1. “Don’t Go Quietly” – Light Music. Is this indie-rock? Post-rock? Electronica? All of the above? All I know is that this gorgeous track is one of my favorite songs of the year.
2. “Our Little Machine” – Last Good Tooth. The lyrics here sound straightforward till you read them a second time; the dense, melodic sounds here are similarly deceptive, unveiling their details as you listen repeatedly.
3. “The Closing Door” – LVL UP. Balances Weezer-esque guitar-wall crunch with “aw, shucks,” nose-in-a-book indie-pop for a unique, pleasant tension.
4. “Brother in Arms” – Annabelle’s Curse. The smooth easiness of indie-pop meets the complexity of indie rock while the spectre of alt-country hangs over it all. Taking the best of multiple genres and creating something new is a worthy goal, and Annabelle’s Curse knocks it out of the park here with a great tune.
5. “Modern Language” – Postcards from Jeff. Intertwined flute and guitar open this nearly-seven-minute indie-rock title jam from PfJ’s new record. It’s the sort of arrangement that balances delicate sounds with the drum-forward enthusiasm that makes a great live track.
6. “Answered Prayers” – Terribly Yours. This quirky indie-pop tune includes the fattest bass sounds and thickest groove I’ve heard in the genre this side of Of Montreal’s “Wraith Pinned to the Mist.” The song floats along like a tropical breeze on a vacation where you’re really and truly not worrying about going back to work.
7. “New Colors” – Kennan Moving Company. Sometimes you need that blast of horns in your life, no matter if you’re a soul tune or a pop-rock tune (as this one is).
8. “Glory Days” – 1955. The high-drama indie-rock (equal parts early ’00s Hives, early ’00s Elbow, and Cold War Kids) is perfectly tuned to be in one of those adventure-laden Heineken ads (and their spin-offs–what’s up with those Kohler ads?). In other words, it’s the sort of way-too-cool thing you want to score your life’s soundtrack.
9. “Swings & Waterslides” – Viola Beach. Straddling the line between Hot Chelle Rae’s radio-pop-rock and Tokyo Police Club’s left-field take on the same, this tune pushes all the right buttons.
10. “Porch” – Long Beard. All emo-inflected indie-rock bands want to sound effortlessly nostalgic, but few of them hit the mix of guitar tone, vocal reverb, walking-speed energy, and gentle melodicism.
11. “Mamma’s Gotta Secret” – Them Vibes. Rootsy rock with enough ’70s vibes to keep things unusual.
12. “New Vibration” – ALL WALLS. Grumbling guitar distortion and a chiming guitar riff collide with falsetto “oohs” to make a funky/poppy/fun track that would make Prince jealous.
13. “Rock N Roll Disco” – James Soundpost. Do you need a primer in how to write timeless pop-rock music? If so, listen to this tune and learn how to write a no-nonsense guitar line, sing a catchy hook, and rip off a guitar solo. Rad.
It’s the middle of the year! Independent Clauses always gets more music than it knows what to do with, so mid-year and end-of-year are a good time to clean out the files and point out all the amazing things that I missed the first time around. So here goes three days of that! These singles could have been released yesterday or months ago; these and the following posts are not time-sensitive whatsoever.
Mid-year, pt. 1: Rock, etc.
1. “A Place Called Space” – The Juan Maclean. LCD Soundsystem is gone, but The Juan Maclean is still around to fill that rubbery, propulsive dance tune-shaped space in our hearts. THE JUAN MACLEAN FOREVER.
2. “Mama Gold” – North by North. Pounding, fuzzy guitar, yelping vocals, heavy low end? Welcome to rock’n’roll, people.
3. “Blood::Muscles::Bones” – Street Eaters. This punk band is composed entirely of distorted bass guitar, drums, female vocals, and male vocals. THIS IS ALL YOU NEED TO KNOW.
4. “Everybody Pretends” – Ostrich Run. A high-drama violin riff kicks off this dark indie-rock tune. The vocals keep me going the rest of the way.
5. “Serious Things Are Stupid” – Cayetana. The rise of Cayetana in the punk scene has been fun to watch, as innate songwriters start to match the talent with the ability. Impressive tune here.
6. “Dirty Roofs” – Edmonton. Do you like The Offspring? You’ll love Edmonton, which sounds similar, but with a heart that The Offspring haven’t had for a while (/ever).
7. “You’re Cold” – The Black Tibetans. Stuff that Dan Auerbach (The Black Keys) produces is starting to be as distinctive as Stuff Steve Albini or Jack White does: rifftastic, slightly scuzzy, classic-rock-inspired blues heaviness with melodies galore. The Black Tibetans deliver on that promise.
8. “Every Night, Every Day” – The Sheens. Sometimes it doesn’t have to be complicated. Sometimes it just sounds right. Here we have female-fronted rock with punk and new wave-y overtones, and it’s just a ton of fun.
9. “Hi-Lo” – North Elementary. Check that opening riff on this power-pop tune. The vocals and arrangement have some Arcade Fire vibes thrown in for good measure.
10. “Pack of Cards” – Wood Ear. Straightforward rock’n’roll, Glossary-style, doesn’t get enough love here on Independent Clauses. Wood Ear throws down some organ-laden rock that just feels right.
11. “Loving You Is Hard” – The Parrots. Sometimes you just want some brash, off-the-cuff, speedy, infectious surf-rock. The Parrots are here for you.
12. “We’ll Be Fine” – Action Item. So I really like big, shiny pop-rock like Hot Chelle Rae, and Action Item delivers it in spades. HAVE FUN, Y’ALL!
13. “Always” – Annabel. Jangly guitars, tom-heavy percussion, and yearning male vocals satisfy my craving for earnest, serious indie-pop-rock.
14. “House” – Thunderhank. The tension builds and builds in this electro-influenced rock song, but it resolves in ways other than you’d expect. Keep ’em guessing, Thunderhank.
15. “Whistle for My Love” – Jimmy & The Revolvers. If the Beatles had kept cranking out the pop tunes instead of going all psych, they could have ended up here. Total old-school pop bliss (with some modern rhythms, of course).
16. “Pool Guard” – Inspired and the Sleep. Sometimes the title really does tell you everything you need to know.