Denmark’s Alcoholic Faith Mission plays a Beirut/Arcade Fire-style indie-folk that rides the fine line between style and substance. On first listen it seems that the band is all bark and no bite; the moods are solid and the instrumentation is strong, but no song jumps out and demands attention. There are choirs, acoustic guitars, horn sections, et al., but as an overall whole, And the Running With Insanity EP takes a very unassuming stance.
But as more listens follow the initial impression, these songs wormed their way into my head. A few weeks after I got this EP, “Running With Insanity” popped up on a shuffle list. While I was hard-pressed to remember who wrote the song or what it was called, I knew I liked it and could hum along. When I looked down at the title, I decided I liked the EP. Not because it stands out for virtuosic instrumentation or immediate tunes, but for the fact that I really like this EP for an almost inexplicable reason. It’s like enjoying The National. No matter how many times I disliked High Violet, I kept being drawn to it. Now I go to it as comfort music. I have no idea when I started liking that album; it just happened somewhere in there.
So it is for Alcoholic Faith Mission and its And the Running With Insanity EP. I really like it, because it’s a part of my brain now. I can’t explain how or why it got there, but I’m relatively certain this sort of thing will happen to you too if you listen.
Independent Clauses has always been a strange beast. I never intended it to be a music blog; I wanted it to be the starting point of a Pitchfork-style website or a Paste-style magazine. So when we did things differently, my thoughts ran thus: “Who cares? We weren’t trying to be like them anyway.” That’s why we would run best-of lists in February, eschew posting MP3s and publish very long articles.
But as people go, so do dreams. Just like mortality isn’t such a terrible bag if you’re ready for it, neither is the death of dreams. Independent Clauses is never going to be the size of Pitchfork, Paste or even dearly departed Delusions of Adequacy (whom I have worked for and dearly love). And that’s perfectly okay.
To that end, it’s starting to look more and more like an MP3 blog over here, as I am accepting what Independent Clauses has become and embracing it. I’m considering getting some extra hosting for 2011 and throwing down d/ls to applicable tunes on posts. I’m also going to redesign this site as an mp3 blog, then not touch the aesthetics till 2012. I’m also going to start using the first person pronoun instead of the third person. It’s just me here now.
Also, I will cover more Pitchfork-level indie music than I have previously. Independent Clauses used to focus exclusively on undiscovered music, and I will still devote much of my time there. One does not throw the baby out with the bathwater, after all; there will just be more Frightened Rabbit and The Mountain Goats in the bath.
As part of the transition, I will be posting two best-of lists this year: one overall best of, and one of releases Independent Clauses reviewed this year. In the future, I will post one list. Without further adieu, here’s the overall top ten best releases this year.
1. Sever Your Roots – The Felix Culpa. I called this “the post-hardcore masterpiece” in January, and I’ll stick by that. It’s near-perfect.
2. Sigh No More – Mumford and Sons. Total world dominance: I was in the dentist’s office the other day, and “The Cave” was playing.
3. The Winter of Mixed Drinks – Frightened Rabbit. “Not Miserable” gives me shivers every time, and it’s incredibly rare to give me shivers once. I love every song on this album.
4. The Suburbs – Arcade Fire. Music world dominance: headlining Madison Square Garden, nominated for album of the year, taking number one on the Billboard Charts. Even if I didn’t like this album it would be in my top ten. It’s a pretty great album, though, even if it does have a few too many ripoffs of The National on it.
5. This Is Happening – LCD Soundsystem. Indie world dominance: James Murphy prophesied his title and then backed it up with tracks that made it so. Easily my favorite LCD album, and “You Wanted a Hit” is vying for “favorite LCD song” status.
6. The Age of Adz – Sufjan Stevens. The man can do whatever he wants and still turn out pure gold. This is easily the most mind-blowing release of the year: it’s hard for me to listen to in heavy rotation because it’s so complex.
7. The Wild Hunt – The Tallest Man on Earth. Do you have to die to be re-incarnated? Because Bob Dylan’s found his second coming already. Don’t go electric, Kristian Matsson! Don’t do it!
8. Sidewalks – Matt and Kim. THIS ALBUM DESERVES ALL CAPS! IT IS THAT ENTHUSIASTIC AND WONDERFUL! I DARE YOU TO NOT BE HAPPY WHILE LISTENING TO THIS ALBUM!
9. The Monitor – Titus Andronicus. Straight-up best guitar riffs of the year are in this album. This album rocks so hard that it’s hard to believe that it’s kind of about the Civil War.
10. Of the Blue Colour of the Sky – OK GO. I just really enjoyed this album. They’ve perfected their strain of exuberant pop, and I like it.
Honorable Mentions: Champ – Tokyo Police Club, High Violet – The National, Weathervanes – Freelance Whales.