1. “Step into the Darkness” – Said the Whale. Sometimes an indie-pop just emerges full-formed, bursting out of the sea with sophisticated arrangements, catchy melodies, intriguing lyrics, and smooth production. Easily one of the best pop songs I’ve heard so far this year.
2. “The Worst in You” – Tyto Alba. Slow-burning track that opens up as a moody indie rock before expanding into a pounding rock conclusion.
3. “Bone Collector” – Julian Lage & Chris Eldridge. A unique acoustic guitar duo creating unique, rhythmically intriguing instrumental music.
4. “Demons” – I.am.hologram. This inventive, satisfyingly unclassifiable 9-minute journey is triangulated from points in post-rock, blues/folk guitar, and indie rock.*
5. “Smash and Grab” – Christopher Giffard. A funky, jazzy, left-hand-heavy instrumental jam that had me head-bobbing from the get-go. There’s a lot going on in this piece, so stick around for the development.
6. “Sal” – K O L T B A C H. Slinky, lithe, and deliciously low-key, this instrumental electro jam is perfectly arranged for maximum effect without hitting any cliches.
7. “Souvenir” – Oh Geronimo. If you’ve ever been in a band that broke up, you’re going to want to listen to this acoustic ballad in a dark room away from people. It nails how I felt when band members moved on; honest, raw, and heartbreaking.
8. “Fancy Footwork” – Les Bohem. Good news for people who love sad news: this is pristine sad music. Consider: this chipper-sounding tune is one of the happiest on the whole double album. If you love sad things, you need to get on this immediately.
9. “Proverba Infero” – Mouse Dog Bird. Slowcore minimalist tendencies, but with the vocals front and center instead of off in the corner somewhere.
*Full disclosure: The PR agent for I.am.hologram, Lisa Whealy, writes for Independent Clauses.
1. “Galatians 2:20” – The Welcome Wagon. TWW is almost genetically engineered specifically to be a perfect fit with my musical tastes: acoustic-based indie-pop married duo inspired to start a band by Sufjan Stevens who sing humble yet joyfully melodic tunes (often with many voices) whose lyrics are sometimes entirely Bible verses (as in this one). I love it all. If you do too, hit up their Kickstarter.
2. “Be My Girl” – Anna Lee Warren. Warren’s strong, clear alto voice is the centerpiece of this vocal/ukulele/stand-up bass/shaker piece, and it shines bright.
3. “The Swells” – Second Husband. A joyful little ditty about (potentially metaphorically) being eaten by a shark that includes a very Juno-esque flute solo and overall attitude.
4. “When I Arrive” – Bryan Diver. Somewhere between Needtobreathe and Josh Garrels lies this high-drama folk tune with an arresting chorus.
5. “Cold Fact” – I Have a Tribe. Gentle trembling at the top of some vocal notes gives a sense of a particular type of intimacy; not theatrical but not entirely restrained either. Just honest, in a certain way. There’s a very European precision about the spacious indie-pop arrangement here.
6. “Uncomfortably Numb” – i.am.hologram. A hypnotic acoustic guitar line that sounds more like a sitar than a six-string anchors this song. Nihil’s barely contained, sneering voice provides an astute counterpoint to the instrumental base.*
7. “Over You” – Pony Hunt. A vintage walking-speed country loll, but fronted by a clear-eyed alto voice, doo-wop background vocals, and delicate–even sweet–pedal steel.
8. “Eggs and Toast” – Redvers Bailey. This charming, quirky, jubilant ode to breakfast food reminds me of the melody of the Boss’s “Dancing in the Dark.” Pretty much everything else possible is different.
9. “Stay a Little Longer” – Knaan Shabtay. Passenger’s vocal style meets a sped-up version of Josh Radin’s delicate intricacies in a charming, engaging tune.
10. “dirt” – Andrea Silva. It’s amazing how arresting a subtle voice, a guitar, and reverb can be.
11. “Used to Be” – Luca Fogale. A dreamy, lovely tune about running out of nostalgia that nonetheless has a deep sense of memory running through it.
12. “Settle Down” – Dark Mean. Jason Molina and Bonnie Prince Billy would approve of this moving, slowly-unfolding tune constructed of simple elements that are imbued with huge emotional importance.
13. “The Thrill of Loneliness” – Honey Stretton. Goes hard for the pastoral feel: a burbling brook, various animal/insect noises, and the hiss of the outdoors accompany a meandering guitar and a fluttering female vocal. You’ll probably want to walk outside after hearing this–it won’t be as pretty as the sonic picture (unless you’re very lucky locationally).
14. “UURKIDNI” – Emily & the Complexes. Most of E&tC’s work is distortion heavy indie-rock, a la Silversun Pickups and the like. But this is a gentle yet sturdy love song of just an acoustic guitar, even-handed vocals, and atypical lyrics that draw me in. Stunning.
*Full disclosure: i.am.hologram’s PR contact recently began writing for Independent Clauses. This happened after selection of this song for coverage and did not affect the selection of the song.