Independent Clauses | n. —unusual words about underappreciated music

Mid-October Singles, pt. 1

October 14, 2016

1. “Devil Yellow Sun” – Small Town Glow. If the emotional indie-rock of Frightened Rabbit had been born in the grunge-laden ’90s, it would have been as gloriously slackery, goofy, and relatable as this tune.

2. “Fossil” – Readership. The present or future ghosts of Modest Mouse, The Rural Alberta Advantage, Arcade Fire, and Spoon dance to the beat of this impeccably crafted, relentlessly endearing indie-rock tune. It’s a rare tune that ends way before I wanted it to.

3. “You Know It’s True” – Quinn Devlin & The Bridge Street Kings. Van Morrison has been popping up in my life a lot recently. Whether it’s in essays, songs, or Spotify recommendations, Van the Man is calling my name. Is this a getting older thing? Is this like classical music? Whatever it is, here’s some earthy-yet-ethereal blue-eyed soul that carries that Van torch forward. Also there’s some Hall & Oates in there? I mean that in the most positive way possible. You know what, ignore all that. It’s just a great song.

4. “Be There” – Buddha Trixie. Hectic/loping, quirky/formal, exuberant/laidback, manic/careful; there’s a lot of duality going on in this joyous indie-pop tune.

5. “there’s nothing better” – Eugene Gallagher. A beautiful, tender, herky-jerky love-song that feels like Delicate Steve’s burbling enthusiasms mixed with a male version of Kimya Dawson’s vocals. (I think you’ll forgive the seemingly ridiculous comparisons once you hear it.)

6. “Bow Down” – TD Lind. Protest folk at its vocal belting, harmonica-toting, major-key best.

7. “The Swim” – Case Conrad. One of those alt-country tunes that balances on the edge of so many things (is it a singer/songwriter tune? is it about to go full-on rock? are the vocals about to explode?) that it keeps the listener on her toes the whole way. Surprisingly, it’s deeply satisfying through all the tension. A fantastic tune.

8. “Melting” – Lindy Vopnfjord. Have you ever walked up a forested mountain near dusk? The beauty of the setting sun unveils a sort of ominous beauty, where the unknown is both gorgeous and dangerous. Those tensions are encompassed in this acoustic/electric minor-key folk tune.

9. “Aelia Laelia (Edit)” – Christopher Chaplin. I can give this complex, complicated piece one of my highest compliments: it defied easy conventions, making me ask, “What is this?” Part post-rock, part ambient/industrial electronic, part neo-classical performance, part operatic vocal songcraft, this composition bends the boundaries. Chaplin is really inventive and engaging here.

10. “Bombs” – EDGES. Reverb can serve to obscure, but it can also make things more intimate, as if you’re sitting next to the musician in a huge church. This acoustic tune is the latter, as the patient guitar and gently yearning vocals create a sense of closeness and warmth amid a giant building.

11. “Like a Funeral (Joel Rampage Duet Remake)” – Erik Jonasson. There will be approximately 1,000,000 slow-jam electro ballads released this year, but I would wager that maybe five will make me want to cry. This heartbreaking, expansive tune is one of them.

12. “She Floats” – Van-Anh Nguyen. Ambient by dint of crackles, breaths, and distant noises that run throughout, this delicate, piano-driven piece evokes a seaside boardwalk in the early morning.

May Singles: Acoustic, pt. 1

May 2, 2016

1. “Where Are You Running Now” – Ivory Tusk. If you weren’t into The Tallest Man on Earth because of the vocals, check out Ivory Tusk instead: the same sort of complex melodic fingerpicking, similarly poetic lyrics, but a much less grating (I say this lovingly, Tallest Man, really) voice. All the upsides, and none of the down. It’s a beautiful, remarkable song.

2. “Sound It Out” – The Hasslers. Pickin’ and grinnin’ meets New Orleans horns and organ for a full-band acoustic tune that’s fun in lots of ways; even the down-on-my-luck lyrics have wry enjoyment running their delivery.

3. “Intention of Flying” – Jon Arckey. Everything meshes perfectly here: Arckey’s vibrato-laden tenor (reminiscent of a lower Brett Dennen), gentle fingerpicking, excellently arranged and recorded drums, ghostly background vocals, and even a guitar solo. This beautiful acoustic tune just nails everything.

4. “I Feel a Light” – Aaron Kaufman. Starts off like a solid acoustic tune, then bursts into an unexpected chorus that grabbed my attention. The inclusion of gong and various melodic percussion instruments develop the tune and stick in my mind.

5. “False Flag” – Vice-President. Starts out a weighty singer/songwriter tune, turns into an alt-country song, then ratchets up to a towering conclusion. The lyrics are socially and politically minded, which fits perfectly with the serious vibe of the whole work. Yet, the song remains engaging to listen to; don’t get scared off.

6. “Beautiful World” – David Trull. Jason Isbell fans, take note: Trull’s Southern-steeped acoustic troubadour work is in the same vein as the work that Isbell is currently making hay with.

7. “Blue Whales” – Ulli Matsson. The staccato guitar playing here is almost percussive, playing against Matsson’s legato vocal lines. A mysterious, haunting vibe ensues.

8. “Like a Funeral” – Erik Jonasson. Jonasson puts the focus squarely on his vocals with this minimalist, stark ballad, and they hold up to the scrutiny. The tenor tone is beautiful, and there’s a lot of nuance in his performance. By the end it’s grown and shifted to a Sigur Ros-esque vibe, which is always great.

9. “Loves Company” – The Hasslers. In stark contrast to their joyful tune above, this banjo-led ballad is a deeply sad tale (complete with weeping pedal steel). The hooks and the engaging vocal delivery are still there, but this definitely shows a different side of the Hasslers.

10. “Blind” – Raquelle Langlinais. If Regina Spektor, The Jayhawks, and Jenny and Tyler got together for a jam session, something like this perky alt-country tune anchored by charming female vocals might appear as a result. Everything about this is just infectiously fun, from the drums and bass to the guitars to the vocals.

11. “What If” – Big Little Lions. Here’s some soaring folk-pop with an epic bent and giant choruses, similar to Of Monsters and Men or Fleet Foxes.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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