- “Diamond in the Rough” – Dr!ve. This weekend I was out at Kibitz Room, and the boogie-down vibe of the red-velvet-lit d!ve bar, where a 99-year-old David Bowie lookalike sat sipping bourbon, could be described with this synth-pop, funk-dr!ven jam. As light as the instrumentation is, there is soul and richness in the brown liquor-warmth of it all.
- “Baby When I Close My Eyes” – Sweet Spirit. The nine-piece indie band brings it on like a crop top-wearing ‘90s chick with sticky sweet vocals, an attractive string section, and sexy rock qualities.
- “Highly Emotional” – Benjamin Verdoes. F**k. This really is strikingly emotional. Longing, pulling, swirling soundscapes paired with echoed vocals that sound like they’re galaxies away, how could it not be?
- “Air” – Clas Tuuth. An electronic breeze of hand claps, light, feminine vocals, and a natural easiness of sound.
- “Two Bodies” – Flight Facilities (Henri remix). All he needs is five minutes, and all I needed was a half hour to pick myself up off the floor after hearing this gorgeous remake that emphasizes suave European vocals with string, piano, and of course, that tempestuous house beat.
- “Heart of Glass” – Korr-A. Had to give a shout out to last weekend’s Los Angeles Mad Decent Block Party with this colorful, pop-trap dance party track. Korr-A is that chick people hated on in high school because she was just so much damn cooler than they were.
- “Groove Squared” – Ghost Lover (Steve Hope remix). Powerful piano, blubbering bass, and minimalist vocals bring Barcelona-infused vibes that make me sad to see summer go.
- “Chicago Warehouse Party 1995” – Thee Koukouvaya. If this had a video, it would go something like this: Aliens zap you up into a multi-dimensional, techno-laced, time-barren universe and then drop you back down through the atmosphere, tumbling towards Chicago, and crash you through a stained glass warehouse ceiling onto the tranced-out, upward arms of dancing strangers.
- “Burred Lens” – Arts & Crafts (WIN WIN remix). Burred Lens brings crispness to the Arts & Crafts original that once gets going, rhymically zigzags down an angel-white powdered vertical. Hint, hint, 2:07.
- “Arch” – Rough Year. Bringing a raw realness that only a citizen of the City of Brotherly Love could deliver, trans artist Rough Year texturizes grit, spooky vocal snippets, and demonic percussion for over eleven minutes of an experience as deep and dark as those Philly potholes.
- “Golden, Blinding (Feat. Galun)” – Alek Fin. James Blake-esque vocals with severe electronic sensuality it’s not hard to be magnetized to. I haven’t seen Fifty Shades of Grey, but I’d imagine the movie should have went something like this…
- “Say My Name (Fakear Remix)” – Odesza (feat. Zyra). Fakear’s fresh remake of the Odesza hit is sophisticated, adding a new filter of flyness achieved through twinkling synth, diamond-encrusted vocal bits, and subtly brilliant drops. This is a crisp remix that’s been released in appropriate unison with the autumnal equinox.
August Singles: Smooth, Galactic Groove
- “Hardships” – Nadia Nair. Uproariously captivating in a way I haven’t heard since M.I.A., Nadia Nair’s sound balances exoticness and inclusivity, achieving dynamite individualism that anyone can appreciate.
- “Lil Yamaha” – Sun Cut Flat. Sun Cut Flat combines gentle, Gramatik-like groove with a delicate pop sound. As the final steaming days of August roll in, promise me you’ll sit down with this track while the summer sun dips and the cool drinks start a-flowin’.
- “The Shields” – Velour Modular. The ‘bass music,’ ‘sex,’ ‘neotriphop,’ and ‘Abstract’ hashtags adorning this track’s Soundcloud page sum it up entirely.
- “Can’t Have” – Steven A. Clark. You know when you hear a song, and you think, “Yup. This is going to blow up. Everywhere.”? “Can’t Have” is that song. I’m counting down the days until Clark’s upcoming album, The Lonely Roller, is released on September 18th. (18 days from now.)
- “wlkng” – arpl and do zee. If you like your instrumental hiphop buttery smooth and with heavy cream, get a taste of this rich lo-fi served up by two crazy-talented members of Fixed Fidelity.
- “Petals” – BIKES and do zee. Another collaboration from Fixed Fidelity, because apparently I can’t get enough of them, “Petals” combines gnarly guitar lines, day-time lo-fi, and wholesome instrumentals for an electronic walk-in-the-park kind of track.
- “Dance to the Beat” – Dr!ve. Brought to you by Discobox Records, this has flared jeans, electronic synthesizers, and funky soul written (in glitter pen) all over it. Check out the remixes by Shake Machine and Rotciv as well.
- “Meteor” – The Winter Sounds. If I could copy and paste these insanely brilliant lyrics, I would. Instead, close those eyes, plug in those headphones, and absorb this galaxies-colliding, synth-sprinkled Big Bang.
- “Boys Life” – Small Black. How does one make something so disco-dancey, sublime, laidback, and catchy all at once?
- “Gutter” – baeb rxxth. With the opening lines, “Cage match, I’m a tiger cub/and you’re a bloody piece of steak,” it’s hard not to recognize the unprocessed trap-pop sound that is the big, bad, bold baeb rxxth.
- “Miss. Mirage” – NoMBe. Haunting lyrics like, “Counting wolves and old sheep/Watch them sharpen those teeth/Crude from the walls of no sleep,” contrast with a smooth groove, smoother vocals, and utopian-esque album art that all left me feeling bewitched, a bit spooked, and completely hooked.
- “Tantalized” – Fever High. Holy Happiness. “Tantalized” reminds me of those dandelion choker necklaces I used to wear in ‘98, and all the sassy lip-syncing that late ‘80s/early ‘90s chicks mastered long before learning to play the recorder. I have the feeling Fever High were totally those girls.
- “Control” – Kisses. I’d like to write a bunch of “Oww! Woo! Szzz!” onomatopoeias that were my reaction when hitting play on this sizzling, sleek track. “Control” combines funk, synth, exotic percussion, and dance-inducing rhythm that remains controlled throughout.
- “Pirates” – Heptagon Heaven. Heptagon Heaven–The corsairs of new-world synth, galactic drops, and astrological album art. Enough said, peace out. —Rachel Haney
Sometimes the simplest concepts are extremely effective. This is a video that shows lots of roads in a pretty psychedelic manner. I don’t even like psych stuff, but this is real cool.
Another simple concept: beautiful song, beautiful video.
So this clip is a gorgeously shot homage to noir gangster films. Then things start to get … different.