Independent Clauses | n. —unusual words about underappreciated music

Quick Hits Megamix

April 11, 2013

charlotteandmagon

I’ve covered French duo Charlotte and Magon since January 2011, and I’ve been mesmerized by their pensive, mysterious indie-rock that draws just as much from trip-hop and Fleetwood Mac as it does any current band. Life Factory is their first full release, and it delivers on the promise. Charlotte’s alto voice commands the stark, crisp tunes with easy authority, and the whole project comes off with a dramatic flair. They can go a bit overboard on the drama in places (“Dice,” “Shellshock”), but tunes like “Motoroïde” and “Black Horses” are excellent songs that make me excited for the future of this band.

bloodroot

Italian band OfeliaDorme is the perfect companion to Charlotte and Magon, as the bands share similarities in sparse, stark mood and atmosphere. The veterans in OfeliaDorme make Bloodroot a standout by not wasting a single moment: every bit is thoughtfully considered, causing the tunes to seem effortless. (Isn’t that always the way?) Vocalist Francesca Bono sits atop the mix, delivering her vocals in a straightforward, almost entrancing voice. Her voice melds equally well to spacious, gloomy tunes (“Brussels,” “Predictable”) and upbeat pop moments (“Ulysses,” “Stuttering Morning”), which results in a nicely varied group of songs. It’s a credit to the band’s songwriting skill that the album still holds together well as a unit. Bloodroot is an album that you can put on and enjoy in its entirety. If you’re into music that makes small arrangements sound gorgeous, this one’s for you.

e321

Swedish outfit E321 adheres more closely to the post-rock idiom than the two previous bands, but they still keep a candle for gloomy, spare atmospheres on three-song release Among the Trees. Opener “The Naked Sea” builds from a lone guitar playing forlorn melodies to a heavy rock section, complete with spoken/yelled vocals that give it a vaguely post-hardcore vibe. “They Call Us Human” and “Among the Trees” follow a similar pattern, but make the quiets quieter and the louds louder. The band shines when it’s turning morose moments into aggressive ones, although E321 doesn’t go all the way by attempting Isis levels of earsplitting clamor. Instead, the band dials in to their comfort zone and turns out really effective, evocative tunes. If you’re into things that have a post- attached to their name, you should check out E321.

signalstovega

Signals to Vega is from Lake Charles, Louisiana, which is interesting because A. it breaks the streak of international bands in this post and B. I once spent a weekend marooned there because of a car wreck. I hold no hard feelings against the town, but if I did I think STV would help exorcise them. This duo does aspire towards the towering metal/post-rock fusions of Isis, as the 10-minute-long lead track “Fear Not the Cycle of Life” alternates between poignant sections of twinkling beauty and roaring double-pedal excursions. The band does both well on Into the Arms of Infinity , as they never lose sight of the melody in the crush of hugely distorted background guitar. No vocals on this one; you’ve just got lots of trilling, soaring guitar to admire. This will make answering e-mails sound way more dramatic and important.

Blue-collars

January 30, 2012

Red Wanting Blue is the personification of the blue-collar road warrior band. Since 1996, the band has been cranking out melodic rock’n’roll/pop that fits neatly next to Counting Crows—which is a great thing in my book, as I know almost every word of August and Everything After. RWB’s newest, From the Vanishing Point, just broke into the Heatseekers chart at #10, which is a hard-earned spot for a band that’s worked diligently for so long. As my Dad quips, “One of these years I’ll be an overnight success.” Here’s their video for the ridiculously catchy “Audition.”

Charlotte & Magon have been charming me for a while (exhibits A, B, C and D), and “The Mining” is no different. The tense, sparse tune draws from trip-hop, electro-pop and post-punk before bursting into a wicked guitar solo. Yes, a guitar solo. They’re ratcheting up for the release later this year of their “magnum opus, rock novel” Life Factory, which is “the story of the working man in search of hope and truth.”

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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