Independent Clauses | n. —unusual words about underappreciated music

Soundsupply Drop Five is here!

October 16, 2012

I’ve written about the good guys at Soundsupply before, and I’m happy to announce that their project has made it to its fifth iteration. Their newest collection of 10 albums for 15 dollars is a bit heavier than previous drops, with IC fave Polar Bear Club, Hit the Lights, and Circa Survive among the loud stuff. But they still make room for songstresses Jen Wood and Laura Stevenson; Stevenson’s Sit Resist was my fourth favorite album of 2011. I’ve been hearing a ton about Buried Beds since they went on tour with faves MeWithoutYou; and then, of course, there’s John Frusciante, who needs no introduction.

Overall, it’s an impressive collection, one that is definitely worthy of your 15 bones. I’d pay 10 bucks for Stevenson’s album alone. Check it out here.

Full list:
1. Circa Survive “Violent Waves” (Self-released)
2. Hit The Lights “Invicta” (Razor & Tie)
3. Jen Wood “Finds You In Love” (New Granada)
4. Polar Bear Club “Clash Battle Guilt Pride” (Bridge 9 Records)
5. Buried Beds “Tremble The Sails” (Self-released)
6. Rodeo Ruby Love “This Is Why We Don’t Have Nice Things” (Pentimento)
7. Pswingset “All Our False Starts” (Topshelf Records)
8. Make Do And Mend “End Measured Mile” (Paper + Plastik)
9. Laura Stevenson & The Cans “Sit Resist” (Don Giovanni)
10. John Frusciante (from Red Hot Chili Peppers) “The Empyrean” (Record Collection)

Top Albums of the Year, pt. 2

December 30, 2011

Here’s part two:

10: Common Grackle – The Great Repression. Absolutely unhinged western swing/rockabilly. I listened to this for a couple weeks straight when I first heard it.

9: Hoodie Allen – Leap Year. The indie-rock-appropriating beats float the cleverest lyrics I’ve heard all year. “Soul on Fire” and “James Franco” blow my mind.

8: Braids – Native Speaker. The most mesmerizing album I listened to all year. Raphaelle Standell-Preston can make even curse words sound beautiful and delicate.

7: Typhoon – A New Kind of House. Strings! Horns! Choirs! Acoustic guitars! Melodies! Emoting! I saw them in a huge church!

6: Brine Webb – O You, Stone Changeling. Morose, beautiful, touching. “Too Small to Pray For” and “rrose hips” are excellent.

5: Generationals – Actor-Caster. The best indie-pop songs of the year, hands down.

4: Laura Stephenson and the Cans – Sit Resist. There’s not a single bad tune on this album, you can sing along to almost all of them, and they pull off the “multiple genres but overarching mood” thing perfectly. 

3: Jenny and Tyler – Faint Not. Their cute pop turned into churning folk-rock overnight, and the effect is hair-raising and goosebump-inducing. There were few moments as dramatic as the full-band entry in “Song for You” this year; Faint Not was the only album that made me write the sentence “I forget to breathe.”

2: The Collection – The Collection EP. The melodies and instrumentation seem effortlessly perfect on this folk album. David Wimbish’s lyrics and deft and quick, delivered in a vastly adaptable voice that seals the deal. “Stones” is just a wonder.

1: Colin Stetson – New History Warfare Vol. 2: Judges. This album just blows my mind. It is beautiful, haunting, terrifying, elevating, artsy, powerful, surreal and hyperreal (you can hear him clicking the keys) at the same time.

Top Fifty Songs of the Year Mixtape

December 27, 2011

I’ve rarely been on-the-ball enough to get my year end lists done by December 31, but this year I made a concerted effort to have all my 2011 reviewing done early. As a result, I was able to put together not just a top 20 albums list, but a top 50 songs mixtape and a top 11 songs list. Here’s the mixtape, organized generally from fast’n’loud to slow’quiet. Hear all of the songs at their links, with one exception of a purchase link (#27). The other lists will come over the next few days.

