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Top 11 Songs of the Year

December 28, 2012

The album isn’t dead, as you’ll see when my top albums of the year list rolls around tomorrow. But these songs stuck out over and above the albums that encompassed them–or not, as #4’s album has yet to be released. Viva la album, viva la single.

11. “Advice From People Who Shouldn’t Give It (Don’t Take It)” – Superstar Runner. There’s beatboxing and group vocals in this acoustic tune. Yeah, it’s awesome.

10. “Brother Don’t Wait” – Emily and the Complexes. The raw emotion tugs at my heartstrings.

9. “Kneebone” – The Miami. This call and response tune is profoundly fractured and odd, but I dare you to keep it out of your head.

8. “Virtues, Spices and Liquors” – 4H Royalty. The best lyrical outing of the whole year, backed up with strong melodies and great instrumentation.

7. “Rockingham Cindy” – Jonas Friddle. I could fill this slot with at least a dozen Friddle tunes, but this tune of longing is especially memorable.

6. “See the Conqueror” – Jenny and Tyler. Beauty and power wrapped up into one hymn-esque charge.

5. “Still Analog” – The March Divide. It’s a pop song about pop songs, and it involves clapping and snapping. ARE YOU NOT ENTERTAINED?!

4. “All Creatures” – ElisaRay. Poignant and pounding in turns, this arrangement choked me up the first time I heard it.

3. “All I Have” – Young Readers. This is one of the most romantic tunes I’ve heard in a long time; it’s right up there with “Above All Men” by J. Tillman.

2. “This Love Won’t Break Your Heart” – Annalise Emerick. A gorgeous, evocative folk tune that perfectly captures the sadness that hope brings and the hope that sadness brings.

1. “When I Write My Master’s Thesis” – John K. Samson. There is no song I spun more this year. You could often find me dancing and singing along with manic glee to this power-pop jewel.

Top 36 songs of the year

December 27, 2012

I usually like to get this post to a nice round number, but I didn’t get it there this year. Here’s what my year sounded like, y’all! This post isn’t ranked; instead, it’s a playlist of sorts. My ranked post will come tomorrow.

1. “Canvas Shoes” – The Brixton Riot
2. “Never Heard of Dylan” – The Finest Hour
3. “Heard It All Before” – The Switch
4. “How Do I Know” – Here We Go Magic
5. “Lady Percy” – King Charles
6. “You Left Your Sweater…” – Cobalt and the Hired Guns
7. “Monster Fiction” – Oh Look Out!
8. “When I Write My Master’s Thesis” – John K. Samson
9. “Lightshow” – Plants and Animals
10. “Believer” – Ponychase
11. “Day is Gone” – Phoebe Jean and the Air Force (My runner-up favorite music video!)
12. “Still Analog” – The March Divide
13. “Hap Hej” – Dva
14. “Love Changes Everything” – Amy Correia
15. “The Road” – Nicollette Good
16. “Kneebone” – The Miami
17. “I Rose Up At the Dawn of the Day” – Martha Redbone
18. “Virtues, Spices and Liquors” – 4H Royalty
19. “I’m Happy All the Time (Sad Hawaii Version)” – Decent Lovers
20. “When I Hit My Stride” – Jonas Friddle
21. “Mom and Me Versus You and Dad” – Pan
22. “Walrus Meat” – The Parmesans
23. “See the Conqueror” – Jenny and Tyler
24. “Advice From People Who Shouldn’t Give It (Don’t Take It)” – Superstar Runner
25. “All Creatures” – ElisaRay
26. “This Love Won’t Break Your Heart” – Annalise Emerick
27. “The Secret Songs” – Come On Pilgrim!
28. “All My People Go” – Kris Orlowski and Andrew Joslyn
29. “Tuck the Darkness In” – Bowerbirds (My favorite video of the year!)
30. “Brother Don’t Wait” – Emily and the Complexes
31. “Survivor Blues” – Cory Branan
32. “A-Okay” – Summer of Sam
33. “Farewell Old Friends” – Jacob Furr
34. “If I Were A Surfer” – Elephant Micah
35. “All I Have” – Young Readers
36. “Shenandoah” – Goldmund

ElisaRay offers powerful, beautiful folk/bluegrass songwriting

October 29, 2012

That old trope that “he/she could sing the phone book and I’d listen” does belie a fundamental truth: some artists connect with us in amounts that far surpass the normal (some would say appropriate) level of interest. Singer/songwriter David Wimbish is one of those for me. He exploded into my listening world with The Collection’s self-titled record, which I called “the most exciting album of the year” in 2011. Wimbish informed me about his more bluegrass-oriented group ElisaRay, and I found All Creatures thrilling as well.

The Collection is a new-folk group, based in the singer/songwriter tradition. Wimbish is not the primary songwriter here (Tommy Chesebro writes most of the songs and sings lead), so the trio’s primary sound on All Creatures is slightly different. The album is bluegrass-inspired, as guitar, string bass, banjo, and fiddle dominate the proceedings. Oh, and vocals; the group harmonies here are absolutely delightful. One of the most sublime moments in the whole album is the half-song “Intro,” which pairs a plaintive guitar line against three-part harmony. It falls in that perfect space between a hymn and a folk tune, as it segues perfectly into “Anxious,” one of the most singer/songwriter-oriented tunes on the album. Their voices are simply shiver-inducing; that element alone is enough to recommend this album to you.

“Rocks in My Stomach” is a downtrodden country tune, augmented by pedal steel and echoing percussion. It comes to a crashing conclusion, with Wimbish summoning a powerful roar from within him. When Wimbish puts his mind to something, he is a commanding presence. That roar also makes an appearance in the conclusion of the title track. “All Creatures” melds a gentle guitar line, swooping strings, and restrained vocals to allow for a cathartic conclusion. Oddly, the tune doesn’t include the banjo, making it the most like The Collection of the tunes here. I love it for that.

But Chesebro’s songwriting has its own charms aside from the influence of David Wimbish’s songwriting style. “Brother Caleb” uses interactions between the fiddle, bass and banjo to stand out, while “Hoping” is a heartrendingly beautiful boy/girl love song duet accompanied only by acoustic guitar. “Profound Distractions” employs a rattling, shuffling snare in its bluegrass/country amalgam.

It’s worth noting that “Outro” is a reprise of the gorgeous melody from “Intro,” but played on a piano; it sounds even more like a hymn than it did the first time. All Creatures doesn’t just get better from beginning to end, it gets better as you hear it more and more. This is an album you can live inside, and not just from a musical perspective; there’s a lot going on lyrically that I haven’t even touched on. It’s a beautiful, powerful release, and one that deserves your attention. Maybe you’ll become as taken by David Wimbish’s skills as I am.

Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.

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