Mike Dillon‘s Band of Outsiders begins with Dillon hammering on a heavily distorted marimba. The trombone and punk-speed drums come in next. Eventually Dillon layers on ominous speak/sing vocals calmly stating that the narrator will “throw you on / my bonfire.” Sometimes a band tells you everything you need to know pretty quickly.
If you’re still not convinced that Mike Dillon is (or isn’t) for you, here’s a bit of overview on the album. Dillon and his three-piece backing band whip through pieces that throw jazz, rap, ska, metal, punk, and bossa nova (seriously) into a blender and press frappe. Dillon has religious thoughts, anti-police thoughts, political thoughts, absurdist thoughts–sometimes all in within a span of 30 seconds (“Homeland Insecurity”). There’s a lot of trombone, which is not something I get to write very often. You can dance to it. You can mosh to it. You can shout along to it (“Carly Hates the Dubstep,” most emphatically). In short, Mike Dillon is out of his mind, in the most entertaining and musically challenging of ways. Unless you’ve heard Mike Dillon before, you’ve almost certainly not heard anything like this.
Bunches of MP3s have come my way recently, and I’m happy to share some with you. Come back on Friday for the Spring/Summer mix!
1. “Reno” – Shareef Ali. Anti-folk, acoustic-punk, and country converge on this memorable, attitude-filled breakup tune. (Ali’s CD release show is tonight, if you happen to find yourself in San Francisco.)
2. “Blankets” – Matthew Fowler. Fowler has a smooth, soothing voice that sounds far more mature than his 19 years. Fans of Josh Garrels and Ray LaMontagne should take notice.
3. “The Lampolier” – Grover Anderson. As fall moves toward winter, let’s move from pretty singer/songwriters to the haunting, backwoods Appalachian murder ballad tradition. The production here is particularly notable.
4. “Down to My Soul (The Music)” – Kate Vargas. When a woman says she’s influenced by Tom Waits, that gets my attention. Vargas delivers on that promise with raspy, soulful, inspired folk full of banjo and danger.
5. “Strugglin’” – I Am the Albatross. This one also starts out as a Tom Waits-ian folk ramble, but it transforms into a Gogol Bordello folk/punk/polka blaster complete with vengeful religious imagery. All aboard!
6. “All Walks of Life” – Mike Dillon. I’m used to Mike Dillon’s unclassifiable madness played at 3 zillion BPMs. This unclassifiable madness includes a significantly chiller body before a naturally madcap coda but is no less weird: it still includes vibraphone, trombone, drums, and Dillon’s crazy vocals.
7. “Alta / Waterfall” – Fear of Men. Jangly indie-rock urgency married to the rich, dusky landscapes of Bowerbirds and the like.
8. “Blight ft. FatRat Da Czar” – We Roll Like Madmen. Very smooth, dark, crisp electro here. FatRat Da Czar raps some really nice flow over it, really making this track.
9. “Ruin” – Vedas. The PR for this one calls it a “hollow depletion of hope,” which makes me want to try and cheer them up. Their James Blake-ian electro-pop/R&B/indie/whatever stuff is definitely attractive, though. All is not lost, yo!
10. “Reset” – Maggie McClure. Here’s a cathartic, female-fronted, piano-based pop tune for those who never stopped secretly loving The Fray and The Goo Goo Dolls.
11. “RaVe (feat. Kris English)” – Cloud Seeding. Is it folk? Is it electro? The lines keep getting fuzzier. Either way, this one is a lithe, easy-moving track.
12. “There Was a Time” – Corea Blue. Lo-fi can always get grittier, y’all. Props to this track for creating a zen-like mood and tone while using tape hiss as an instrument.
Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.