Independent Clauses | n. —unusual words about underappreciated music

I NEED GLORIA!

August 15, 2014

I NEED GLORIA!

1. “Whodunit?” – Gentle Robot. GR’s new album of indie-friendly alt-rock a la Silversun Pickups or Anberlin is a whodunit murder mystery. Gentle Robot deftly balances tenderness and aggression via strong lyrical and musical songwriting. Clever, memorable, and novel.

2. “Say Yes” – Afternoons. If you can resist belting out that chorus at the top of your lungs, this blog cannot help you. I’m serious.

3. “Gloria” – Backwords. Item Two: If you can stop yourself from belting out “I NEED GLOOOOOOORIA,” this is probably not the blog for you. Excellent song development from this crew.

4. “Love the Sea” – The Vigilance Committee. Grows from dreamy beginnings all the way to a rhythmically technical post-hardcore section, with some punk-inspired motion in the middle. I love ambitious songwriters.

5. “Midnight:Sixteen” – Tree Dwellers. TD has some weird post-rock/alt-rock/found-sound thing going on here. It’s the soundtrack to a really ominous “getting ready” sequence in a artsy futuristic dystopian action film.

6. “You Come to Kill Me?” – Happyness. Two minutes of pure slacker rock with impressive attention to lyrical detail. It doesn’t get repetitive, it doesn’t ask for much, it just wants to know if you’re there to kill him. Solid, bro.

7. “Monuments” – Haverford. My current favorite emo band mixes vocal desperation, dreamy guitars, and punk intensity for a swirling, whirling track. This release should get Haverford noticed by emo revivalists and more.

8. “Escape” – Dream Boat. The intensity of the forward motion that pushes through this psychedelic track makes it more than just a woozy psych jam or a four-on-the-floor stomper. Heavy vibes here, but good ones.

9. “Love Again” – JOA. Yearning, churning, moody indie-pop from the artist formerly known as Like Clockwork; much more atmospheric than the brash pop music he was previously producing. It’s got some down-tempo groove to it, too.

10. “Dis-Moi Qui Tu Aimes” – The Lovers Key. More rippin’ Motown surf soul from TLK.

11. “January” – Silva. The breeziness of chillwave meets the celebratory vibes of Brazilian music in a fun, charming, beautiful track.

12. “Lovekill” – Anie. Opens with an asymmetric vocal line reminiscent of tUnE-yArDs before exploding into a pop-rock tune with high male vocals; it shifts back and forth from artsy to poppy throughout the track. Really interesting take here.

13. “Oh the Evil!!!” – Michael Leonard Witham. A Dylanesque yawp, pedal steel, brazen harmonica, and a perky overall mood? Yes. Let’s have some more of that.

14. “Shapeshifting” – Sam Joole. This warm, gentle, pristine arrangement that recalls William Fitzsimmons or early Joshua Radin feels lush and full, even though it’s rather stark. Wonderful track.

Quick Hit: Haverford’s Spirit Bear

January 17, 2014

haverford

I came of age in the early 2000s, when Brand New, Thursday, and Taking Back Sunday were all making hay. I was drawn to Brand New the most, as they tempered their blazing vitriol with (somewhat) nuanced emotionalism. Gosh, those songs still give me shivers.

Anyway, I’ve got a decade-plus crush on emo bands that try to tie artistic ideals to the frantic passion of youth. Haverford‘s Spirit Bear helped me get a fix recently. One need look no further than opener “Anxious,” which turns a quiet, American Football-esque emo-scape into a churning riffer by the end of three minutes. The rest of the album tracks the highs and lows of that sound, full of melodic textures throughout. Fans of emo revivalists Football, Etc. (what is it with football names?) will find much to love here. It’s a beautiful record that doesn’t try to make everything sound exactly perfect, which charms me all the more. You know who you are–go get this.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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