Independent Clauses | n. —unusual words about underappreciated music

June Rock List

July 3, 2015

June Rock List

1. “Whine of the Mystic” – Nap Eyes. Major-key guitar-rock infused with so much martial tension from the drums and the wavering high guitar part that it feels like it is always about to explode–with the exception of the preternaturally calm vocalist that tethers the tune the ground. The tune never explodes in giant guitar fury. I’m impressed.

2. “Getaway” – Jaill. Bass-heavy surf-rock that eschews much of the whining treble that categorizes the genre: suddenly, it just sounds like tip-top driving pop-rock music.

3. “Be What You Are” – The Cairo Gang. The less garage-y garage rock gets, the more it sounds like ’60s rock and pop. This has Beach Boys, Beatles, Kinks, and more influences crammed into it. Rock on.

4. “Incarceration Casserole” – Barrence Whitfield and the Savages. Uncorked James Brown-esque soul/funk complete with sax meets blast-off ’50s rock in a high-energy blender of a song that’s about not knowing how to make food and eat because his wife is in jail. This is the first time you’ve heard a song like this.

5. “Creature” – It Looks Sad. Every now and then a punk song jumps out of the ether, slaps me across the face, and demands that I cover it. This one, with its towering choruses, huge-yet-not-abrasive guitars, and early ’00s/White Octave-esque emotional palette did that to me.

6. “Kashyyyk” – We Take Fire. A mind-bending genre blender of a song that combines post-rock, post-hardcore, dance-rock, and Coheed & Cambria-esque flights of fancy into one massively headturning rock song.

7. “Smokesignals” – The Feel Bad Hit. Here’s an punk-inspired instrumental rock tune that has nothing post- about it: the band just crushes it without vocals. ‘Nuff said.

8. “Love Like Crazy” – Jessica Lee Wilkes. Wilkes offers up some sax-powered, vaguely surfy vintage pop that sounds fresh as anything.

9. “Crossing on a Bend” – Bourbon Street Beat. Not a big rockabilly fan? Try this track, which includes enough modern melodic sentiment to seem less uncomfortably foreign and more exotic and interesting.

10. “Port City” – I Am the Albatross. Buoyant acoustic rhythm guitar, crunchy electric guitars (complete with guitar solo!), jubilant chorus, creaky vocals, big drums: this is an old-school rock tune, y’all.

11. “Business” – The Good Field. I have an ambient understanding of what ’70s AM radio rock sounded like: warm, major-key, fuzzed out, concerned with formal songwriting tactics, and generally hooky. The Good Field fit my impressionistic ideas of what that style sounded like to a T.

12. “Aubrey” – Lake Malawi. Low-slung but still peppy, chilled-out but still energetic, this sounds like a Strokes-ian indie band accidentally getting lost in ’80s radio pop and emerging with an artifact that isn’t either genre, exactly.

13. “Young” – Kyle and the Pity Party. This song declares “I’d do anything for you/I’d even listen to Brand New/if that’s what you want me to.” Without waxing poetic about the early 2000s (Deja Entendu forever), I can confidently say that this sort of emotional rock and roll is a direct descendant of that scene (with some of the angular edges worn off).

MASSIVE SINGLES DROP

January 29, 2014

A ton of great singles have come my way in January, so I thought I’d put them all in one big post arranged quiet to loud. Enjoy!

MASSIVE

1. “Pacific (Acoustic)” – Indigo Wild. Were you looking for a rolling, intricate, acoustic mountain jam? Like Fleet Foxes if they were less hazy, this will make you long for the pines.

2. “Anna” – Daniel G. Harmann. After graduating his solo project The Trouble Starts up to a full-on rock outfit, Harmann gives old-school fans a few tracks that hearken back to his early, dreamy days. His trembling, soaring voice over spare guitar chords is just wonderful to these ears.

3. “Alone You Stand” – Fairmont. A mysterious, even a touch ominous, tune anchored by ghostly marimba and poignant duet vocals. (Check a full review.)

4. “Slow & Easy” – Scott H. Biram. Less gospel and more ominous vibes mark the second Biram single off Nothin’ But Blood. It’s still incredibly engaging, what with the crisp production and Biram’s voice.

5. “Celeste” – Ezra Vine. If you’re of the opinion that you can never have enough hand claps, whoa-ohs, and happy melodies, raise your hand. Then lower that hand and click on this peppy, wonderful tune.

6. “Girl Don’t Fight It” – Phone Home. Optimistic, keys-heavy, proggy indie-rock in the vein of Fang Island, And So I Watch You From Afar, and others. It’s giddy and heavy and intelligent!

7. “Planets” – Little Earthquake. Peppy acoustic-pop + massive MGMT synth melodies = this unique song.

8. “We Fall Down” – ASTR. Fans of Icona Pop, take notice.

9. “Violent Shooting Stars” – Robot Princess. Mostly RP is a heavy, exuberant, video-game-infused garage-pop band (WEEZER FOREVER!!). This track puts them more in a pensive mood (at least for them) before ratcheting up to some stomping guitars. Get your power-pop on, dudes.

10. “Bird in the Water” – The Trouble Starts. Harmann’s band, throwing down pop-rock a la Snow Patrol. This would be fun to hear live.

11. “Tangle” – Acid Fast. Starts out with a nostalgic, emo-esque half-time section, then blasts off into a punk rock second half. The melodies bounce off those basement walls with almost more cymbals and passion than you can handle.

12. “Countermanded Orders to Preserve the Space-Time Continuum” – Heavier Than Air Flying Machines. Frantic, spazzy rock reminiscent of At the Drive-In or Coheed & Cambria; I’m always impressed at dudes who can soar vocal notes like that while pounding through heavy riffs and drums.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

Recent Posts

Independent Clauses Monthly E-mail

Get updates and information about IC, plus opportunities for bands.
Band name? PR company? Business?
* = required field

powered by MailChimp!

Archives