The Woods are an experimental folk band, heavy on experimental. There are five songs here that run for twelve minutes on The EP Logue, and not one of them is easily categorized. If the “blink and you miss it” nature of Half-Handed Cloud’s fragmented pop songs collided with the mellower moments of Good News for People Who Love Bad News and then became friends with the wide-eyed, carnival-esque folk of Page France, you might have a good cover band for the Woods.
But that still doesn’t appropriate all that they are. From spoken word sections to gorgeous melodies that appear only once (so maddening!) to clever guitar licks that don’t get the focus they deserve before morphing into something else (also maddening!) to the plaintive and picturesque “Place I” (which is the only fully-developed idea here, speaking from a purely traditional pop standpoint), The Woods cram more beauty and oddity into twelve minutes than some bands cover in a lifetime.
It’s more like a painting than an actual album, and (lo and behold) that’s exactly what they wanted to do. They didn’t name any of the pieces, per se; they titled them with “place”, “person” or “thing.” They want the listener to understand more about a certain point of reference because of these songs, as opposed to enjoying the songs for their melodies and rhythms. As Ian Dudley says in the final track, “Just because I’m singing, that don’t make this a song.”
The Woods seem to know exactly what they are doing, and they’ve created a very, very pretty release. It’s a very confusing release, if you’re not used to or not a fan of experimental work, but it is a good release nonetheless. For fans of Devendra Banhart, Animal Collective, and the like. You can download it for free here.