” – Michael Malarkey
By the Canal” – Elephant Micah
Everglow” – Jared Foldy
Father’s Day” – Butch Walker
Muscle Memory” – Laura and Greg
Odell” – Lowland Hum
Waking Up Again” – Emily Hearn
Pilot Light” – The Local Strangers
Death Came Knocking” – B. Snipes
Hold On” – We are the West
Money in the Evenings” – Hermit’s Victory
California Song” – Patrick James
Winter is for Kierkegaard” – Tyler Lyle
Paperback Books” – The Pollies
Closet” – John Vournakis
Ein Berliner” – Jacob Metcalf
Spring” – Sam Burchfield
Vacation” – Florist

Late September MP3s: Acoustic

October 8, 2015

1. “Bugs” – Patrick James. If you can resist the mopey lyrics, catchy melodies and smooth vocals of an acoustic guitar-toting Australian, you have more strength than me. Sounds kind of like a down-under Passenger with extra indie cred in the arrangements, if you need more motivation.

10. “We Have a Hope” – Nathan Partain. Fresh off the great Jaywalker, Partain drops an intimate, careful, beautiful rumination on hope in the midst of difficulty.

4. “Push and Pull (All the Time)” – Promised Land Sound. Lush, full acoustic-folk sound that calls to mind The Head and the Heart, but with some adventurous instrumental work of their own vintage. Those vocal harmonies, though. Man.

7. “January” – Mia Rose Lynne. There’s always room in my heart for a clean guitar strum, a tender vocal melody, and a swooping violin. This tune is fresh, bright, and charming.

2. “Motion Sick” – Casey Dubie. Dubie’s voice fits perfectly in the adult-alternative space constructed around it. It’s the sort of compelling track that I hate tagging with that genre name, because it’s so tight, evocative, and lively.

5. “Wait” – Lawrence Trailer. Subtle funkiness sneaks its way into this acoustic-led adult alternative track: the bass and vocal performance give the tune a gentle swagger that separates it from the pack.

3. “Long Beach Idyll” – Chris Forsyth & Koen Holtkamp. This meandering acoustic/synth collaboration sounds like some impossible combination of the beach and the desert, with some ’70s psych vibes thrown in. Far out.

8. “Wolvering” – Maiden Radio. Come for the Appalachian folk vibes, stay for the vocals: there’s a vocal surprise early on in this all-female trio’s tune that hooked me.

6. “Solo Sin Tu Amor” – Radio Free Honduras. As Monty Python might say, “And now for something completely different.” This Spanish-language tune uses Latin rhythms, nylon-string melodies, and tropical trumpets to create a smile-inducing, dance-inspiring track. I think this is what Bishop Allen wanted “Like Castanets” to sound like.

9. “Pretty Little Life Form” – Valley Maker. A rumination on life, death, and love in a woodsy, low-slung, minor-key folk environment. It’s got an easygoing flow, amid all that.

11. “Nitetime Moths” – Des Ark. Throw a clarinet at anything in the indie realm and I’m pretty much sold. Aimée Argote’s loud/soft project features the soft side here, singing mesmerizingly over a real piano, tape hiss, and that clarinet. It’s just remarkably pretty.

Bits and Bobs: Pop

May 10, 2015

Pop

1. “Parking Lot Palms” – iji. This tune is a breath of fresh air: a gentle, lightly reverbed road song that fits quietly and warmly into your life. Is it the arrangement? The melody? I don’t know. But I do know that it makes me calmer and happier.

2. “California Song” – Patrick James. James might be from Australia, but he’s got his finger of the pulse of the breezy West Coast. This acoustic-led pop-rock song throws back to the ’70s and ’80s, calling up not just longing for the coast but nostalgia for the past. Doesn’t get much more sentimental than that.

3. “Comeback” – Cherokee Red. Recipe for a great beach song: Mash a surf-pop backline together with smooth, welcoming vocals and burbling melodic elements. Totally chill.

4. “Street Lights” – Mon Sai. A swift piano and cymbal-heavy drum kit create a helter-skelter pop vibe that gives way to a Pet Sounds-esque chorus: in other words, it’s a great pop song.

5. “Mind Your Manors” – The Bandicoots. Perky, summery, head-bobbin’ indie-pop-rock a la Generationals.

6. “Bracelets” – Mini Dresses. Basically a female-fronted, slow-jam version of a Generationals pop song: loping bass line, vintage guitar reverb, tabourine shake here and there. Yes, thank you, I’ll have another, waiter.

7. “Park It” – Karina Denike. Give me that ’50s girl pop (complete with honking saxes), then amp up the attitude in the lead female vocals, and you’ll be near Denike’s creation here.

8. “You Don’t Know Me” – Ghost Lit Kingdom. Everybody needs a shoot-for-the-stars, acoustic-led epic anthem, the type that Arcade Fire don’t make anymore.

9. “Right Talk” – French Cassettes. The ability to emerge from a dense section of noise into a perky, clear melody is a skill that will always be in season, from Paul Simon to The Strokes to Vampire Weekend and the Vaccines. French Cassettes put their skills to good use on this bright, confident guitar-pop track.

10. “A Single Case Study” – Palávér. Some of the most infectious guitarwork I’ve heard in an indie-rock song recently is paired up with low, swooning vocals.t’s kind of like an alternate-future Clap Your Hands Say Yeah.

11. “Wasted Youth” – Friday Night Trend. If you never stopped loving Jimmy Eat World, this track will satiate all your aggressively jangly rock needs. It’s got punk elements throughout it, but there’s no avoiding the Jimmy connection.

12. “Easy” – Readership. Some power-pop is head-down, bash-it-out-and-let’s-go-home rock. Readership is the opposite: wide-open, staring-at-the-clouds style. Big guitar chords, in-your-face vocals, and an overall upbeat atmosphere.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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