Independent Clauses | n. —unusual words about underappreciated music

Top 36 songs of the year

December 27, 2012

I usually like to get this post to a nice round number, but I didn’t get it there this year. Here’s what my year sounded like, y’all! This post isn’t ranked; instead, it’s a playlist of sorts. My ranked post will come tomorrow.

1. “Canvas Shoes” – The Brixton Riot
2. “Never Heard of Dylan” – The Finest Hour
3. “Heard It All Before” – The Switch
4. “How Do I Know” – Here We Go Magic
5. “Lady Percy” – King Charles
6. “You Left Your Sweater…” – Cobalt and the Hired Guns
7. “Monster Fiction” – Oh Look Out!
8. “When I Write My Master’s Thesis” – John K. Samson
9. “Lightshow” – Plants and Animals
10. “Believer” – Ponychase
11. “Day is Gone” – Phoebe Jean and the Air Force (My runner-up favorite music video!)
12. “Still Analog” – The March Divide
13. “Hap Hej” – Dva
14. “Love Changes Everything” – Amy Correia
15. “The Road” – Nicollette Good
16. “Kneebone” – The Miami
17. “I Rose Up At the Dawn of the Day” – Martha Redbone
18. “Virtues, Spices and Liquors” – 4H Royalty
19. “I’m Happy All the Time (Sad Hawaii Version)” – Decent Lovers
20. “When I Hit My Stride” – Jonas Friddle
21. “Mom and Me Versus You and Dad” – Pan
22. “Walrus Meat” – The Parmesans
23. “See the Conqueror” – Jenny and Tyler
24. “Advice From People Who Shouldn’t Give It (Don’t Take It)” – Superstar Runner
25. “All Creatures” – ElisaRay
26. “This Love Won’t Break Your Heart” – Annalise Emerick
27. “The Secret Songs” – Come On Pilgrim!
28. “All My People Go” – Kris Orlowski and Andrew Joslyn
29. “Tuck the Darkness In” – Bowerbirds (My favorite video of the year!)
30. “Brother Don’t Wait” – Emily and the Complexes
31. “Survivor Blues” – Cory Branan
32. “A-Okay” – Summer of Sam
33. “Farewell Old Friends” – Jacob Furr
34. “If I Were A Surfer” – Elephant Micah
35. “All I Have” – Young Readers
36. “Shenandoah” – Goldmund

Dva's intricate post-pop patchwork impresses

July 17, 2012

I first heard the music of Czech brother-sister duo Dva at SXSW earlier this year. Their unassuming inter-song presence hid a jaw-dropping maelstrom of looped acoustic guitar, vocals and percussion, presented with a powerful confidence that bordered on ferocity. Their album Hu doesn’t quite capture the breathtaking intensity of their live performance nor the intricate care that goes into creating these tunes, but it does show the finished product pretty well.

When playing live, the duo makes the most of what they’ve got: between the two of them there are sung vocals, vocal percussion, astonishingly accurate impressions of animal sounds, a saxophone, acoustic guitar, and improvised percussion. And although it doesn’t sound like it, those pieces (and copious amounts of found sound) compose most of the music in the album. They weave all of this into unique tunes that bend the boundaries of genre. The highlight track is “Hap Hej” (they sing in their native Czech), where a cascading acoustic guitar line is matched by a darting vocal line, animal sounds, an unusual flute, the sax, and looped clicks and clanks for percussion. You’ll have to make up your own words, but you’ll want to. It’s the sort of bubbling, uniquely optimistic track that Jonsi made a name for himself purveying.

“Hap Hej” is the most upbeat of the tunes (save the goofy fun of live knock-out “Tropikal Animal”), but there are gems within the more pensive tunes. “Numie” follows “Hap Hej” and builds a murky mood out of a slow-moving sax line, more percussion clicks and numerous ethereal background vocal lines. Intro “Animak” sets the tone for the album well, layering thoughtful vocals and guitars over a quirky keyboard line. The band plays with the boundaries between sunny and cloudy throughout (“Tatanc,” “Huhu”), creating an interesting listening experience that rewards multiple listens. It’s not the type you get on one listen, which should tell some people everything they need to know.

Dva fancy Hu to be “pop of non-existent radios,” and they’re right in some regards. “Hap Hej” won’t be on many radio stations anytime soon (except for hip college radio stations, perhaps!), no matter how great it is. And it certainly doesn’t sound like Katy Perry. But for adventurous listeners, there’s a lot of interesting and rewarding composition going on in Hu. And if you have a chance to see them live, by all means do it. It will knock your socks off.

SXSW write-ups!

March 20, 2012

Here are links to every single one of my SXSW posts, in alphabetical order. I’ll post my best-of lists tomorrow.


Avalanche City

The Barr Brothers
The Black and White Years
Black Canyon
Brianna Gaither
BrotherBear
Canailles
Chrome Pony
Cloud Nothings
Crooks
Daniels(((s)))
David Ramirez
Deerpeople
Denver Duncan
Desi and Cody
Dva
The Ettes
Feathered Rabbit
Ezra Furman
fun.
G-Eazy
Glen Hansard
Gliss
Gold Beach
Holy Fiction
Imagine Dragons
Jabee
Jesse Aycock
Josh Sallee
Little Scream
Megafauna
The Men
Modern Rock Diaries
Mont Lyons
Mother Falcon (@ The Parish) (@Bethell Hall)
O Fidelis
Oh Look Out
The Panda Resistance
Pomegranates
The Pretty Black Chains
Scales of Motion
Sea of Bees
Shitty/Awesome
Talking to Turtles
Those Nights
Thus:Owls
Titus Andronicus
The Tontons
TOPS
Vox and the Hound
We Were Promised Jetpacks
Whiskey Shivers
Wild Belle
Wink Burcham
Zulu Winter

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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