1. “Nights Like This” – Icona Pop
2. “Bass, Not an 8-track” – Oh Look Out
3. “I Don’t Want to Go To Sleep Either” – FM Belfast
4. “Now That I’m Real (How Does It Feel?)” – Chad Valley
5. “Ten-Twenty-Ten” – Generationals
6. “Sticks & Stones” – Jonsi
7. “Norgaard” – The Vaccines
8. “Just Me and My Canseco Rookie Card” – Banquets
9. “Axiomatic” – Bottle Up and Explode
10. “Yeah (Crass Version)” – LCD Soundsystem (Live at Madison Square Garden)
11. “Good in Green” – Saturday Sirens
12. “A Dream of Water” – Colin Stetson
13. “No Reservation” – Del Bel
14. “Box-Type Love” – Run Dan Run
15. “What Once Ran Wild” – Wild Domestic
16. “Movement” – Dam Mantle
17. “Saw You First” – Givers
18. “Glass Deers” – Braids
19. “Cassette 2012″ – Delay Trees
20. “James Franco” – Hoodie Allen
21. “Black and White” – Generationals
22. “Kam” – Oh Look Out
23. “Prowl Great Cain” – The Mountain Goats
24. “Hobo Chili” – Attica! Attica!
25. “Montauk Monster” – Laura Stevenson and the Cans
26. “Down to the River” – Cameron Blake
27. “We Will Never Have Tonight Again” – Sandra McCracken
28. “Turbulence” – Of God and Science
29. “Nothing But Love Can Stay” – Afterlife Parade
30. “Stones” – The Collection
31. “The Region of the Summer Stars” – Come On Pilgrim!
32. “Fever” – The Collection
33. “The Healthy One” – Laura Stevenson and the Cans
34. “Some Boys” – Death Cab for Cutie
35. “Girls Girls Girls” – John Lepine
36. “At the Grindcore Show” – Common Grackle
37. “Simple Girl” – Dale Earnhardt Jr. Jr.
38. “Dear Annabeth” – The Duke of Norfolk
39. “Kitchen Tile” – Typhoon
40. “Women in the Kitchen” – The Fox and the Bird
41. “Song for You” – Jenny and Tyler
42. “Find You” – Brianna Gaither
43. “Someone Like You” – Adele
44. “Through Your Eyes” – Jenny and Tyler
45. “No Silver” – Chris Bathgate
46. “Shoeboxes” – David Ramirez
47. “Unwed Fathers” – Carrie Rodriguez and Ben Kyle
48. “I Wish You Didn’t Feel Like My Home” – Matt the Electrician
49. “In Parts” – Run Dan Run
50. “Putting the Dog to Sleep” – The Antlers

Oh Look Out, because you're going to be addicted to this

September 29, 2011

Quick note: SLTM the Podcast’s latest edition, sponsored by Independent Clauses, is up now. Check it out!

Each genre has embedded strengths that double as weaknesses. The best bands in a genre will deal will those issues, either by subversion, exaggeration or infusion of other genres.

Oh Look Out has solved the fundamental problem/feature of video game-inspired music (playful, but not emotional) by meshing it with current guitar-based pop-rock (emotional, not playful). The result is the fascinating, fantastic Alright Alright Alright Alright Alright.

Alright‘s approximately 25 minutes leaves more of an impact than albums much longer because it knows what it can and can’t do. No riff is beaten into oblivion, no chorus sung repetitively, no song lasting longer than you wish it would. This is economical songwriting, as one might expect from a songwriter — who goes only by JP — so influenced by electronics (Can we tolerate slow, overstuffed computers?).

The one-two punch is “Analogatron” and “Bass, Not an 8-Track.” The most complete of the songs here, they have distinct vocal melodies, memorable vocal performances, meaningful rock sections, quirky video-game contributions, and deliberate song flow.

“Analogatron” can be appreciated by structuralists and pop-lovers alike. It builds like a standard rock song, opening with bass and vocals before bursting into acrobatic distorted guitar lines. The song adds evocative synths, then ratchets it up to a big conclusion. On the other hand, both the vocals and the guitars are catchy as anything, hinging on the line “When I’m dead, I’ll play cassettes!” Heck yes you will.

“Bass, Not an 8-track” is even better. It’s a fist-pumping, clapping, stomping anthem of a rock song. I got shivers when, at the climax of the song, JP hollers “TAKE! TAKE ME BACK! BASS! not an 8-TRACK!” over a stomping guitar line and synth majesty. This is pretty much all I could ask of a rock song.

But it’s not all herky-jerky pop-rock. The stark “Short Waves” and “Implode Alright” bring to mind keys-laden bedroom pop experiments of Casiotone for the Painfully Alone, Daniel Johnston and more — but in a much less frustrating, self-indulgent demeanor and tone than much bedroom pop. They’re delicate, emotional, hummable and able to be put on a mixtape for a girl. This is pretty much all I ask of a pop song.

Also, the persistent, perky keyboards of “Kam” are absolutely legit.

Alright Alright Alright Alright Alright is on my shortlist for best pop-rock album of the year, right up there with Generationals’ Actor-Caster and Laura Stevenson and the Cans’ Sit Resist. Its emotional and playful elements balance perfectly, giving me songs that I can feel good about but also feel something in while singing/yelling along. Seriously, what else do you want? Free? Oh, well, it’s that too.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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