Independent Clauses | n. —unusual words about underappreciated music

Cady Groves enjoys the good "Life"

April 17, 2010

I really like old-school Dashboard Confessional. The Places You Have Come to Fear the Most was the maximum amount of emotion you could put into an album before it became maudlin; the rest of his discography would bear testament to that. But Places is the perfect combination of raw vocals, skilled guitarwork, powerful melodies and weighty lyrics. I still listen to it, ten years later.

Cady Groves’ The Life of a Pirate has a lot of similarities to Carrabba’s work. Cady has a similar guitar style (although not as raw or as hard – CC was terrible to his guitar strings in the early days), an honest voice and striking melodies. Her lyrical quality isn’t up to Dashboard standards, but it’s easily enough ignored. Just sing “oh” and you won’t even notice.

And these are singalong songs; they aren’t burdened with any tricks or gimmicks. This is songwriting the way I like it: spare and unadorned. There’s nowhere for Groves to hide in these songs, and – thankfully – she doesn’t need to cover her songwriting in layers of junk. It’s solid the way it is.

“Or Else” is an extremely emotive piece that has several ear-catching vocal melodies; “I’m Still Here” makes me wonder if a female version of Jason Mraz would be as loved by male fans as the real Mr. A-Z is by females (for the record: I think yes). “The Life of a Pirate” starts out with pensive sea noises – as opposed to beach-party noise – and never lets the mood of the beach go. It’s a gorgeous song, and it doesn’t feel forced in the least.

If you like singing along to acoustic pop with an open heart and solid melodies, you’re going to enjoy Cady Groves. Her songwriting is clear, bright and infectious. Recommended.

Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.

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