Independent Clauses | n. —unusual words about underappreciated music

November MP3 Drop 1: DANCE IT OUT

November 10, 2013

So I’m getting caught up on MP3s too. Soon I will be back on schedule!

MP3 Drop 1: DANCE IT OUT

1. “Wear You Out” – Amerigogo. Punk-funk-party-rock with muscle, grit and old-school “we play our own damn instruments” passion. If you don’t want to dance to this, I’m not sure this blog can help you much on that front.
2. “Gold” – Half Sister. There will always be room in my heart for more girl-fronted power-pop, especially when it’s as crisp and surprisingly emotive as this. Tender is not a term given to power-pop that often, but more power to Half Sister for pulling it off.
3. “Small Pony” – Dott. Girl-fronted power-pop that features an impressive bit of drumming; if you’re on the Best Coast train, you’ll find much to love here.
4. “Get Down” – Like Clockwork. Somewhere between the Postal Service and Ke$ha lies this track and its catchy chorus. Cobra Starship? Maybe?
5. “TTYN” – SCRNS. Is Lorde on the front edge of something, or is she already causing? SCRNS has similarly minimalist electro production going on, and it’s similarly catchy and fun.
6. “Partners in Crime” – We Were Lovers. I don’t think I can ever think of rich, majestic, night-time dance-rock without invoking The Killers. So a female-fronted Killers it is, and I love it.
7. “My Song 9” – Nova Heart. Ominous, foreboding female-fronted indie-electro-rock with an excellent production job.
8. “Inhibitionist” – Starlight Girls. The line between campy horror and surf-rock has never been harder to find. Fun all around, whatever you think the sound is.
9. “Earthquake” – Passafire. The only reggae I know much about is Matisyahu, but Passafire caught my attention with this track: smooth vocals, great chorus, a bit of tough edge to the guitar.
10. “Moonlight” – Message to Bears. A hypnotizing, gently rolling tune that inhabits the space between artsy R&B and atmospheric indie-folk.

The Shoreline produces a stellar pop-punk cover … and some other songs

July 23, 2010

I used to hate covers, because I thought they showed a lack of originality on the part of a band. Now I see that in addition to paying homage to a respected band, a good cover can be just as creative (and just as satisfying, if not more so) than a good original.

That’s why The Shoreline‘s cover of “I Gotta Feelin'” is my favorite track on their EP Fake It Till You Make It. Their cover re-envisions the party anthem as a pop-rock anthem. They remain faithful to the lyrics, mood and song structure; they just infuse the tune with a lot of guitar strumming and a pop-punk high-pitched voice. And while some covers become cloying in their pandering (someone played me a copy of a “Tik Tok” pop-punk cover that I could barely make it through), The Shoreline’s version of the Black Eyed Peas tune doesn’t get repetitive, annoying or gratuitous. It makes the point, slams it home and gets on to the next thing. It’s great. I like this song just as much as I like the original version, for completely different reasons. That’s the mark of a great cover.

The rest of the EP doesn’t have anything that possesses that sort of clarity and focus. As a result, the tunes are difficult to remember and just don’t make a big impact. If you like current pop-punk (e.g. Boys Like Girls, Angels and Airwaves, We the Kings, Fall Out Boy – especially in “Let’s Make a Mess”), you’ll like The Shoreline. But they won’t be your favorite band off the strength of this EP. Perhaps they have more in the tank, and they’re just getting started from here.

For now, I highly recommend “I Gotta Feelin'” to anyone and Fake It ‘Til You Make It to fans of the genre.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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