Independent Clauses | n. —unusual words about underappreciated music

Premiere: “Stone” by Little Shrine

October 11, 2017

The downtempo indie-pop/folk of Little Shrine‘s “Stone” sounds way too polished and mature to come out of a debut. But what seems incredible is true, much to the listener’s benefit. The tune opens with a stark, staccato acoustic guitar that hooked my attention immediately; instead of filling the song with strums, the band lets space ring out. The feel is almost of a mournful stutter or hesitance.

That guitar announces the tune’s solemnity right from the get-go, creating a fitting mood for the lyrics of loss and redemption to further accentuate. When the song expands to include a second guitar, a wavering violin picks up the staccato motif to tie the song together. It’s not just a sign of impressive arrangement, it’s a clear marker of strong chemistry between the players.

It’s not all instrumental synchrony, though. Songwriter/vocalist Jade Shipman’s confident alto resonates with calm-yet-emotional melodic lines. Her voice, the lyrics, and the tight instrumental arrangement result in a song that sounds like a lot less work than it certainly was: it rolls out of the speakers with ease, despite the heavy subject matter. Fans of Laura Marling, Laura Gibson, and Cat Power will find much to love in this track.


“Stone” comes from the band’s Wilderness mini-LP, which drops 10/20/2017. Check out the latest news on their Facebook.

Mid-July Singles: Indie Pop and Other Things

July 21, 2017

Indie Pop and Other Things

1. “Shake” – Go Gracious. Imagine if The Hold Steady and The Naked and Famous tried to write a song together. That sort of jubilant-yet-rueful mix is exactly what you get with Go Gracious’ debut tune. Summer jam for real.

2. “History Walking” – Amy O. Noodly, doodly, and propulsive, this chipper indie-rock tune pushes all the right buttons for “infectious summer listening.”

3. “Magic” – Amy Stroup. Beachy but not in the traditional ways, this tune makes the most out of a loosely funky bass line and rattling percussion. Stroup’s easygoing vocals strengthen the chill vibe.

4. “Molly” – Ratboys. This fascinating mixture of alt-country, female-fronted pop-punk, and indie-pop subverted my expectations at every turn. Great stuff.

5. “Small Space” – Tall Friend. Bright but with a hazy, rainy sheen, this lo-fi, unassuming indie-rock/indie-pop tune reminds me of warm afternoons on green grass.

6. “Your Voice on the Radio (feat Laura Gibson)” – Dave Depper. OH man, chipper indie-pop basically doesn’t get any better than this. The inimitable Laura Gibson on guest vocals, bouncy bass guitar, tropical vibes, great vocal melodies, the whole shebang. More please, thank you.

7. “We Must Stand Up” – Har-di-Har. Wow, is there ever a lot going on in this song. This song rockets from synth-pop to angelic folk to complex indie-pop to wubby post-dubstep and points beyond. If Muse was ostensibly an indie-pop band, they might come up with this wild and clever track.

8. “What the Open Heart Allows” – Brad Peterson. Sometimes you’ve got an inventive, layered indie-pop arrangement that is heavy on tension and it still gets outshined by a massive, soaring vocal melody in the chorus. This is a good problem to have.

9. “Shame” – Lushloss. A solid two minutes of deconstructed down-tempo rainy-day indie-pop that’s heavy on bass guitar and layering. The tune appears unassumingly and ends suddenly, making the song even more endearing.

10. “Waking Up” – Illyin Pipes. All genres can be amazing, no matter how “done” they are. This is a full-on synth-pop piece with no big quirks–ambient synths, fuzzy arpeggiator work, rattling drums, woozy vocals–and yet it sounds amazing and fresh.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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