Independent Clauses | n. —unusual words about underappreciated music

Last 2012 Singles Mixes

December 11, 2012

It’s that time of the year again: the end of it. So here’ are my last two 2012 singles mixes before the Best Of lists drop later this month.

Poppy/Folky Mix

1. “Still Analog” – The March Divide. Perky acoustic pop with a snide edge and snapping. Dare you to not smile.
2. “Alright OK” – Ocean Transfer. Reggae, pop-rock and even some funk come together for a fun tune.
3. “Swimsuit” – Cayucas. I’m pretty sure this was written on a surfboard.
4. “Rooftop” – Lady Lamb the Beekeeper. Peppy indie-pop with some folk sensibilities, capped off by a powerful alto vocalist.
5. “Time Keeps Dripping” – Emil Lager. Fans of The Tallest Man on Earth will appreciate the raspy vocals and fingerpicked styles of Lager.
6. “Retaliate” – City Reign. The yearning vocals here are what get me in this acoustic tune.
7. “Land” – Joyce the Librarian. The vocal harmonies, cello work and brass set this stately folk tune apart.
8. “This Love Won’t Break Your Heart” – Annalise Emerick. One of the most beautiful songs I’ve heard all year incorporates “Auld Lang Syne” into its gentle folk arrangement. The build-up to the end of the song is simply heart-pounding.

Moody Rock/Electronica Mix

1. “Each to a Grain” – Light Company. Dreamy post-rock, thumping modern rock, distorted bass and melodic vocals create a unique tune.
2. “The Hunter” – Their Planes Will Block Out the Sun. Tight, dark indie-rock with everything in its right place.
3. “All My People Go (Budo Remix)” – Kris Orlowski and Andrew Joslyn. This highlight track from their recent EP gets a bit of a remix, adding a bit (but not too much) of an electronic edge.
4. “Song for Zula” – Phosphorescent. The lead track off Phosphorescent’s upcoming album ties together strings, beats, and an incredibly emotive vocal performance.

Nostalgia for a little-eulogized time

October 23, 2012

I had a strange life of music in the early 2000s; my listening habits tied together the fringes of the pop-punk, emo, pop-rock and acoustic scenes. Andy Greenwald’s Nothing Feels Good covers the general sound, but I listened to stuff that never made it to the radar. So my nostalgia is not for any particular band, but a sound, and City Reign has churning, yearning, melodic yelp of a sound.

Because I was (and still am) obsessed with Appleseed Cast’s “Fishing the Sky,” Deep Elm Records was a staple of my listening in the early 2000s. They’re offering their whole catalog of releases for $5 each for the rest of the year. Top picks: Too Young to Die sampler, There Should Be More Dancing by Free Diamonds, Mare Vitalis by Appleseed Cast, We’ve Built Up to NOTHING by 500 Miles to Memphis. But there are literally dozens of gems in their catalog, so you should just go nuts.

Autumn Owls’ video for “Byways of the Lifeless” caused me to realize that by the mid-2000s, most videos stopped having their credits in the bottom left corner at the beginning. The fact that this one does was a blast from the past in the best way. Also, the hectic sense of motion is reminiscent of early 2000s videos.

Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.

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