1. “Why” – Rathborne. Helter-skelter drums, bass that’s just trying to keep up, jagged guitar sprawling everywhere, aggrieved vocals leading the charge? And it’s done in 2 minutes? Sign me up for garage rock 101, Rathborne. Teach me.
2. “Jawbone” – Dogheart. Sometimes the melody and vocals are so good that it doesn’t really matter what genre the song is. Dogheart’s good-natured garage rock will have people of all sorts humming along.
3. “Suckcess” – Michael Rault. Lo-fi rock with just the right amount of fuzz to get your adrenaline, but not so much that you can’t tell what’s going on. A strong dose of pop ideals (and pop history) put this one over the top.
4. “Boomerang” – Ships Have Sailed. Big fat pop songs are great ways to get through wet, cold Tuesdays in February. Ones that have vibes like The Killers are even better.
5. “Six String to My Heart” – Purple Hill. If The Hold Steady were more alt-country instead of classic rock, they might have sounded like this organ-laden, vocal-driven mid-tempo rock tune.
6. “A Whole New Shape” – Happyness. Remember when Yuck and Smith Westerns were big because they were playing neo-grunge with an indie flair? Happyness is on that train too, and they deserve as much attention as the aforementioned.
I NEED GLORIA!
1. “Whodunit?” – Gentle Robot. GR’s new album of indie-friendly alt-rock a la Silversun Pickups or Anberlin is a whodunit murder mystery. Gentle Robot deftly balances tenderness and aggression via strong lyrical and musical songwriting. Clever, memorable, and novel.
2. “Say Yes” – Afternoons. If you can resist belting out that chorus at the top of your lungs, this blog cannot help you. I’m serious.
3. “Gloria” – Backwords. Item Two: If you can stop yourself from belting out “I NEED GLOOOOOOORIA,” this is probably not the blog for you. Excellent song development from this crew.
4. “Love the Sea” – The Vigilance Committee. Grows from dreamy beginnings all the way to a rhythmically technical post-hardcore section, with some punk-inspired motion in the middle. I love ambitious songwriters.
5. “Midnight:Sixteen” – Tree Dwellers. TD has some weird post-rock/alt-rock/found-sound thing going on here. It’s the soundtrack to a really ominous “getting ready” sequence in a artsy futuristic dystopian action film.
6. “You Come to Kill Me?” – Happyness. Two minutes of pure slacker rock with impressive attention to lyrical detail. It doesn’t get repetitive, it doesn’t ask for much, it just wants to know if you’re there to kill him. Solid, bro.
7. “Monuments” – Haverford. My current favorite emo band mixes vocal desperation, dreamy guitars, and punk intensity for a swirling, whirling track. This release should get Haverford noticed by emo revivalists and more.
8. “Escape” – Dream Boat. The intensity of the forward motion that pushes through this psychedelic track makes it more than just a woozy psych jam or a four-on-the-floor stomper. Heavy vibes here, but good ones.
9. “Love Again” – JOA. Yearning, churning, moody indie-pop from the artist formerly known as Like Clockwork; much more atmospheric than the brash pop music he was previously producing. It’s got some down-tempo groove to it, too.
10. “Dis-Moi Qui Tu Aimes” – The Lovers Key. More rippin’ Motown surf soul from TLK.
11. “January” – Silva. The breeziness of chillwave meets the celebratory vibes of Brazilian music in a fun, charming, beautiful track.
12. “Lovekill” – Anie. Opens with an asymmetric vocal line reminiscent of tUnE-yArDs before exploding into a pop-rock tune with high male vocals; it shifts back and forth from artsy to poppy throughout the track. Really interesting take here.
13. “Oh the Evil!!!” – Michael Leonard Witham. A Dylanesque yawp, pedal steel, brazen harmonica, and a perky overall mood? Yes. Let’s have some more of that.
14. “Shapeshifting” – Sam Joole. This warm, gentle, pristine arrangement that recalls William Fitzsimmons or early Joshua Radin feels lush and full, even though it’s rather stark. Wonderful track.