There’s a long history of happy sounds that contain sad lyrics. My mom’s favorite one is the absurdly happy breakup tune “Smoke from a Distant Fire” by Sanford-Townsend Band. I’m fond of the entirety of Paul Simon’s Graceland (except “That Was Your Mother”). Human Behavior‘s Golgotha might be my favorite “actually kind of devastating when you really listen close” album for 2013.
If you just press play instead of thinking about how the band name, title and album art go together, you’re treated to perky indie-folk-punk. Bandleader Andres Parada has a voice that works perfectly for the genre: it’s warbly, a touch nasal, and completely earnest. If you’re intrigued by Aaron Weiss of MeWithoutYou, early John Darnielle (The Mountain Goats), Andrew Jackson Jihad, and the like, you’ll be immediately sucked in to Golgotha. The rest of the sound fits perfectly around Parada’s voice: a small choir of female voices (who sing in the same earnest manner), instrumental performances that retain an urgent “first takes only” feel, and arrangements that are large without feeling pretentious. It’s all grounded in Parada’s voice, and all flows back to his voice.
It’s “Crag” that opens the album, a jaunty tune that calls up vintage-y, Pinterest-y hipsters who attach deer antlers to their heads and such. It’s all fun and games, right? Right. “Yeshua at 12” is dark, but the enthusiastic “Odocoileus Virginianus” is 40 seconds of wonderful! (That’s the Latin name for the whitetail deer, incidentally.) But as I progressed through the album, a dark undercurrent started to suck me in. “Vintage Dad” ends with the band forlornly, repeatedly singing “I am raccoon, and your father thinks that I am beautiful,” which is intriguing/discomforting in a Neutral Milk Hotel sort of way. “Raphus Cucullatus” is the Latinate of the dodo, and it’s a despondent acoustic strum with spoken word that seems to draw a little too close of a metaphor. It’s not overtly depressing, like Brand New or anything, but it’s, you know, just kinda hanging out in background of my brain as maybe not what it seems.
But then I listen to “Crag” again, and the phrases of the chorus are “I’ll strap antlers to my head/and I’ll attract wild dog packs/and I’ll make the woods walkable,” which is either a threat to wild dogs or a commitment to sacrifice in a bizarre way. Also the lines “I don’t want to be attractive,” “I know that I don’t love you two too,” “I’ll probably die sad/and I’ll probably do it by my hand” appear, all of which make me deeply reconsider the wisdom of sending this to my girlfriend because it’s perky and fun. In short, the layers at which you can appreciate Golgotha are multiple, but the deeper ones may render your shallower ones a little bit impotent.
So, are you into folk-punk? Are you into depressed singer/songwriters? Are you into both? If you’re into either of the first two, Golgotha is a fascinating and engaging album. If you’re in the third camp, I suspect that Human Behavior will be quite a find. It’s like a dark mirror of Illinois-era Sufjan, or an alternate-reality Mountain Goats.