Independent Clauses | n. —unusual words about underappreciated music

2016 Singles: Acoustic

January 18, 2016



1. “A Better Life” – Supersmall. A good-natured, walking-speed tune that gives more than it asks back from you: you don’t have to listen hard to enjoy, but there are charms for those who listen deeply to the early ’00s, Parachutes/Turin Brakes-style work.

2. “May the Stars Fall at Your Door” – Andrew Adkins. We all need an encouraging blessing every now and then–Adkins provides uplifting lyrics with an equally uplifting folk arrangement (complete with harmonica). Totally great work here.

3. “Nowhere” – Swaying Wires. Tina Karkinen’s confident vocals give a levity to this serious, acoustic-led indie-pop tune.

4. “Know It All” – Bitterheart. Brash, immediate, strum-heavy, full-throated folk-pop that marries the enthusiasm of folk-punk with the good-hearted charm of a folk-pop tune. If all their work is like this, their album’s going to be a blast.

5. “One Three Nine” – Jacob Metcalf. Fluttering, ethereal folk that stays grounded basically by force of will, a la Andrew Bird.

6. “Chandelier” – Russell Howard. This gender-flipped cover of Sia’s tune creates a stark atmosphere by modifying Howard’s vocals and putting them over a delicate guitar accompaniment and subtle percussive beat.

7. “White Light Doorway” – Florist. The band has mastered the skill of keeping a song together while lead singer Emily Sprague purposefully sounds like she’s falling apart. The tension there is beautiful and weighty.

8. “While You Stand” – Michael Nau. The wide-eyed naivete of Page France is long gone, but the absurd ease with which Nau pens a lyric and fits it to a simple guitar line persists. It hits me.

9. “Habits” – Adrienne Tooley. Carrying that Lilith Fair torch: female perspective; sharp, witty lyricism; clear, uncluttered acoustic songwriting.

10. “Secrets” – Nick Zubeck. Laidback chill doesn’t get more laidback than this.

11. “Monde” – Stranded Horse. Fleet, powerful fingerpicking contrasts a laissez-faire vocal mood for a knotty, beautiful tune that feels like it fell out of a Wes Anderson movie somewhere.

12. “Black Gold” – Black Country. There are few substances so evocative as oil, with its viscous flow, vibrant sheen, wealth-making potential, and divisive opinion-making. Black Country spells out a narrative of the open spaces, where finding oil is the difference between emptiness of landscape and buzzing life–hanging the promise of oil over the head of a barren, windswept instrumental landscape.

13. “We’ll Get By” – The Singer and the Songwriter. One of the more un-Google-able bands working today drops a stately, moving tune that includes accordion and shuffling snare under a beautiful alto vocal melody.

14. “Wanderer’s Waltz” – Youth Policy. Here’s a wintry, stark tune composed of breathy, Elliott Smith-esque vocals, cascading fingerpicking, and a moody sense of melancholia.

15. “Ghost Blue” – Sparrows Gate. If I walked into a bar where Sparrows Gate was playing this moving, piano-driven ballad-esque tune, I hope it would be to work off a breakup instead of celebrate a success. “Gravitas” doesn’t sell it well enough.

16. “Goes Without Saying” – Melaena Cadiz. A relaxing, unspooling, wandering tune that just feels lovely.

17. “Kicking You Out” – Merival. Few things get me more than a raw, open-hearted acoustic tune with some room echo. Merival’s strong songwriting skills are on full display here, with nothing else added but some harmony vocals. As they say: all the feels.

Vids! Blogs! Rivals!

September 10, 2011

Since releasing Faint Not earlier this year, everything that Jenny and Tyler touch turns to gold. Or, in the case of this gorgeous music video for one of the album’s best tracks, yellow.

Google, not satisfied with controlling every piece of information ever, has announced a music discovery site (read: blog) called Magnifier. Excuse me while I go weep. All joking aside, it’s well-thought out, just like everything Google does.

The title track off Andrew Belle’s The Ladder gets the hand-drawn treatment.

Kickstarter, still one of the best ideas in a long time, now has some competition. (FREE MARKETS RULZ!1!!1!1?!) PledgeMusic cuts out all those pesky other arts that Kickstarter supports. The twist that makes it different than Kickstarter? You can designate some of the funds you raise to a charity of your choice. That’s pretty cool. Charming songstress Meiko brought this site to my attention. And if nothing else, you can hear “Boys With Girlfriends” at that site, which is hilarious/heartbreaking. And watch the pledge video, which is hilarious (without the heartbreaking).

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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