- “Wo Sind” – Klaus Johann Grobe. Psychedelic jazz-funk cut “Wo Sind” is a German-grown hallucinogenic in song form.
- “Together feat. Clarens” – Douchka. Like a pair of patent red pumps, this track click-clacks into a gorgeous marble room of tessellated synth floors and a crackling fire in the far corner. Check out “Don’t Leave” while you’re at it.
- “Underpass” – Asdasfr Bawd. What starts out as an intoxicating, exotic display of blunt, ferocious rhythm transforms into a complex track fueled by sexy, Parisian neo-disco vibes.
- “Wasted On You (feat. ROZES)” – Louis Futon. From Foreign Family Collective, this future bass single’s emotive styling and gorgeous vocals propel a cleverly honest theme of questioning substance-induced love.
- “Carried” – El Huervo. This future funk track sounds like ‘90s hiphop meets smooth jazz meets a Latin bar. It’s colorful and unapologetically hectic.
- “Dok” – Kenton Slash Demon. These bass lines could dig their way to China.
- “Stars” – Sego. A indie rock track that would belong on a burned CD mix titled “Pancake Breakfast on Sunday.”
- “Town & Country” – Bibio. Bibio projects countryside warmth with his Jersey cotton vocals and flute-y, pastoral instrumentation.
- “Goose” – No Hot Ashes. This single from Manchester indie/funk group No Hot Ashes starts with a Slightly Stoopid vibe and then glides into an upbeat sunniness perfect for the upcoming season’s sunset porch drinking.
- “C (I:Cube remix)” – Prins Thomas. Like a crawling, corrupted disco, this remix by I:Cube taps into a dark labyrinth of funhouse mirrors and staticy synth at every corner.
- “The Harmonist” – Antoine Diligent. This psych pop track soothes and sparkles with lulling vocals and whirling dream pop elements sure to whisk listeners away.
- “Anchors” – Benjamin Muñoz. A song that sounds like an underwater electronic orchestra: heavy, dropping moods that float to the bottom of the ocean and quick, colorful bursts of vocals, like mermaids singing from closeby coral reef. The sonic texturing is fluid and beautiful, coming and going in waves.
- “Yosemite Das (feat. Bagavan Das)” – The Rondo Brothers. This electro-organic cut combines worldly elements, such as short, soothing guitar lines and warm, lighthearted vocal bits that give it a wholesome feel. This is USDA-certified electronica.
- “Utopia” – Digitalism. A sensational, summer-ready track molded of tropical-esque guitar lines and a clean synth varnish.
- “Invisible Cities” – Iska Dhaaf. Like punk-reggae nights in a Los Angeles bar, “Invisible Cities” sounds like the kind of music that pairs with kitschy red lanterns, abandoned surf boards in the corner, and glasses and glasses of Michter’s whiskey.
- “Aloha Blue Sky” – The Foreign Films. Honey-drenched soul, funk, and jazz come together for an oozing good time on just one of many sexy tracks on The Foreign Films’ latest Side 4.–Rachel Haney
1. “Soul Makossa (Money)” – Yolanda Be Cool & DCUP. Take the summery flirtatiousness of D.R.A.M.’s “Cha Cha” with Lou Bega’s trumpet-filled “Mambo No. 5,” and turn it up five notches on the dopeness meter. It’s a total pull-this-out-nonchalantly-at-a-party-and-immediately-become-the-coolest-person-there tune; the new “Macarena” we have all been waiting for.
2. “Glider” – Greyhat. This track hails from Foreign Family Collective, where radiant Odesza influence gleams through sci-fi glitch, guiding you through a labyrinth of zips, zaps, bings, and bass.
3. “The Gift of Giving” – CDAD. Labeled as dadstep, CDAD places breathtakingly honest lyrics with deep male vocals for a James Blake-vibe that is somehow rawer and heavier, but just as sensual.
4. “Spring” – Calvert. ‘Easy, Breezy, Electronic Pop Cover Girl’ could be the slogan on this track, which is laden with buttery vocals and a catchy, paisley-patterned beat.
5. “Cave Drops” – Minor Rain. A psychedelic experience in the rain forest and this beautifully textured chillstep track go hand-in-hand, or wing-in-wing–whichever takes you as high as Minor Rain has intended.
6. “Pieces” – Yellow Shoots. Of course, we need a trip-hop track somewhere on here, and “Pieces” is it. Smooth groove, easy vocals, and a soaring build from the start give this one a mellow R&B flare.
7. “sore” – elle le fantôme. Twinkling, like metallic rain, and a drudging-along rhythm create a damp, dreamy setting. The gloomy vocals of elle le fantome and her resisting, determined lyrics create a glittery, yet spooky, experience.
8. “The Real” – Hein Cooper. The ice-cold, abstract album art featuring a blurred Cooper perfectly illustrates this melancholy indie electronic track. “The Real” has a classic rock n’ roll appeal to it, making it one of the most versatile on this list.
9. “Queen” – Jon Zott. This is my kind of house music love song: minimalist, clean, and very obviously focused on declaring he’s found “the one,” his queen, this tempting groove. This one’s for the ladies!
10. “Play Out” – Zola Blood. Just like the album art, featuring a hot pink blob of what appears to be a rock molting from the inside, “Play Out” drips and dribbles into catchy dreampop. Lyrics like, “I’ll be the left side, if you’ll be the right/I’ll let it bloom and then let it die,” add an emotive dimension to an already gracefully complex electronic track. —Rachel Haney