Independent Clauses | n. —unusual words about underappreciated music

Unrelated to SXSW, pt 1

March 11, 2014

SXSW is currently taking over the North American music world, but I’m not there this year. To deal with this sadness, I have largely ignored what’s going on out there in Austin. So here are a bunch of tracks by bands that may or may not be showcasing at SXSW.

1. “It Takes Over” – Dream Curtain. I like chillwave so much that I wrote an academic paper about it. Dream Curtain loves chillwave so much that the project keeps making hazy, woozy, reverb-heavy, summery slices of wonder.

2. “Strange Feeling” – Panama. The ’80s influence is strong with this one. Piano, synths, a move-your-feet beat? It’s all happening on this yacht, y’all.

3. “Mountain (Alternate Version)” – Driftwood Miracle. What was a churning, heavy emo track is transformed into a lounge-y, chilled-out track with wah guitar and silky keys. It’s suprisingly fun and only a bit cheesy.

4. “Conquer It All” – Afterlife Parade. U2 and Coldplay influences abound in this upbeat indie-rock track, but it’s far more enjoyable than Coldplay’s “Magic.”

5. “Clearhead Real” – Plateau Below. Starts out a chill, spare guitar-pop track, turns into a big ‘ol guitar-rock stomper. (Bonus: The album art is a striking representation of the sound.)

6. “Bad News” – Slinger Francisco. I listened to a lot of Tooth & Nail Records pop-rock in the early 2000s, and Slinger Francisco takes me back to those heady days of MAE and Watashi Wa. Pop-rock arrangements with an emo heart and pop-punk vocal melodies.

7. “Cruel to Be Kind” – The Worriers. Alternately sneering and jubilant, hyperkinetic Aussies The Worriers come off like a Southern Hemispheric answer to The Vaccines.

8. “Why It Stopped Raining” – The Bacchanales. Frantic Southern rock with a ’90s bent — from Australia.

9. “Melt” – HEYROCCO. Another tune full of mid-’90s guitar crunch, this one tells the story of teenage (?) romance at the highest possible volume. That chorus is towering, catchy, and even sweet.

10. “Bells of Paonia” – The Fresh and Onlys. Walls of guitars have rarely sounded so warm and inviting. A truly touching shoegaze-inspired tune.

11. “Cherry Tigers” – Low Forms. A straight-ahead rock’n’roll charger. Low Forms is a duo coming right out of Minnesota, where they know a thing or two about noisy indie rock.

12. “Electric Feet” – 28 Boulevard. You want a big, happy rock song? Here’s a big, happy rock song.

Dreamy Winters Mix

February 9, 2013

So our Kickstarter is going splendidly, as we’re 84% funded after less than 48 hours of being open. The rapid success thrills and humbles me, as this little project (and by extension, I) have been the recipient of much generosity over the last two days.

But even with golden days about us, there’s still work to be done! Here’s a large mix of solid singles that have floated my way recently.

Dreamy Winters Mix

1. “Make Believe” – Sleepy Tea. The ease with which Sleepy Tea pulls off nuanced confidence made me sit up and take notice. Put your radar on for this band.
2. “Fields” – Tiger Waves. Hazy, gauzy, chilled-out indie-pop reminiscent of The Shins.
3. “Lead Balloon” – Carroll. Calm, quirky tune reminiscent of Grandaddy, recent Death Cab, and even a bit of Tokyo Police Club.
4. “Spinoza” – Generationals. Seriously, what type of world are we in that Generationals isn’t adored?
5. “Glowing” – Dream Curtain. Didn’t we call this chillwave once upon a time? Whatever it’s called, I still love it.
6. “Burn It Down” – Dark Colour. For a second I felt like I was in a LCD Soundsystem track, which is about the highest compliment I can give a dance track.
7. “Mysterieux” – White Blush. If you hadn’t guessed, I’m getting seriously into downtempo, pretty music. Or maybe the world is just catching up with something I always loved.
8. “Locks and Keys” – Glyphs. Beautiful, intriguing Postal Service-esque electro-pop with a perfectly corresponding video. I can’t wait to hear more from this band.
9. “Don’t Stop” – Odesza. Got some trip-hop, Portishead-esque vibes going on in this instrumental.
10. “I Remember the World Begin to Sway” – Antennas to Heaven. Named after a Godspeed You! Black Emperor album, Antennas to Heaven deliver some slow-building, post-rock beauty.
11. “I’ve Got the Feeling We’re Not in Kansas Anymore” – I Used to Be a Sparrow. The jubilation of post-rock meets the concrete vocal melodies of indie-rock in a powerful tune. Totally stoked for their new record.
12. “Peace In The Valley” – Cliff Dweller. Old-timey gospel? And beautifully, unabashedly so.

Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.

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