Independent Clauses | n. —unusual words about underappreciated music

SXSW write-ups!

March 20, 2012

Here are links to every single one of my SXSW posts, in alphabetical order. I’ll post my best-of lists tomorrow.


Avalanche City

The Barr Brothers
The Black and White Years
Black Canyon
Brianna Gaither
BrotherBear
Canailles
Chrome Pony
Cloud Nothings
Crooks
Daniels(((s)))
David Ramirez
Deerpeople
Denver Duncan
Desi and Cody
Dva
The Ettes
Feathered Rabbit
Ezra Furman
fun.
G-Eazy
Glen Hansard
Gliss
Gold Beach
Holy Fiction
Imagine Dragons
Jabee
Jesse Aycock
Josh Sallee
Little Scream
Megafauna
The Men
Modern Rock Diaries
Mont Lyons
Mother Falcon (@ The Parish) (@Bethell Hall)
O Fidelis
Oh Look Out
The Panda Resistance
Pomegranates
The Pretty Black Chains
Scales of Motion
Sea of Bees
Shitty/Awesome
Talking to Turtles
Those Nights
Thus:Owls
Titus Andronicus
The Tontons
TOPS
Vox and the Hound
We Were Promised Jetpacks
Whiskey Shivers
Wild Belle
Wink Burcham
Zulu Winter

The Ascetic Junkies pack their indie-folk full of instruments and ideas

January 21, 2011

There are many reasons that people love Neutral Milk Hotel: great songs, brilliant lyrics, perfected moods, indie mainstay, etc. But one thing that people don’t think about as often is how many ideas are jam-packed into its songs. Every moment bursts with riffs, melodies, rhythm and instruments. It’s just entirely unexpected the first (and 40th) time you hear their work.

The Ascetic JunkiesThis Cage Has No Bottom is much the same way. These twelve songs jam more ideas into 40 minutes than some bands have in a discography. Instruments appear and disappear unexpectedly. Tempos suddenly drop, then raise just as quickly. Songs lead you in one direction, only to jerk you in another. This album is an experience, and it only helps its case (at least, here at Independent Clauses) that This Cage Has No Bottom is a post-folk indie-rock album much in the same way that In the Aeroplane Over the Sea is.

It also reminds me of O Fidelis, as the vocal duties are shared between Matt Harmon and Kali Giaritta. They both have voices strong enough to carry a band, so having both of them only makes the album that much stronger. The wildly varied instrumentation only backs up their solid voices, not just including but often pairing banjos, synthesizers, bell kits and mandolin in addition to bass, guitar and drums. It’s an enthusiastic party inside a hip music store.

How hip? “(Don’t) Panic” is a folk/funk song, as they create a supremely get-down dance-floor groove with nothing but acoustic instruments and a clean electric guitar. I mean, there’s a ukulele in it. It doesn’t get cooler than that.

“Get What You Want, Get What You Need” opens as an old-timey bluegrass tune, which sounds great with the guy/girl harmonies. But that’s not enough to be an Ascetic Junkies song. They throw in some celebratory horns, bombastic drums, a laughing section (!) and bluegrass fiddle for good measure. “Crybaby” is a straightforward country-rock stomper that was apparently recorded totally live. You’d never be able to tell – it’s that tight. This band must kill it live.

“God/Devil/Gov’t” is amazing as well. It’s the most intricately constructed tune here, lyrically and musically. The lyrics sing of looking for help wherever it will come from, and rejecting those sources of help if they fail. The satirical tune punctuates the proceedings with a refrain of “Hallelujah!”, which making various points about the organizations mentioned through different instrument and mood choices in the particular verses. I’m telling you, it’s amazing.

I could go on for much longer about this album, but it would be overkill. If you like indie-rock with acoustic guitars and horns featured prominently in the mix, you’re gonna love the Ascetic Junkies’ This Cage Has No Bottom. It’s one of my top ten of 2010, for sure. There’s just nothing as well written, performed and produced in indie-folk this year. Brilliant, brilliant, brilliant.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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