Independent Clauses | n. —unusual words about underappreciated music

February 16 Singles: Acoustic

February 4, 2016

Acoustic

1. “Heart Song” – Samuel Alty. Captures the enthusiasm of flamenco and distills it into a two-and-a-half-minute romp that I can’t get out of my head. The music video perfectly complements the ecstatic vibe of the tune: a group of people slowly getting accustomed to dancing in public. This is way, way fun.

2. “Silent Moon” – Supersmall. It’s a warm blanket of a tune–the soft guitars, the comfortable vocals, and the gentle arrangement all come together to just be a lovely acoustic indie-pop tune.

3. “Roman Tic” – John Helix. Fans of Elliott Smith will fall hard for this spare-yet-endearing tune.

4. “21 Years” – Malory Torr. The quirky songwriting and vocal delivery of Regina Spektor (except on guitar) fused to a Bohemian version of Five for Fighting’s “100 Years.” Love the group vocals throughout.

5. “Drinking Song” – Haley Heynderickx. This slightly woozy, charming tune sounds like Laura Marling and Laura Stephenson collaborated on an acoustic jam. The vocals here are quirky and lovely.

6. “Turn to Stone” – Nice Motor. Combines back-porch picking with West Coast, Laurel Canyon country vibes to create a tune that’s not quite either thing: it kinda sounds like The Eagles somehow turned into a folk band.

7. “Sweet Innocence” – Kylie Odetta. It’s rare that the drums stand out in a singer/songwriter tune, but they provide the perfect counterpoint to Odetta’s warm alto lines in this calm, confident tune.

8. “We Sing with Angels” – The Project. With a singer/songwriter chorus, Spanish finger-style guitar verses, and traditional melodic structure evocative of ancient hymnody, this tune goes in directions you wouldn’t expect. The pieces come together for a unique experience.

9. “The One” – Erik Fastén. There’s a sense of noble, dignified romantic angst here, employed through a careful guitar performance, breathy vocals, and fluttering strings.

10. “Follow the Sun” – Hand Drawn Maps. An early-’00s sense of full-band indie-pop melancholy permeates this track–it makes perfect sense that they’re from LA, the home of Phantom Planet and inspiration of Death Cab’s “Why You’d Want to Live Here.”

11. “The Planets Align” – Chris Belson. A deep, silky, enveloping, enigmatic voice dances over a simple guitar.

12. “1963” – Nikki Gregoroff. Gregoroff makes a simple piano line arresting with a bright, clear, magnetic vocal performance.

13. “Kaydence” – Triana Presley. Sometimes you just want to hear a melancholy piano-pop ballad. I’ve been known to love Something Corporate and Taylor Swift. I’ll admit it.

14. “Can’t Erase It” – Kylie Odetta. Somewhere between Norah Jones and Adele lives this beatuiful, wistful track. Odetta’s voice reads far older than her years. (Rare double entry on the same post!)

Mid-October: Acoustic

October 19, 2015

1. “Spring” – Sam Burchfield. Measured guitar strum and an evocative vocal performance draw me in, but it’s the gentle keys and the ragged drumming that give the song character. The rest of the song just seals the deal. Shades of Brett Dennen here–nothin’ but a good thing. What a single.

2. “Vacation” – Florist. Within seconds the tentative, relatable guitar picking has drawn me in entirely. Emily Sprague’s tender, confessional delivery gives this a magnetic appeal usually reserved for acts like Laura Stephenson, Lady Lamb, and old-school Kimya Dawson.

3. “Little By Little” – Niamh Crowther. The melodic folk-pop is charming, and then she starts singing and it jumps way up into the stratosphere. Her voice is just remarkable. Serious one to watch here.

4. “Nevada City” – John Heart Jackie. Pulls the incredible trick of not feeling like a song, but like part of the environment you were already in, turning the corners brighter and lightening the vibe throughout. The easy maturity of this tune is not to be underrated or underestimated, especially when it bursts into a beautiful crescendo near its midpoint. Undeniably powerful.

5. “Reality Show” – Sam Joole. Adept at reggae and acoustic pop, Joole blends the lyrical and musical sentiments of both into a piece of spot-on social criticism about social media that doubles as a chill-out track.

6. “A Bone to Pick” – Ten Ton Man. The gravelly, circus-like drama of Tom Waits’ work collides with the enthusiastic world-music vibes of Gogol Bordello to create an ominous, memorable track.

7. “Walk Right” – Pete Lanctot and the Stray Dogs. An old-timey revival is the site of this tune, where the stray dogs admonish all those listening to forsake their lives of sin and “walk right.” The vintage sound is updated with great production and a hint of a knowing wink.

8. “15 Step” – Phia. The kalimba-wielding indie-popstress drops a gently mindbending cover of the Radiohead tune with just thumb piano, distant guitar, claps, stomps, and layered vocals. Just whoa.

9. “It’s Not Your Fault” – Gregory Uhlmann. Soft woodwinds deliver pleasant texture to this swaying, loose, thoughtful piece. Uhlmann captures a beautiful, unstructured mood here.

10. “If I Go” – Jake McMullen. Hollow and distant yet visceral and immediate, McMullen creates slowcore acoustic tunes similar to those of Jesse Marchant or Gregory Alan Isakov at his most ethereal. Shades of Damien Jurado’s tortured voice creep in too. It’s gorgeous stuff.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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