So, I took a week off from Independent Clauses. I was having a monster of a week, so I just mailed it in for a couple days. Compared to the eight-month hiatus that one time, this was nothin’.
But, it nicely coincided with the end of the quarter, so I thought I’d put a little list up of my top releases from the first three months (since I listened to more music in this quarter than I think I have at any other time in Independent Clauses’ existence). It’s been an awesome year for music so far, and I’m stoked that there are three more quarters yet.
1. Sever Your Roots – The Felix Culpa. This post-hardcore masterpiece has not yet ceased to amaze me. Every song reveals new gems with each listen, whether it be a buried guitar line, a line of lyrics I hadn’t yet caught, or something else. “Escape to the Mountain” is one of my favorite tracks of the year.
2. Hours From It – Holy Fiction. Jumped up my list in the last week or so, as “More than Ever,” “Song 10” and “Two Small Bodies” inserted themselves in my life and would not let go. Passionate, melodic, lush indie-rock that doesn’t brook any cliches, resulting in occasionally challenging listening. But it’s worth it to hear the vocalist holler out “I neeeeeed you moooore than everrrr…”
3. Mt. Chimaera – Brasstronaut. Any band that’s got the guts to eschew choruses for an entire album, send down trumpet solos like it’s nobody’s business, and write the equivalent of an indie-rock symphony deserves all the props they can get. The fact that clarinet-led klezmer also happens in there makes it jump my list.
4. Of the Blue Color of the Sky – OK GO. I heard that their new video has several million hits and their album has sold just over 25,000 copies. This is a freakin’ shame. It’s their best work yet, mature in ways that “Here it Goes Again”-era OK GO can’t understand, much less imitate. If you pardon the horrible autotune experiment, the whole thing is solid, with “Needing/Getting” being the fist-pumping, shout-it-out anthem.
5. We’ve Built Up to NOTHING – 500 Miles to Memphis. This is country-punk at its finest, displaying both its country and punk roots, while extending out into places I’d never thought they’d go (full orchestras? really?). Standout track “Everybody Needs an Enemy” is outlandishly good in its nearly-ten-minutes-long-ness.
Honorable mention: They Can’t Hurt You If You Don’t Believe in Them – Post Harbor. Fell off a bit on me, as the staying power isn’t as strong as I expected it would be. But it’s still an incredible post-rock album.
So, here’s to the second quarter! More music! More!