1. “Finally Happy” – Exzavier Whitley. A major key fingerpicking job that strongly evokes Nick Drake’s work is paired with some heavy lyrics. Delivered by Whitley’s breathy tenor and placed in the context of the guitar work, they aren’t quite as sad as just reading them on a page would be, but they’re still pretty heavy.
2. “Jumping Ship” – Theo Kandel. Lots of people can throw their voice around, but Kandel uses tonal and dynamic shifts carefully (and thus expertly) to take this singer/songwriter tune to the next level.
3. “The Reason for Living” – The Folk Today Project. A short, sweet, simple folk tune that employs a great stand-up bass and solid contributions from the rest of the band.
4. “6 Shots” – Kate Brown. The strum presses forward relentlessly, while the vaguely Celtic strings pull back on the reins. Brown’s alto splits the difference excellently, walking through the tension comfortably and confidently. By the end, Brown has turned in a pretty powerhouse performance vocally.
5. “Silver Mountain” – Adora Eye. The immediate vocal performance and insistent piano call up comparisons to serious folk singers like Josh Garrels and Chris Bathgate. The vibe here is serious, but not so much that there isn’t a bit of swaying that can be done by the listener.
6. “Already Gone” – Wild Rivers. A male/female duet powers this folk-pop tune that sounds like it can scratch the itch left behind by the demise of The Civil Wars.
7. “Teenage Crime” – Rod Ladgrove. Beachy acoustic jams are an intrinsic part of summer, and Ladgrove’s contribution on that front has the mystique of “crime” thrown in on top of a relaxed-yet-carefully-arranged atmosphere.
8. “Catching Elizabeth” – Carter Vail. Here’s another beach-friendly adult alternative pop tune that sounds like a mix between Jack Johnson and James Taylor. There’s a spark in here that sets it apart from the hundreds of other tunes that bear similar explanations; it’s got some groove that keeps me into it.
9. “Blue and Gray” – O.B. Howard. Pizzicato strings provide a contrast to the hazy, relaxed acoustic indie-pop and transform the track into a wonderful piece of lazy-day hammock music.
10. “Last Light” – Maurice Van Hoek. Traditional country is going through a moment right now, and Maurice Van Hoek’s offering continues that old-school vibe with earnest vocals, strong melodies, tender keys, and weeping pedal steel. If you’re on that Sturgill Simpson / Chris Stapleton train, hit this one up.
11. “Can You Tell” – Bird Concerns. The major key folk aesthetics of Blind Pilot meet a West Coast indie-pop sensibility to create a light, enjoyable tune that’s actually about a breakup. Who would have guessed, from the sound?
The best songs move me. The best music videos take the best songs and make them even more powerful. Andrew Judah, already one of the most inventive and creative songwriters I’ve discovered this year, just dropped an absolutely astonishing video for “I Know You Know” that ranks high among the best I’ve seen this year and this decade.
Exzavier Whitley’s “How Will You Be” channels Nick Drake, Alexi Murdoch and other chill fingerpickers of note. Don’t sleep on Exzavier Whitley–he’s got huge talent.
Kye Alfred Hillig performs his song “Ex” as part of an a capella trio, making the already excellent song even more haunting and unique. Hillig, people. HILLIG. GET ON HIS LEVEL.
Stellar power-pop band Bishop Allen with only 14,000 views? WHAT IS THIS?! Give them your view. You will not be disappointed.
It’s getting better and better outside, so my ears are getting more and more attuned to those summery tunes.
Oh So Summery
1. “Philosophize In It! Chemicalize With It!” – Kishi Bashi. He’s on Joyful Noise Recordings, which sounds like a 100% perfect fit. This ridiculously happy and catchy tune will get stuck in your head. HAPPY SUMMER Y’ALL.
2. “Sweater Weather” – Challenger. If John Ross gets any more inspired by the ’80s, I’ll have to start questioning where he’s hiding his time machine. But for now, enjoy this blissed-out synth-pop, complete with gated snares and stuttering percussion fills.
3. “Dead Man’s Pose” – Old Smokey. Almost as excited as Kishi Bashi is Old Smokey, a folky outfit that features no guitars but 3000% enthusiasm. This is not your average folk: brass and clarinet counter throughout when the members of the band aren’t group-hollering. It’s just wonderful.
4. “Let’s Get Started” – Dylan Gardner. OH SUMMER YOU ARE ALMOST HERE. I will celebrate you with a guitar-pop tune by a flop-haired teenager with pop chops. I only thought of Hanson like once. Mostly the Beatles. But some Hanson. No Bieber though.
5. “Halo” – DamnRight! There’s always room in my heart for chillwave-inspired electro fun.
6. “I Spy” – Michael McFarland. I love Train, so take this as nothing but a compliment when I say that this track falls somewhere between Train and old-school Guster.
7. “Old Foes” – Yaquina Bay. Orchestral folk is not generally known for its easygoing vibe, but Yaquina Bay creates just such a mood here.
8. “Morning Light” – Andrew Judah. I’m not sure how Judah came up with the idea to get steel drums and banjo together, but it sounds incredible. I am extremely excited for this upcoming record–it promises to bend genres all over the places.
9. “Terrible Love” – Moda Spira. Latifah Phillips takes a different angle on The National’s slow-burner, but it’s no less dramatic or powerful at the end.
10. “Right In My Arms” – Exzavier Whitley. Like early Iron & Wine, this is deeply calming fingerstyle guitar that cares more about the mood than perfection of performance. Gorgeous work.
Have some chill. You made it through the first workweek of the year. Cheers.
1. “Obstacle Eyes” – Morgan Delt. Walking-pace psychedelia that calls up the Beatles without being derivative. Lots of chill vibes here.
2. “Raised Incorruptible” – New Mongrels. Gospel-infused folk that strikes all the right notes and tugs the heartstrings. Check that accordion.
3. “Ice Age XVII (DEMO)” – Kye Alfred Hillig. Hillig always manages to jam a sense of wonder and deep gravitas into the same space. This delicate song is no different.
4. “Dusk” – Jon Kohen. If the Postal Service had been more into fingerpicking an acoustic guitar, this could have resulted. Major props for including electronics without letting them dominate the tune.
5. “Thanks for All” – Exzavier Whitley. If Iron and Wine’s original tunes had been a little more excitable, you’d have the sort of joyous, imperfect rhythms and melodies that Whitley gives us here.
6. “Liquid Night” – Lucas O’Connell. The hushed vocal style of Elliott Smith meets a rustic, streetlamp-lit mood for a swaying, horn-touched ballad.