1. “Swimming” – Marsicans. This song dropped April 22, and summer officially started the instant it did. It’s all the best parts of The Vaccines, Vampire Weekend, Tokyo Police Club, and The Drums thrown into one indie-pop-rock amalgam. As a result, Marsicans have created one of the most exciting singles of the year so far, if we judge by the amount of spontaneous dancing it has inspired in me. Totally looking forward to more from Marsicans.
2. “Going Going Gone” – Bows. One summer of my life is captured in the memory of Chairlift’s “Bruises,” which I spun a lot. “Going Going Gone” has that same sort of effortless charm, breezy songwriting, and hooky melodies, so I expect to find this one on my summer playlists a lot.
3. “Love Will Come Back to You” – Two Year Vacation. A sunny, electro-pop tune anchored by a whistling melody (or a whistling-esque synth) and a buoyant sense of summeriness.
4. “Martyrs” – Living Decent. The mixing work here keeps everything in this pop-punk-inspired indie-rock tune feeling open and airy. Vic Alvarez’s vocals mesh neatly with a chiming lead guitar to create a mature yet smile-inducing track.
5. “Last Forgiven” – Luke Rathborne. That snappy snare sound just makes me want to hit the road and roll down the windows. The yelpy vocal melodies and handclaps make me want to sing and clap and have fun right along with Luke. A great summer jam.
6. “Pasadena” – Young Mister. A song about California that sounds just about as bright and shiny as California. If you were a Phantom Planet / The OC person, this one’s for you.
7. “Vampires” – Spine of Man. Beachy, yacht-y, ’80s-inspired indie-pop that’s heavy on reverb, baritone vocals, and the best type of nostalgia.
8. “Squeeze” – Foxall. This is the friendly type of folk punk: the “everyone gather round the guitar” vibe spills out of the speakers. I can hear this being played around a fire on a summer evening at a campsite somewhere.
9. “Barcelona” – TRY. Ah, Spain, another of the iconic Summer destinations. The chorus of this indie-pop-rock jaunt includes a breezily sung “Bar-ce-loooooooo-na,” which is just perfect for the city and the carefree, jetsetting vibe of this song.
10. “Things That Get Better” – Boy on Guitar. This female-fronted acoustic indie-pop tune is one for the pessimists: the lyrics marvel at the fact that things have gone well. Walking-speed accompaniment and floating background vocals round out this lovely track.
11. “Fountain of Youth” – Shapes on Tape. Will we see a resurgence of wah-guitar funk and pop now that Prince has left us? If so, Shapes on Tape are at the front edge of the curve with a funky electro jam, complete with guitar reminiscent of Prince’s work. (Or maybe we’re all just thinking more about Prince these days.)
12. “Circadian Rhythm (Edit)” – I.W.A. The tension between cosmic-sounding pad synths that open this and the thrumming synths that follow it set up this chillwave electronic tune excellently. It’s reminiscent of Teen Daze’s best work: melodic, evocative, and interesting without going maximalist.
1. “Hero” – Starlight Girls. If you mashed up Tusk-era Fleetwood Mac with modern indie-pop sensibilities, you’d have this powerhouse of a pop song. This is the most infectious, irresistible groove of 2016 so far.
2. “Hang On To Yourself (David Bowie Cover)” – Ancient Cities. Bowie didn’t play much of a role in my personal musical development (I was introduced to him in my 20s), but his shadow looms large over many musicians. Ancient Cities drops a worthy tribute to Ziggy here.
3. “Boys That Sing” – Viola Beach. Sometimes the melody, the lyrics, and the vibe just come together for a great pop tune. Puts a smile on my face.
4. “Crazy Eyes” – Brother Moses. BroMo returns with a breezy, peppy tune that builds on their slacker-rock foundation with some scrambling drums, driving bass and twirling guitars. The compelling vocal tone and delivery are as powerful as ever.
5. “Youth Dies Young” – Til We Have Faces. Well here’s something interesting: A major key indie-rock song that thinks it’s an arpeggiator-heavy electro-jam which builds at the speed of a post-rock tune. By the end it’s almost a Here We Go Magic tune. Totally rad.
6. “Fundamental Ground” – TW Walsh. I don’t use the term “floating” that often, but this indie-pop tune has a lot of the elements that you might associate with floating: lazy rhythms, slightly washed-out vibe, hazy elements chilling out in the background of the tune, a vocal line that seems distant-yet-close. It’s beautiful, in a weird way.
7. “Sometimes (One Night)” – The Golden Peppers. Here’s a tight soul arrangement, blanketed with horns and infused with indie-pop vocal melodic flair. Just can’t get enough Nathaniel Rateliff?
8. “Lucky One” – Why We Love. It seems that the major-key, jangly pop-rock tune is not only immortal, but thriving. Everything about this is fun.
9. “Unicorns Get More Bacon” – Marc with a C. The giddy, funny, absurd, fourth-wall-destroying power-pop of Marc with a C is in fine, fine form in this 3-and-a-half minute jam.
10. “Glad to Be Alive” – Memoir. Draws from funk, reggae, and ’90s pop without camping in any of them, this grounded-yet-bouncy tune is led by neat vocal syncopation and and a mood that just brightens a room.
11. “Touch” – Guard. A hypnotic keys melody and a head-bobbing beat make this into the chillest of remix-ready club tunes. Ibiza beaches for this version, Ibiza clubs for the inevitable reworks.
12. “Still Life” – I.W.A. Blissful chillwave, the likes of which I don’t get to hear very often. Just gorgeous stuff here.
13. “Don’t Complain/Don’t Explain” – Bare Mattress. Like a more existential version of The Postal Service, this unassuming indie-pop-electro track sneaks its way into ears and heart.
14. “Glass” – Howard. This is like the indie-electro/post-dub version of a dystopian movie in which everything looks kind of right but is slowly revealed to actually be dystopian. In other words, the slow burn works great.
15. “I Don’t Want to Know Her Name” – Amber Quintero. Lilting, easygoing, spacious bedroom pop that finely balances lyrical intimacy and wide-open pad synth landscapes.