Here are Independent Clauses’ EPs of the year! The lead link takes you to a place where you can hear/purchase the EP. The quote is from our review, and the last link sends you to the full IC review. Enjoy!
7. Sunset Park – A Valley Son. “Between the distinctive, versatile vocals and the enthusiastic alt-country/roots rock instrumentation, AVS has a lot of pieces that can translate easily onto bigger and brighter stages.” (full review)
6. salt’n’long distance – Foxall. “The sort of acoustic EP that just about everyone wants to write: effortlessly catchy songs with clear, relatable lyrics that are just specific enough to be unique.” (full review)
4. S/t – Roan Yellowthorn. “Her confident alto has a unique personality and sonic profile that is the rarest of things to hear in a (chamber pop) singer. Once you’ve heard her once, you’ll know her again–and that’s rare.” (full review)
2. Cattle Ranching in the Americas, vol. 1 – Ovando. “Nate Hegyi’s vocals seem like they tumble gracefully out of his throat, while the female harmonies are similarly unadorned. Those voices carry a song of woe about the American West (are there any other type?), floating over lithe, smooth guitar fingerpicking.” (full review)
1. Cold Blood – Josiah and the Bonnevilles. “It’s a stake in the ground that establishes the outfit as one to watch: a specific vision expertly handled within the goalposts of a genre framework that people are already familiar with. … Call it alt-country, alt-folk, whatever; you’ll know what it is when you hear it. … Cold Blood EP is a remarkable first effort that shows off unique arranging skills, intriguing vocals, and strong overall songs.” (full review)
salt ‘n long distance is the sort of acoustic EP that just about everyone wants to write: effortlessly catchy songs with clear, relatable lyrics that are just specific enough to be unique. Each of Foxall‘s four songs is distinct in its own way, yet all of them hang together as a unit. There’s a clear DIY mood throughout, but the production values are such that it feels warm and friendly instead of clunky. In short, it’s pretty much an ideal acoustic release for someone who’s really into emotive acoustic work with verve and energy.
The EP title refers to the long distance relationship that is the topic of each of these songs: the lyrics of the title track refer the problems of long distance with openness and candor, set to a strummy pop song with a catchy chorus. “Squeeze” is a bit more expansive of a song, a fingerpicked bit that calls up comparisons to folk-punkers like The Front Bottoms. “Nowhere But Galesburg” makes me think of The Mountain Goats due to the lyrical imagery/geography (Full Force Galesburg, y’all) and in its raw, lo-fi glory. “5˚ Fahrenheit” marries the expansiveness of “Squeeze” to the catchiness of the title track for a highlight song.
This EP is raw, honest, pure, and excellently executed. If you’re into acoustic music, you need to check this one out ASAP.
1. “Swimming” – Marsicans. This song dropped April 22, and summer officially started the instant it did. It’s all the best parts of The Vaccines, Vampire Weekend, Tokyo Police Club, and The Drums thrown into one indie-pop-rock amalgam. As a result, Marsicans have created one of the most exciting singles of the year so far, if we judge by the amount of spontaneous dancing it has inspired in me. Totally looking forward to more from Marsicans.
2. “Going Going Gone” – Bows. One summer of my life is captured in the memory of Chairlift’s “Bruises,” which I spun a lot. “Going Going Gone” has that same sort of effortless charm, breezy songwriting, and hooky melodies, so I expect to find this one on my summer playlists a lot.
3. “Love Will Come Back to You” – Two Year Vacation. A sunny, electro-pop tune anchored by a whistling melody (or a whistling-esque synth) and a buoyant sense of summeriness.
4. “Martyrs” – Living Decent. The mixing work here keeps everything in this pop-punk-inspired indie-rock tune feeling open and airy. Vic Alvarez’s vocals mesh neatly with a chiming lead guitar to create a mature yet smile-inducing track.
5. “Last Forgiven” – Luke Rathborne. That snappy snare sound just makes me want to hit the road and roll down the windows. The yelpy vocal melodies and handclaps make me want to sing and clap and have fun right along with Luke. A great summer jam.
6. “Pasadena” – Young Mister. A song about California that sounds just about as bright and shiny as California. If you were a Phantom Planet / The OC person, this one’s for you.
7. “Vampires” – Spine of Man. Beachy, yacht-y, ’80s-inspired indie-pop that’s heavy on reverb, baritone vocals, and the best type of nostalgia.
8. “Squeeze” – Foxall. This is the friendly type of folk punk: the “everyone gather round the guitar” vibe spills out of the speakers. I can hear this being played around a fire on a summer evening at a campsite somewhere.
9. “Barcelona” – TRY. Ah, Spain, another of the iconic Summer destinations. The chorus of this indie-pop-rock jaunt includes a breezily sung “Bar-ce-loooooooo-na,” which is just perfect for the city and the carefree, jetsetting vibe of this song. [Editor’s note: This track is no longer available.]
10. “Things That Get Better” – Boy on Guitar. This female-fronted acoustic indie-pop tune is one for the pessimists: the lyrics marvel at the fact that things have gone well. Walking-speed accompaniment and floating background vocals round out this lovely track.
11. “Fountain of Youth” – Shapes on Tape. Will we see a resurgence of wah-guitar funk and pop now that Prince has left us? If so, Shapes on Tape are at the front edge of the curve with a funky electro jam, complete with guitar reminiscent of Prince’s work. (Or maybe we’re all just thinking more about Prince these days.)
12. “Circadian Rhythm (Edit)” – I.W.A. The tension between cosmic-sounding pad synths that open this and the thrumming synths that follow it set up this chillwave electronic tune excellently. It’s reminiscent of Teen Daze’s best work: melodic, evocative, and interesting without going maximalist. [Editor’s note: This track is no longer available.]
Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.