Independent Clauses | n. —unusual words about underappreciated music

January Singles: 2

January 23, 2017

1. “Savannah, Abandoned” – Lewis Dalgliesh. Shades of Jeffrey Lewis’s lyrical specificity and rapid-fire delivery play out over delicate, fingerpicked acoustic guitar. The rsults are a wonderful, Fionn Regan-style indie-pop tune.

2. “Letter for Ty” – ALFIE. The intertwining of two female voices and the bright production on this pristine acoustic pop tune make me think of another Scandinavian folk duo: First Aid Kit. Highly recommended.

3. “So Close” – Mama Ghost. A lovely, engaging alto voice leads the way in this excellent folk/singer-songwriter tune. The guitar, lead vocals, and harmony vocals mesh perfectly into an enveloping mood.

4. “Get On Your Skates” – Sandtimer. The gravitas of the vocal tone and delivery transforms a smooth acoustic tune into a stellar tune reminiscent of Alexi Murdoch.

5. “War on the Move” – Nice Motor. Hits all the right notes for a modern folk/alt-country shuffle: great vocals, lush harmonies, traditional (but not too traditional) arrangement, and overall good vibes.

6. “Caroline” – Johnny Nobles. Those who love James Taylor will find much to love in this light, slightly sad acoustic work.

7. “Eagle” – Noel. Brimming with tension but also exuding patience, this mesmerizing ambient/neo-classical piece is built on organ-like synth drone and beautifully airy lead synth.

8. “First Dance” – Doc Yates and the Kings Evil. The vocal melodies of this romantic ballad have a timeless quality to them, as if drawn from ’50s pop, old folk tunes, and/or modern indie pop.

9. “Head Over Heels” – Finn Kleffmann. Fuses acoustic Britpop vibes from the ’90s with modern acoustic pop melodies (and folk-pop “hey!”s). It’s suave and strong.

10. “Fa Fa Fa Fired” – Ryan Oxford. Lots of songwriters want to emulate The Beach Boys, but few do it as well as Oxford does here. The production is spot-on Pet Sounds (with some modern upgrades), but it’s the charming vocal melodies and delivery that sell this one.

February 16 Singles: Acoustic

February 4, 2016

Acoustic

1. “Heart Song” – Samuel Alty. Captures the enthusiasm of flamenco and distills it into a two-and-a-half-minute romp that I can’t get out of my head. The music video perfectly complements the ecstatic vibe of the tune: a group of people slowly getting accustomed to dancing in public. This is way, way fun.

2. “Silent Moon” – Supersmall. It’s a warm blanket of a tune–the soft guitars, the comfortable vocals, and the gentle arrangement all come together to just be a lovely acoustic indie-pop tune.

3. “Roman Tic” – John Helix. Fans of Elliott Smith will fall hard for this spare-yet-endearing tune.

4. “21 Years” – Malory Torr. The quirky songwriting and vocal delivery of Regina Spektor (except on guitar) fused to a Bohemian version of Five for Fighting’s “100 Years.” Love the group vocals throughout.

5. “Drinking Song” – Haley Heynderickx. This slightly woozy, charming tune sounds like Laura Marling and Laura Stephenson collaborated on an acoustic jam. The vocals here are quirky and lovely.

6. “Turn to Stone” – Nice Motor. Combines back-porch picking with West Coast, Laurel Canyon country vibes to create a tune that’s not quite either thing: it kinda sounds like The Eagles somehow turned into a folk band.

7. “Sweet Innocence” – Kylie Odetta. It’s rare that the drums stand out in a singer/songwriter tune, but they provide the perfect counterpoint to Odetta’s warm alto lines in this calm, confident tune.

8. “We Sing with Angels” – The Project. With a singer/songwriter chorus, Spanish finger-style guitar verses, and traditional melodic structure evocative of ancient hymnody, this tune goes in directions you wouldn’t expect. The pieces come together for a unique experience.

9. “The One” – Erik Fastén. There’s a sense of noble, dignified romantic angst here, employed through a careful guitar performance, breathy vocals, and fluttering strings.

10. “Follow the Sun” – Hand Drawn Maps. An early-’00s sense of full-band indie-pop melancholy permeates this track–it makes perfect sense that they’re from LA, the home of Phantom Planet and inspiration of Death Cab’s “Why You’d Want to Live Here.”

11. “The Planets Align” – Chris Belson. A deep, silky, enveloping, enigmatic voice dances over a simple guitar.

12. “1963” – Nikki Gregoroff. Gregoroff makes a simple piano line arresting with a bright, clear, magnetic vocal performance.

13. “Kaydence” – Triana Presley. Sometimes you just want to hear a melancholy piano-pop ballad. I’ve been known to love Something Corporate and Taylor Swift. I’ll admit it.

14. “Can’t Erase It” – Kylie Odetta. Somewhere between Norah Jones and Adele lives this beatuiful, wistful track. Odetta’s voice reads far older than her years. (Rare double entry on the same post!)

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

Recent Posts

Categories

Independent Clauses Monthly E-mail

Get updates and information about IC, plus opportunities for bands.
Band name? PR company? Business?
* = required field

powered by MailChimp!

Archives