Served stark with a frosted tint, Unalaska’s “Air Transylvania” video features clips of coastal highways, snowcapped mountains, aerial views of clouds, and airplane wings soaring through a pink horizon. Footage was shot with iPhones during various vagabonding, authentically portraying a hauntingly beautiful, natural world.
Black and white contrast sharply capture the detailed facial expressions on these four lovely ladies. Devereaux’s “List It” is cheeky, brazen, and smart; it’s more of a photo shoot with the girl next door than an ostentatious video.
Even if you have witnessed horse masks, raining 500 mg capsules, and a series of neon geometric shapes that are like a bad trip from the ‘80s, you haven’t witnessed it like this. And if a video like that sounds too eccentric for your liking, just know I watched a full minute of a YouTube boiler room set with Total Unicorn’s “Mini Knee” accidentally playing over it, and thought it this was the dopest boiler set I’d ever heard. Alas, it was “Mini Knee” two tabs over.–Rachel Haney
Devereaux’s LP Pineapple Flex gives off the same vibes as French action cinema, whose elements derive from Kung Fu flicks, Hollywood stunts, comedy, and Parisian crime shows. Picture a sonic retelling of La Femme Nikita, or even better, a badass electronic take on the Spice Girls minus the vocals, but with all of the spunky, flirty sexiness.
“Ponytails” begins with bells ringing, like the warning of an incoming locomotive. Then, drops a house beat that double-dutches into a line of a catchy vocals. The lyric “Whip your ponytail” summarizes the album’s party-twerking theme.
To evolve the Spice Girl metaphor even more, “Bikini” would be Baby Spice sucking on a lollipop wearing a tight blue mini-skirt. Funky, dreamy ambiance oozes an island-love groove, but it’s the Phil Collins-inspired percussion that swirls in an 80’s retroness.
Overall, there is a mix of glitchy, ambient, and flat-out fun tracks that seal the deal in terms of an eclectic record. “CoastsaoC” is the crunchiest, creepiest song, while the emotive guitar riffs, twinkling texturizing, and lucid vocals create a groovy soundscape on “Sell the Rose.” “Xenodehuir” is infused with piano, an escalating bouncy house rhythm, trumpets, and chiming guitar that had me feeling funky fresh. “Next to Neon” pulls it all together with a flirty, retro beat that screams Prince influence.
And please ignore the cliche, but it’s the little things that count. The drops Devereaux employs are bricks of gold; At 1:40, “Azúcar” drops with the sound of a trigger being pulled, and at 2:30 “Fashion for Sharks” drops into a grittiness that sounds…exactly like sharks chomping down on your expectations for a drop.
The vocals and lyrics, spritzed like confetti, are also what form Devereaux’s precise sound. While not featured on every song, the vocals that do appear are a pleasant combination of both male and female, with the female vocals often singing French phrases. The easy, deep breathiness of the female vocalist on “Hatchets” has a Lana Del Ray flair, and the snippets of conversation recorded on “Costarricense” highlight the subtle humor Devereaux slips into these tracks.
So the next time I go on a fast motorcycle ride along a winding, mountainous highway or decide to fight neighborhood crime wearing nothing but a bikini and brass knuckles, I’m listening to this. Full of bold energy, Pineapple Flex is an animatedly euphoric, at times violent, assault on epic electronic music. It’s hot-pink-grit good. —Rachel Haney
I’ve got a ton of videos in queue, so here’s a big drop of them!
Craymer’s “Underneath You” is a glamorous, beautiful “one take”-style video set in a mansion and party.
Devereaux’s “Ponytails” is a really impressive action movie with a surreal twist.
Little Cinema’s “Birdwatchers of the World, Unite” is a clever, interesting video with a fun ending.
Tetherball’s “Spring Chicken” comes from an album called Whimsy, and it’s clear that the album is perfectly titled. This is about the life adventures of a stuffed puppy dog. Now press that to its surreal extreme.
Vinnie Ferra’s “God Forbid” is the sort of video that I wasn’t sure what was happening and then I watched the whole video and I found out that I liked it–without ever knowing what as happening.
PSA videos don’t always catch my attention, but this one did because it’s so tastefully done.
Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.